An Interview With Bill Cunliffe

Grammy-award winning jazz pianist and composer Bill Cunliffe has collaborated with Night is Alive on multiple occasions. His most recent album, Border Widow’s Lament, is a powerful and moving tribute to the rich tradition of jazz music. He can also be heard on popular Night is Alive Christmas albums Christmas in the Dog House and That Time of Year. We sat down with Cunliffe to pick his brain about music and life in general…

Night is Alive: How did your family play a role in shaping the musician you are today?

Bill Cunliffe: Well, my mother was a pianist. My father is a musicaholic, He always had music playing in the house. So, I was exposed to music at a very early age.  My exposure to music at a very early age helped create my lifelong passion for music.

NiA: You have taught at several different schools across the country. What do you enjoy the most about teaching?

BC: Working with a student on a piece of music that they’re working on. Then referring to another piece of music. Our music is mostly by ear and not by sightseeing. So, the best way to learn it is by hearing a similar piece of music. Each time I work with a student on a piece of music I have heard I experience it in a different way.

NiA: What was your favorite part about working on Christmas In The Dog House with Night is Alive?

BC: Making music is my favorite part. The process of composing, arranging, and producing is always the best part about working on an album. Christmas music also can adapt easily to jazz. There seems to be more and more Christmas albums every year that are in jazz every year. People seem to respond well to jazz Christmas albums. People responded well to Christmas at the Doghouse. 

NiA: Do you have any fun family traditions for Christmas?

BC: No, I don’t. Of course I do similar stuff to other people like a Christmas tree. This year I’m shopping for a LED wreath for my beautiful 100-year-old Spanish house. My house is not quite as festive as some of the other houses in the neighborhood, so I want to spruce it up a bit for Holiday season. 

Check out this other interview we have with Bill Cunliffe, as well as his many albums with Night is Alive.

An Interview With Frank Lacy

Night is Alive is back with more from our world-class musicians! We sat down with Frank Lacy, whose talents are not limited to trombone, as he is a featured vocalist on Night is Alive’s most recent Christmas album, “This Christmas With Night is Alive.”

Night is Alive: Clearly, you grew up in a very musical family, and you played several instruments throughout your childhood. How did all these musical influences impact your successful career as a jazz artist?

Frank Lacy: It helped to diversify all that I could do artistically. It enhanced my ability to play different brass instruments. It also helped me with being a vocalist, being able to arrange and compose. So it has lead me to a mirage of different opportunities as a musician. 

I have recorded with people such as Kid Cudi. I played in the Mingus Big Band. I have recorded two records with Elvis Costello. I have won two Grammys with McCoy Tyner’s Big Band.

NiA: You have traveled around a great deal, playing in different jazz bands across the country. What is your favorite place to travel?

FL: I did dig being in Siberia for a month. I was performing, and often when people think of Siberia, they think “Oh, cold.” However, it’s very different than people would think. I enjoyed Iceland, too; I did some teaching and playing there and it was very interesting as well. These places are often not thought about because of their remoteness.

NiA: What made you decide to collaborate with Night is Alive Productions and vocalist Teddy Horangic on a Christmas album?

FL: It wasn’t my idea, it was the idea of the tenor saxophone Wayne Escoffey. Wayne teaches at Yale university and Teddy was going to school there. I had worked with Wayne before at Gizzi’s. Wayne thought it would be a great idea to collaborate on a Christmas Album. It really was Wayne Escoffey, he was the one who basically produced the record.

NiA: What was your favorite part of recording This Christmas With Night is Alive?

FL: I had never sung on a Christmas record like that, that’s number one. Number two: remembering and trying to recreate the Christmas songs that we did. Everyone knows these tunes, so we wanted to put our own spin on it but not let it get lost in putting our own spin on it. We wanted to let the Christmas carol really be sung and understood as a Christmas carol, not trying to change it up too much. Just so we could give the music to the people in a jazzier way.

NiA: This Christmas With Night is Alive is all about the spirit of Christmas and traditions of Christmas. Do you have any fun family traditions around the holidays?

FL: Not exactly, basically just the whole spirit of Christmas. All the things that people do for Christmas: the presents, the Christmas tree, the lights, the food. Just just for Christmas, but the whole period leading up to Christmas.

For more on Frank Lacy and This Christmas With Night is Alive, visit nightisalive.com/portfolio/this-christmas