Ron Carter: Mr. 2,221…and Counting

If you love jazz, but you don’t know who Ron Carter is, you really don’t love jazz.

Why do we say that?

Because Ron Carter is one of the most prolific, innovative and influential bassists in jazz history.
He’s also played with a number of the greats. From Lena Horne to B.B. King, Miles Davis to even A Tribe Called Quest, Mr. Carter’s talent has transcended a variety of genres.

Carter was born in Ferndale, Michigan on May 4, 1937. He started playing cello at age ten, and later switched to the double bass. He went on to play during his time at Cass Technical High School in Detroit, the Eastman School of Music in Rochester, New York and the Manhattan School of Music in the Big Apple.

His professional career in music started with gigs playing bass for Jaki Byard and Chico Hamilton. Carter hit the big time in 1963 when he became a member of the classic and acclaimed Miles Davis Quintet. In it, he played alongside Herbie Hancock, Wayne Shorter and Tony Williams. He played with the group until 1968. During his time, he recorded two albums with them—Seven Steps to Heaven in 1963 and E.S.P. in 1965.

After his quartet time, Carter went on to forge a number of musical partnerships and was a member of the New York Jazz Quartet. He also was a sideman on many Blue Note recordings playing with Freddie Hubbard, Duke Pearson, McCoy Tyner, Horace Silver and many others.

In a career which spans more than 50 years, Carter has more than 2,221 albums to his credit. He’s the most recorded jazz bassist history and was recognized for it by The Guinness Book of World Records in 2016. At 81, Carter is still teaching and performing.

So far as his style, it’s been described as such.

“What makes Carter so unique is the fact that describing his style is more comparable to describing the entire jazz genre—it includes a grandiose and diverse spectrum of sophisticated music that has evolved over the past several decades. Carter has been at the forefront of various jazz movements, from bebop to bossa nova, straight-ahead to experimental. If that weren’t enough, he has thrived in virtually every form of ensemble playing from conservation-driven duos to quartets to big bands. He has played the bass lines that all students of jazz have to learn and does so with impeccable tone, technique, and temperament.”

Ryan Madora

Bass Players to Know: Ron Carter, notreble.com

Sept. 15, 2017

Night is Alive’s own Donald Vega performs on piano with Carter’s Golden Striker Trio.

This just goes to show the caliber of the great talent that we work with. In a nutshell, we represent legends who have been inspired, mentored and celebrated by jazz greats, and we’d love to share their unique sounds with you—and the world.

Learn more about what we do and who we represent.

Night is Alive’s own Kathy Salem is committed to supporting the future of jazz

Pictured from left to right:
Aaron Watson, Lead Alto Sax; Zachary Mighty, Lead Trumpet; Edwin Mompremier, Piano; Avion Wright, Drums.

When she isn’t managing some of the nation’s most inventive and respected jazz musicians, Kathy Salem, the Managing Director of Night is Alive, is helping to ensure that the aspirations of college musicians become a reality.

Last week, four young men at Florida A&M University became the inaugural recipients of the Kathy Salem Jazz Scholarship. These individuals were recognized for their merits on campus and on stage. The winners were Aaron Watson who plays lead alto sax, Zachary Mighty who is a lead trumpet player, Edwin Mompremier who plays piano and Avion Wright who is a drummer.

They all received a scholarship for (insert amount).

All four scholarship recipients are members of Florida A&M University’s Jazz Ensemble. This ensemble is ranked nationally among the top collegiate Jazz Ensembles and has been invited to participate at most Jazz Festivals across the country. It is composed of eighteen musicians selected from approximately four hundred musicians in the total university band program.  The Jazz Ensemble is noted for its diversity of styles and very capable jazz musicians.

Ms. Salem started the scholarship because she believes that it is important to foster the talents of the next generation of jazz musicians. This scholarship is a way for her to give back while supporting the genre of music that she loves so much.

Night is Alive is proud of these young men, and we can’t wait to see what the future holds for them musically.