Q&A Feature Friday with Stevie-D

Q&A Friday Feature with Steve Davis

Born in Worcester, Massachusetts, and raised in Binghamton, New York, trombonist Steve Davis has always had a gift for music, which led him to release twenty albums, gain recognition for his hard-swinging, lyrical style, perform internationally and teach jazz workshops at the Jackie McLean Institute.  

More recently, Davis—nicknamed Stevie-D—has joined with Night Is Alive to arrange the music, and play the trombone in the 2022 album, My Ship, which also features Willie Jones III (drums/bandleader), Jeremy Pelt (trumpet), Wayne Escoffery (tenor sax), Isaiah Thompson (piano), and Gerland Cannon (bass).

And since My Ship is about looking back fondly on your childhood dreams, today we’re going to get to know a bit more about Stevie-D’s childhood, family, and early musical influences!

JK: I read that jazz was played often in your household when you were growing up. Were your parent’s musicians?

Stevie-D: My parents weren’t musicians but they both loved music and my father, in particular, was a record collector—he had a lot of jazz, blues and rock ‘n’ roll albums. Growing up in the 70s and 80s, I had access to his vast record collection and then later CDs. So, there was always good music playing in the house, and just a culture of appreciation of jazz music in particular. And then my grandparents on both sides—my dad’s father, my grandsire, he was also a newspaper journalist like my father was at that time, but a big jazz fan and played the trumpet as a hobby. My dad played the electric bass and did a few gigs in my hometown of Binghamton, NY, but he was mostly just a music fan and played for fun. And my grandsire played the trumpet, and he could belt out “Sweet Georgia Brown” and “When the Saints Go Marching In” and he loved Duke Ellington and Louis Armstrong.

 

And then on my mother’s side, my nana, I called her, she was a great stride pianist. She was the real jazz musician in the family. She was semi-professional and lived in Connecticut. She died when I was 19, but as a kid, I got to hear her play. When I started playing trombone as a teenager, I got to play with her a little bit when we would visit. She didn’t read a note of music, she played by ear—she was a real jazz musician, but being a woman at that time, it just wasn’t so acceptable for her to just do that, so when I look back on it, I think it was relegated more to the parlor entertainment, like “Oh isn’t that nice, you know, she’s playing the piano.” But she played all kind of Gershwin and American songbook standards and Ellington, and I learned a lot from her. She could really play.

JK: That’s an amazing story, but a shame that she wasn’t able to pursue it more.

Stevie-D: Well, she did to some degree. Boy, she would sit down—she had a piano in the house, it’s a Steinway, my parents still have it—and she’d sit down at that thing and just start swinging and play all kinds of things—”Honeysuckle Rose,” “Them There Eyes,” “Undecided”—some of the old swinger tunes, and she’d sing a little bit. She just had it. She knew what to do. So, then I would get my horn out eventually and she would teach me some of these tunes and I did it just naively, and we had fun together. So, I did get to play with her, and looking back all these years, forty years later, I cherish those memories very much. She’s a big influence on me for sure.

JK: Did you have a most beloved song growing up?

Stevie-D: Wow. Um. There’s so many. Well, one of the first songs I learned to play on my trumpet—I started on trumpet then I switched to baritone horn, and they suckered me into the tuba for a while at school, and I would up on trombone at 14, so I was a bit of a latecomer—but one of the first songs I could play on any of those instruments was “When the Saints Go Marching In,” just by ear. I always like that song, but I think everyone loves that song. My nana’s favorite song was “Embraceable You” by George Gershwin, and I played it at her funeral when I was 19 years old and I did it, again, the best I could by myself. I didn’t even appreciate or understand the depth of that moment the way I would now. So, I love that ballad.

There are so many songs I love, and plus as a kid, I was listening to the blues, B.B. King and Muddy Waters, and rock ‘n’ roll, Rolling Stones and the Beatles, Jimi Hendrix. There’s lots of great music but “Embraceable You” was a special one because it was my nana’s favorite, so I think that one’s very close to my heart.

JK: Have you played it since then?

Stevie-D: Here and there. It’s one of those tunes that I, you know some songs are so special to you that you hold it out for the right time. There are some other American Songbook standards that I wanted to play in my 20s when I had become a serious jazz musician and now that I’m 55 years old, I finally feel ready to play them in the way that I was dreaming of as a younger musician. My wife, Abena—her name is Abena Koomson Davis—she’s a great singer and knows a lot about the American Songbook. She loves “Polka Dots and Moonbeams,” so I always play that one for her and I love that song too. There’s so many obviously, that was one of the things that was so fun about the project with Willie and everyone—we always delve into some of the great standards, and I think all of us really appreciate the opportunity to interpret some of the American Songbook classics and put a little bit of a fresh spin on it, but also play the tones hopefully with a great deal of integrity and genuine feeling.

JK: Do you think you’ll record a rendition of “Embraceable You” at some point?

Stevie-D: I’d love to. I look forward to it. I haven’t yet. I’m just holding that one. I appreciate the question. I’m looking forward to it; probably sooner than later.

And the conversation will continue . . . Look for the next installment of the interview next Friday! And in the meantime, if you’re looking for more Stevie-D, check out our album My Ship, which is available in our store and on all major music platforms now. 

Five Songs for a Road Trip Out West

Five Songs for a Road Trip Out West

I don’t know about you, but I start to feel a bit of ennui during the late part of the summer. Especially when I was a kid, out of school for months, I’d start to feel a bit restless by mid-to-late August. Maybe this is why August is such a popular month for people to take a trip out to the American West?!

The American West is filled with unparalleled natural beauty that is sure to satisfy your craving for the picturesque. The pristine lakes and remarkable mountains of Grand Teton National Park in Wyoming. The stunning red rock landscapes of Moab, Utah. The hot springs, mud pots and fumaroles of Yellowstone National Park.

And with all the outdoor activities—hiking, kayaking, paddleboarding, just to name a few—the West is definitely the place to go to find some adventure!

Now, the most important question: what music should you listen to on your road trip out to the great American west? Don’t worry, we got you covered with the best tunes to get you in the mood for your vacation!

Marty Robbins – Ballad of the Alamo

This song comes from the epic 1960 historical war film, “The Alamo,” which stars John Wayne as Davy Crockett. Listen to this ballad before you tour the Alamo in San Antonio, Texas and as you’re walking around, you’ll notice that between the setting and the rising of the sun, you can hear a ghostly bugle as the men go marching by . . .

Eddy Arnold – Cattle Call

As you’re driving out west in your car or RV, you’re going to see plenty of open spaces, fields and, of course, cattle! This fun 1934 tune will be sure to put a grin on your face as you admire the cows and oxen. 

Maybe if you’re feeling especially frisky, you can stick your head out the window and say hello to the livestock! Moo! Who knows, maybe you’ll help scare away the howlin’ coyotes!

Sons of the Pioneers – Tumbling Tumbleweeds

First recorded in 1934, this western ballad captured the spirit of the Great Depression. Following the Dust Bowl, the “Dirty Thirties” saw many men wandering around the country looking for work, drifting along with the tumbling tumbleweeds.

And did you know that the Sons of the Pioneers, founded in 1933, are actually still around today? Of course, the membership has changed frequently over the years, but they are now one of the longest-surviving country groups in the world!

Harve Presnell – They Call the Wind Maria

This song was written for the 1951 Broadway musical, Paint Your Wagon, which takes place during the California Gold Rush of the mid 19th century. The driving, staccato rhythm of the tune, played on the string instruments, creates a sense of restless, unending motion, as if one is riding a horse or cowboy all day and night long!

Janis Siegel, John Di Martino & Lonnie Plaxico – Always on My Mind

https://www.youtube.com/watch?v=erNCR–NNMk

A classic tune performed by everyone from Loretta Lynn to Elvis, and, of course, the figure of outlaw country himself, Willie Nelson, this iconic ballad just had to be included on our list. The strong sense of bittersweet regret is simply timeless.

But have you ever heard a jazzy rendition of the song? Boy are you in for a treat with this new recording that features an impeccable flute solo by Aaron Heick!

“Always on My Mind” comes from our country jazz album, Cryin’ In My Whiskey, which is available on all major music platforms and in our store today.

Songs to Listen to During a Late Summer Storm

Songs to Listen to During a Late Summer Storm

Did you know that the more heat and humidity there is in the air, the stronger and wetter a thunderstorm will be? Yup, that’s right. The hot, humid draft rises to a point where it eventually condenses and forms a cloud, which grows until it’s ready for a torrential downpour.

But a summer storm doesn’t have to be a downer or disappointment. Rather, the overcast skies and rain can be a nice break from the seemingly relentless sun! And what better way to enjoy a later summer storm than reading a thrilling novel while you sip on a nice glass of crisp white wine and listen to some soft jazz?

Lorca Hart Trio – Here’s That Rainy Day

I don’t know about you, but there’s something about those gray clouds in the sky, obscuring all the blue, that calms me. Ah, there’s nothing like the smooth trinkle of raindrops sprinkling against the windowpane and the musty smell of a well-loved book with worn, dog-eared pages.

This new 2021 tune really captures the spirit of a cozy rainy day. Ralph Moore’s smooth, buttery saxophone really takes the edge off and makes you want to kick back and relax.

Stormy Weather – Etta James

This 1960 ballad is heart wrenching in its exploration of sorrow following the dissolution of a romantic relationship. The speaker’s heart is full of stormy weather since she and her man are no longer together.

She feels like she just can’t go on, yet, at the same time, James’s powerful, sunny vocals and the lyrics about praying to walk in the sun once more seem to hint at future hope. Because remember, after a rainstorm always comes a rainbow.

Come Rain or Come Shine – Ray Charles

Whether we like it or not, there are many ups and downs in life. But without the alternating rain and shine, we would all just be bored, wouldn’t we? The so-called rain is what makes us stronger, and, like Ray Charles sings in this song, it also shows us who is really there for us when it matters.

As you enjoy your later summer storm, why not celebrate love with this beautiful 1959 tune? It’ll remind you of all those people who have stood by you come rain or shine.

John Di Martino, Joe Magnarelli & Wayne Escoffery – Hudson River Wind

Maybe you’ve been having a difficult time lately. Misfortune just keeps knocking at your door and it won’t stop. Well, you know the saying—when it rains it pours, meaning that when things go wrong, they do so all at once.

Challenging periods like that may seem unbearable and insufferable, but if you’ve ever been to the Hudson River in eastern New York, you know that it can actually be quite magical to watch the storm stir up the water. This lovely 2022 song will inspire you to change your perspective and view your setbacks not as reasons to cry but as opportunities to grow.

If you’re looking for some more relaxing, instrumental jazz tunes for your rainy afternoon or evening, I’d recommend our new albums Old New Borrowed & Blue and My Ship, both of which are available in our store and on all major music platforms today!

This post was written by Digital Marketing Manager Jacqueline Knirnschild.

When was Louis Armstrong Born?

When was Louis Armstrong Born? 

Nicknamed “Satch,” “Satchmo,” and “Pops,” Louis Armstrong is easily one of the most well-known and beloved jazz musicians in the world. 

Armstrong was born exactly 121 years ago—on August 4, 1901—in New Orleans. Abandoned by his father and raised by his grandmother until age 5, Armstrong unfortunately spent much of his youth living in poverty. However, he found a safe place in the home of a family of Lithuanian Jews for whom he worked, collecting rags, and delivering coal. The family knew that Armstrong lacked a father, so they took special care to feed and nurture him.

At age eleven, Armstrong dropped out of school and joined a street quartet of boys who sang for money. Eventually, he joined a band where he developed his cornet skills. Finally, in 1918, the future legend found his way to a riverboat where he played in a brass band, learned to read music, and began expanding his career.

Now that you know a bit about Armstrong’s origins and childhood, it’s time to take a look at a few of the most pivotal songs in his five-decade-long musicianship!

King Oliver’s Creole Jazz Band – Chimes Blues

Dating back to 1923, this is the very first recording that Louis Armstrong ever did! And even at such an early stage in his career, Armstrong was a groundbreaking as an inventive soloist. Just listen to his cornet solo in “Chimes Blues” to see what I’m talking about.

This tune represents the beginning of a foundational change in jazz—a shift in focus from collective musical improvisation to solo performance.

Louis Armstrong – Heebie Jeebies

Also recorded in Chicago, this 1926 tune is said to be the first example of scat singing in jazz history. What is scat singing you may ask? Well, it is improvised jazz singing, usually involving nonsensical syllables that replace lyrics and imitate the sound of an instrument.

Legend has it that Satch dropped a sheet of music while they were recording, so he just did his best to improvise and, in this way, accidentally invented a new style of jazz vocalization that became an instant sensation and inspired countless singers to come! Talk about impressive.

Louis Armstrong – Ain’t Misbehavin’

During a time of segregation, Armstrong was one of the first African American entertainers to “cross over,” meaning that he become popular among not only black audiences but also white and international crowds.

Armstrong performed this song with a band at a popular Harlem nightclub called Connie’s Inn in 1929. White audiences loved his unique style of singing and playing instruments, which led to Armstrong later performing with many popular white musicians. For example, he appeared in many films in the 1950s and 60s, such as High Society in which he played alongside Bing Crosby, Gracey Kelly, and Frank Sinatra.

We hope that you enjoyed this post and that it allowed you to celebrate Satchmo’s birthday!

Obviously, we at Night is Alive do not have any songs featuring Louis Armstrong, but we do have some snazzy tunes that have been inspired by the legacy of Louis Armstrong. A great example is “Hudson River Wind,” which is from our album Old New Borrowed & Blue, available in our store and on all major music platforms.

This blog post was written by Digital Marketing Manager Jacqueline Knirnschild.