Fall Foliage Jazz Playlist

Photo by Ivan Kuznetsov on Unsplash

Did you know that fall is America’s favorite season? A recent survey shows that 45% of participants named autumn as their favorite. I bet this has something to do with the stunning foliage in many parts of the country. It just brightens your day so much when your commute to work is bathed in hues of orange, red and yellow. And what about the smell of the leaves and the crunch underfoot? There really is something magical about the time of year when the trees shed their outer coats. So, while you’re driving, walking, cycling or just sitting on the front porch enjoying the fall foliage, enjoy our Fall Foliage Jazz Playlist. These songs will have you breathing in and soaking up the enchantment of autumn.

Hudson River Wind – John Di Martino, Joe Magnarelli, Wayne Escoffery & others

The magic of the changing leaves are heightened when a nice crisp gust of river wind blows them off their branches. The leaves flutter, like butterflies, down onto our sidewalks and windshields, creating a collage of colors. Like the swirling, groovy beat of this beautiful song from Night is Alive’s album Old New Borrowed and Blue, the river winds bring so much joy.

Where Do I Put His Memory – Janis Siegel, John Di Martino & others

Maybe you’ve just gone through a breakup or lost a loved one and are struggling with placing those memories in the past. I don’t know about you but when I am feeling down and blue about something in my life, I enjoy going for a long drive through the woods. The trees, leaves and green grass help to calm my nerves while I listen to some music, like this song from Night is Alive’s country jazz album Cryin’ in My Whiskey.

Don’t Know Why – Lonnie Plaxico, Douglas Plaxico & Lafayette Harris Jr.

There is something about Norah Jones that feels very autumnal to me, like her music just makes me want to pull a warm cozy knit sweater over my head and drink a cup of tea while observing the fall foliage. But why not spice things up a bit with this brand new rendition of Jones’s beloved song, from the album Radiance.

Kathy’s Blues – Harry Allen Trio

This song, inspired by Night is Alive’s founder and director Kathy Salem, is velvety and cool, smashing and dashing, with Harry Allen’s sax taking center stage. From the album It Takes 3, this tune will make you want to twirl around outside, embodying the spirits of the trees and the energy of the season!

Dayne – Lorca Hart Trio

After enjoying the fall foliage, you are probably feeling rejuvenated, refreshed and light on your feet, which is the vibe of this song, from Night is Alive’s beloved album Colors of Jazz. Having restful and easeful moments can help prepare us for the busyness of life that will inevitably return with the start of the holiday season. Cheers!

Check out this music and more on Night is Alive’s albums page!

written by Jacqueline Knirnschild

Photo by Ivan Kuznetsov on Unsplash

Haunting Jazz for a Haunted House

Photo by Ján Jakub Naništa on Unsplash

You’ve set up the fog machine and lights, and positioned the cobwebs, dust and skeletons, which means it’s time for the sound effects! But rather than use the predictable eerie sounds, why not opt for something a bit more unsettling and frightful? Our Haunting Jazz playlist will hypnotize your guests into an experience like no other. These songs offer a darkly sophisticated twist on the Haunted House with chilling, atmospheric swing. The slow build-ups and deep rhythms will really get under the skin and create a deep, all-encompassing sense of dread.

Standing By the Window Waving Goodbye – Bill Cunliffe, Tim Horner & Martin Wind

Wave goodbye to the world of sanity and reality as you enter into the Haunted House with this mesmerizing song from Night is Alive’s album The Border Widow’s Lament. The methodical plucking of Martin Wind’s bass creates a spooky, tense vibe, like the slow drip of water from a faucet. Let the tension and anxiety build as you round the first corner and AHH! A zombie jumps out to grab you.

Deep In A Dream – John Di Martino, Harry Allen & others

Being inside of a haunted house feels like a dream, or maybe more like a nightmare . . . the rules of reality no longer apply and anything could happen. A huge spider could fall from the sky, a cat could arch its back and shriek at you, or a bloody corpse could twist and turn on an operating table. Let the dream take over, just like in this song from Night is Alive’s album The Border Widow’s Lament.

Recluse – Lorca Hart Trio

It’s so dark inside this haunted house, maybe you get lost, separated from your friends. Oh no! Where is that skeleton hand guiding you? Have you become a recluse, a loner inside this ghoulish space? I bet it’s scary to be all alone, which is a feeling portrayed in this song from Night is Alive’s album Inspiration and Gratitude.

The Gypsy – John Di Martino, Wayne Escoffery & others

Is that a gypsy or a witch performing dark magic in the corner of the haunted house? What is she doing? Be careful or you might just become possessed. Let the entrancing sound of Joe Magnarelli’s trumpet, in this tune from Night is Alive’s album Old New Borrowed and Blue wash over you as you plan your escape.

Are You Alright? – Janis Siegel, John Di Martino & others

It’s okay to be a little bit scared during this spooky time of the year. While you’re enjoying the haunted houses, just check in with yourself and make sure that you’re alright. Like the tender voice of Janis Siegel in this song, from Night is Alive’s country jazz album Cryin’ In My Whiskey, it’s important to take care of yourself!

Check out this music and more on Night is Alive’s albums page!

written by Jacqueline Knirnschild

Photo by Greg Panagiotoglou on Unsplash

Pumpkin Carving Jazz Tunes

Photo by Steven Van Elk on Unsplash

The perfect songs to add to your spooky season playlist.

It doesn’t really feel like fall until you make your first jack-o-lantern, does it? It’s so much fun to think up a ghoulish design and bring your pumpkin to life. But what’s a carving session without a great soundtrack? Ditch the typical spooky sounds this year for something a bit more elegant and graceful with Night is Alive’s Pumpkin Carving Jazz Tunes playlist. These five cozy, autumnal jazz songs–from Bill Cunliffe to Lonnie Plaxico–will have you nodding your head and tapping your toes while you turn your gourd into a glowing masterpiece!

Slangelang – Bill Cunliffe, Tim Horner & Martin Wind

Things on Halloween may not always appear to be what they seem, like that black cat on the corner, is she just a cat or a witch in disguise? Or what about that flickering light in the window–is it just a candle or a ghost signal? Anything is possible, a sentiment that is captured beautifully in this song from Night is Alive’s album Border Widow’s Lament.

Ness and His Family – Lorca Hart Trio

Continuing with the theme that things aren’t always as they seem, perhaps the “Ness” in this song is the Loch Ness Monster? Oh my! As you listen to the smooth saxophone can you imagine the Loch Ness Monster sliding into the depths of the ocean? I bet this tune, from Night is Alive’s album Inspiration & Gratitude, will inspire some mystical designs on your pumpkin.

Shake Down the Stars – John Di Martino, Harry Allen & others

The slinky vocals of this tune, from Night is Alive’s album Call Me Irresponsible, evoke the effortless gliding of a knife through the skin of a pumpkin. Don’t limit yourself while you carve and create. Shake down the stars, and climb the ladder of creativity to make something that you’re truly proud of!

Mona Lisa – Lonnie Plaxico, Douglas Plaxico

Your pumpkin masterpieces may not exactly measure up to the Mona Lisa, but the sky is the limit. Let this song, from the new album Radiance, inspire you to design a facial expression on your pumpkin that is very mysterious. Is the orange monster smiling or keeping a secret? Angry or casting a spell? Who knows!

Border Widow’s Lament – Bill Cunliffe, Tim Horner & Martin Wind The majestic soaring of Martin Wind’s bass in this song, from Night is Alive’s album Border Widow’s Lament, is beautiful, haunting and rich in resonance. It will hypnotize you as you put the final finishing touches on your pumpkin carving and usher in the candlelight.

Check out this music and more on Night is Alive’s albums page!

written by Jacqueline Knirnschild

Photo by Steven Van Elk on Unsplash

Songs for a Zesty Zoo Day

Photo by Daniel Dvorský on Unsplash

Usually the zoo is so hot and crowded, it can be a bit unbearable, but with this cold snap in the air, I’m feeling pretty zesty, energetic and motivated! I bet the animals are feeling it too, which makes it a perfect time to go and appreciate the diverse and incredible creatures around us. This playlist is for all those who are feeling that extra pep in their step and want to keep the energy levels high as you drive to the zoo. It’s filled with cool, swinging jazz to match the playful energy of the penguins, the chill vibe of the sloths, and the majestic rhythm of the lions. So put on your walking shoes, grab your binoculars, and get ready to add a little extra zest to your zoo adventure.

Lonnie Plaxico, Camille Thurman & others – Sideshow

From the brand new album, Radiance, this peaceful song will get you ready for all the sights and shows you’ll see in the animal kingdom. Keep your eyes peeled while you’re at the zoo because while everyone is watching the lion yawn, there may also be a hummingbird hiding in the flowers! Be mindful and present to catch a glimpse of the little sideshows of life.

Harry Allen Trio – Runnin’ Wild

At the zoo it’s hard to tell sometimes who is running the most wild–is it the peacocks, monkeys or the little children spectators eager to see every fantastical creature? This tune, from Night is Alive’s album It Takes 3 will make you want to run wild, like a cheetah. But make sure to watch your step as you explore the many wonders of the zoo, and let the children go first and get the best view at the front, by the glass!

Bill Cunliffe, Tim Horner & Martin Wind – Little Bird

This whimsical, light-hearted song, from Night is Alive’s album Border Widow’s Lament, will have you flitting around the zoo like a little bird! But did you know that modern birds are the direct descendents of dinosaurs? Yes, it’s true! So while you observe the cuteness of those cranes, eagles and flamingoes, be sure to also pay attention to their claws, wingspan and stance. Once you see the dinosaurs in those little birds, they may not seem so little anymore . . .

John Di Martino & others – Imagination

While strolling at the zoo why not let your imagination run wild? You could imagine that the snake is whispering to you, like in Harry Potter; or that the hyenas are laughing at the man who just dropped his ice cream cone! Or maybe the tortoise is a wise old professor and the croaking frog is his student? Who knows! The sky is the limit, and this lovely song, from Night is Alive’s album Call Me Irresponsible will indulge your greatest whimsies.

Bill Cunliffe, Tim Horner & Martin Wind – Standing By the Window Waving Goodbye

Alas, like all good things, your zoo adventure must come to an end. I bet you feel like a little kid being pulled away by his parents from all the fun and excitement. Maybe you’re even standing by the window of your favorite animal waving goodbye? Let this song, from Night is Alive’s album Border Widow’s Lament wash over you while you make your final rounds to all your furry and scaled friends.

Check out this music and more on Night is Alive’s albums page!

written by Jacqueline Knirnschild

Photo by Daniel Dvorský on Unsplash

Have a Jazzy Oktoberfest!

Photo by Marlene Haiberger on Unsplash

Do you know where the first Oktoberfest was held? That’s right–Munich, Germany! And which year was it held? Correct–1810! So that means this fun-loving 16-day beer-drinking  festival has been going on for over two hundred years now! So how about you continue the tradition by gathering your friends and family and heading out to enjoy some delicious traditional Bavarian food and beer. But of course, before you begin the funfest, how about some jazzy tunes to get you excited?

Lonnie Plaxico, Lafayette Harris Jr. – The In Crowd

When you’re among the throngs of partygoers at Oktoberfest, you are definitely in the “in crowd,” so it makes sense to listen to this brand new tune from the album Radiance. While you get ready for the day by putting on your lederhosen and dirndls, enjoy the fast, upbeat pace of Lafayette Harris Jr.’s groovy piano!

Harry Allen Trio – Runnin’ Wild

With all the pretzels, schnitzel, sauerkraut and strudel, you are going to be runnin’ wild from tent to tent at Oktoberfest! Just like Harry Allen’s dashing saxophone in Night is Alive’s album It Takes 3, you are going to be frisking and prancing all about! Don’t forget to wash it all down with a nice cold stein of beer too.

John Di Martino, Harry Allen, Dave Stryker & others – The Second Time Around

Now that you’ve warmed your belly with some good grub and drink, it’s time to take a second walk around the fest and play some games! Have you ever tried to dance the polka? Done a keg rolling contest? Played ring toss? What about a yodeling contest or stein-holding competition? The options are endless, so make sure to enjoy the second time around like this song from Night is Alive’s album Call Me Irresponsible suggests!

WJ3 All-Stars – Wave

It’s not Oktoberfest without good friends and company! Have you run into some folks you know in the community? Make sure to wave and smile at everyone because who knows, maybe a wave can just lead to something more . . . Uh oh, who is that kissing behind the beer tasting stand!? Let the smooth waves of this jazz tune from Night is Alive’s album My Ship envelope you in a nice buzz.

Lorca Hart Trio – Bye Ya

Like all good things, Oktoberfest must come to a close, but alas, the party doesn’t have to end. Even though you may be saying “bye ya” to the funfest, you could still invite some friends over for an afterparty, or buy a nice beer mug to bring home and remember the day by. Like this song, from Night is Alive’s album Colors of Jazz depicts, saying goodbye doesn’t have to be a sad affair, it can still be jolly!

Check out this music and more on Night is Alive’s albums page!

written by Jacqueline Knirnschild

Photo by Marlene Haiberger on Unsplash

Enchanting Jazz for a Renaissance Festival

Have you ever been to a Ren Faire? With costumes like peasant skirts, breeches, elf ears and battle swords; the sumptuous fare of turkey legs and mead; and the many exciting activities, like jousting and fortune-telling, the Ren Faire really is an imaginative playscape for adults! Of course at the Ren Faire, folk music is also usually performed, but what if you’re more of a jazz fan? What if you want something a little more snazzy to listen to while you get dressed and drive to the Ren Faire? Don’t worry, Night is Alive has got you covered with a playlist of enchanting jazz great for a Renaissance Festival!

Bill Cunliffe, Tim Horner & Martin Wind – Border Widow’s Lament

Tim Horner’s haunting bass in the titular song of Night is Alive’s album will hypnotize you just like a wise woman’s palm reading at the Ren Faire. Is that your life line? It’s looking very long, which is a good sign, but then it is intersected at the end there by another line . . . What could it mean? Does it mean the border widow has a lament with you?

Lonnie Plaxico, Douglas Plaxico, Camille Thurman & Lafayette Harris Jr. – Mona Lisa

Oh, Mona Lisa–the famous enigmatic woman in the Da Vinci painting from the flourishing Italian Renaissance. Is she smirking or is it an optical illusion? What is she hiding behind that expression? This song, from the new album Radiance, captures the captivating mystery of Mona Lisa. The winding piano touches on every note of the famous artwork and the secrets she’s hiding.

Lorca Hart Trio – Discoveries

This song, from Night is Alive’s beloved Colors of Jazz album, portrays the beauty of learning and discovery. From the archery contest to the fire-breather, from the knife-thrower to the witch’s cauldron, there are ample discoveries to be made at the Ren Faire! Let your spirits and imaginations run wild while you wander around. Strike up a conversation with the performers and historical reenactors to discover something new.

WJ3 All-Stars – I’ve Never Been in Love Before

With fairy and elf magic in the air, the Renaissance Festival may just be one of the most romantic places to fall in love. Maybe you’re single and haven’t always been lucky in love, but I encourage you to wear your heart on your chemise sleeve on this beautiful, fair day! Listen to this smooth jazz song, from Night is Alive’s album Lover and Love Songs, to lift your spirits and open yourself to new possibilities!

Bill Cunliffe, Tim Horner & Martin Wind – Slangelang

All the herbs and spices, meads and beers, sunshine and smoke of the Renaissance Fair may make you feel like you’ve entered a whole new world. When it’s all said and done, these memories will drift away into dreams, just like this song, from Night is Alive’s album Border Widow’s Lament.

Check out this music and more on Night is Alive’s albums page!

written by Jacqueline Knirnschild

Photo by Matt Benson on Unsplash

Q&A with Camille Thurman – Part 2

Part Two of Night is Alive’s exclusive interview with Camille Thurman

It’s finally here – the final part of our conversation with the incredible Camille Thurman! As an accomplished composer, esteemed saxophonist, vocalist, and unique interpreter of the jazz tradition, she is quickly becoming one of the leading standard bearers of the art form (from https://www.camillethurmanmusic.com/bio). And now, more from Camille…

NiA: You have five studio albums now, and received multiple jazz awards. Which moment from your career makes you most proud?

CT: Getting recognized is nice and great and wonderful but the real reason you do it is for the love of the music and every time I get to play with a musician I love is an honour and a privilege. That they’re willing to join you in creating their vision is an honor. Whether you get recognized or not isn’t as important as getting to play with the people you really respect and admire.

NiA: Yes, it is such an honor. In the beginning what music were you and these musicians playing together? Jazz standards?

CT: In the beginning I figured out who I wanted to play with and work with, then the first step was learning their music, as well as learning all the stuff that you should know. If you’re playing in a session, play the repertoire, learn what particular people want to work with, what are they playing, so if hypothetically you get an opportunity to play with them, know where they’re coming from, whatever it is. You need to meet them where they are and have musical conversation, and my own stuff that over the years I like and have been attracted to are things that inspire me and a lot of times things that I’ve learned from.

NiA: What was it like to record the new album Radiance? Do you have any favorite moments that stood out?

CT: It was really fun! Lonnie Plaxico is an incredible bassist, and he played with Art Blakey, so it was just an honor and privilege. Like woah, I couldn’t believe I got to play with him. I was with my band and Darrell Green, when I got the call from Lonnie Plaxico that he wanted me on his project, and I thought let me get all my stuff together, he’s incredible. I love and appreciate his musicality and composition and so, I was like wait, we’re not doing your stuff?  He used to tell me stories all the time about going up to Chicago and what it was like at that time–you had to learn the music of the people and make people groove and dance and if you could do that that’s what mattered, it wasn’t about showing off on your instrument. He talked about that a lot, so I was like, “wow okay you’re finally getting to do this” and he was like “I want you to have an opportunity to do what you do too on the album.”

The whole session was just fun and easy, not technically easy, but just could breathe with ease–that’s how it felt recording all the music. We didn’t even have to do multiple takes, we just came in and did it and it just happened, the way Lonnie played was just wow…. I was like a kid in the candy store. Recording the music just felt so good, which is what matters. Does it feel good? If it doesn’t feel good, you’re going to work hard. But the whole session was fun and easy. I appreciated it so much because you don’t hear that every day. And Lonnie Plaxico’s brother comes from that same era, so it felt like I was transported in time–that was the real deal and it’ll get the people feeling good.

NiA: Which is your favorite song from Radiance?

CT: Oh, that’s a hard one! I really liked “It’s a Shame.” When you have projects like this, when you’re pulling out different songs from different eras especially when it’s an iconic song, but you don’t want to abandon your own way of playing, it’s always tricky and fun. It’s fun keeping the respect of what it already is and to be able to appreciate it. And even though I’m the new generation I was able to find my own way of hearing the song; I wasn’t trying to just copy it exactly. I really had a lot of fun on this album and everyone should go and buy it!

Check out Night is Alive’s albums page for the very best in jazz, including Radiance.

Learn more about Camille Thurman at https://www.camillethurmanmusic.com/

written by Jacqueline Knirnschild

Q&A with Camille Thurman – Part 1

Part One of Night is Alive’s exclusive interview with Camille Thurman

This week we had the privilege of speaking with Camille Thurman, the accomplished and multi-talented jazz musician whose powerhouse vocals and distinctive saxophone are showcased in the hot new album Radiance. Thurman may be the youngest musician on the album, but with five full-length studio albums and numerous prestigious awards under her belt, she is quickly becoming a name to remember. From touring and performing as a bandleader in Paraguay and Nicaragua, to founding a mentorship series and serving as cultural ambassador in Cameroon, Mozambique, Nigeria, Senegal, and Mauritania, Thurman has done it all!

Night is Alive: You are a saxophonist, singer and composer; and I’ve read that you practiced vocals, piano and flute as a child. What is your earliest musical memory? Which of your many musical pursuits were you originally drawn to most as a child?

Camille Thurman: Probably playing violin at age five. I remember my mother introduced me to Noel Pointer in Brooklyn and he had this blue violin and I was very intrigued by the blue. It had this lacquer on it that just shined.

NiA: Oh wow, I can imagine the blue being very intriguing at age 5! Did you get your own blue violin?

CT: I got a regular violin, it was great. I got to do it for a year, there was a great teacher at my school, Miss Young. And both of my parents appreciated music–my mom sang and played the piano. She would practice at night when I would sleep and I could hear her, then in the morning I would try to pluck the song she was singing on the piano. I learned a lot of songs this way and then they had a talent show at school and I signed up and told my mom and she was like, “wait what?” I just told her, “Oh, I’m going to play the piano, I hear you practice at night.” At that time I think she was playing Bette Midler’s “From a Distance” and I played the melody and she was floored, and I played it from beginning to end at the talent show in the 3rd or 4th grade.

NiA: That’s amazing! I bet she was so impressed by that. You’ve also played with musicians such as Tia Fuller and Mimi Jones.

CT: Tia Fuller and Mimi Jones were my mentors. Tia took me under her wing when she got out of college and she introduced me to Mimi Jones and I got to work with her. Tia was like my big sister–I learned so much from her about being a musician, being a woman in the industry, she got me through a lot and we had some amazing times together.

I didn’t play all the gigs with her; it was more like an apprenticeship, then after that I started playing with other people too–a mixture of playing with her and other musicians, getting on the scene, playing as much as you can. I played with Mimi and Terri Lyne Carrington, Wynton Marsalis and the Jazz at Lincoln Center Orchestra, and got to do a few things with other people, like Nicholas Payton, and so many others.

NiA: Do you have a favorite musical performance?

CT: No, you’re just doing it–every time you get to play it’s an accomplishment. Musicians are a dime a dozen. Everyone is trying to make a name for themselves, and I just wanted to play with my heroes. So just to get a call from them to play, that in and of itself was an accomplishment. Getting a call from one of your heroes saying, “Hey I want you in my band” is such an accomplishment. I’m getting to play with this person with all this history, like Louis Hayes, that was another wow. Every opportunity was special, getting to play with Terri Lyne Carrington. There wasn’t necessarily one particular moment.

Look for the second part of this compelling interview, coming soon! In the meantime, check out Night is Alive’s albums page for the very best in jazz.

Learn more about Camille Thurman at https://www.camillethurmanmusic.com/

written by Jacqueline Knirnschild

Songs to Listen to this Autumn Equinox

We are often too busy and bustling about in our lives to notice or celebrate the equinoxes as the moments of change and equanimity that they are. There are only two equinoxes each year, in the autumn and spring, and they mark the times when the axis of the Earth is not tilted toward or away from the sun, but rather has equal amounts of daylight and darkness all across the globe. This year, in the Northern Hemisphere, the autumn equinox will fall on Monday, September 22nd, and if you’re in the Eastern Time Zone, it will be at exactly 2:19 in the afternoon. So, take a break this equinox and take a moment to listen to this playlist, curated just for you by Night is Alive.

Lorca Hart Trio – Introspection on the 401

The Autumn Equinox is a great time to go on a gratitude walk or conduct a little letting go ritual. Out with the stifling heat of the summer and in with longer nights and cool, fresh thoughts! And this tune, from Night is Alive’s album Colors of Jazz, will offer a great backdrop to your introspective thoughts this September.

2 Degrees East 3 Degrees West – John Di Martino, Wayne Escoffery & Others

Isn’t it wild sometimes to think about how if one thing had happened just slightly differently, our whole life might be completely changed? Maybe just two degrees east or three degrees west is a completely different fate. It’s hard to say. But one thing is for sure, this Autumn Equinox you can enjoy the perfectly equal degrees of daylight and night while listening to this lovely tune from Night is Alive’s album Old New Borrowed & Blue.

WJ3 All-Stars – From This Moment On

From this moment on is a fresh new opportunity, an opportunity to live with more balance and harmony in your life, to have equal parts brightness and darkness, levity and seriousness, activity and quiet. Enjoy this fun-filled song, from Night is Alive’s album Love and Love Songs, while you bask in the sun, journal or simply sit in silence as the sun sets this Equinox.

Janis Siegel, John Di Martino & Others – Don’t It Make My Brown Eyes Blue

This beautiful rendition of the 1977 hit single will have you tapping your toes while letting go of a past relationship. Maybe you’ve been holding onto a friendship or romantic partner who is no longer serving you; maybe the relationship has been slowly withering away; or maybe you are missing someone today. No matter what, it’s important to have levity during this process, just like the soaring vocals of Janis Siegel in this country jazz album Cryin’ in My Whiskey.

WJ3 All-Stars – Taking a Chance on Love

Clearing away the detritus of past relationships and memories leaves room for new loves to plant, seed and blossom. In fact, the past will act as rich fertilizer for new love to grow in your life. So, like this song from Night is Alive’s album My Ship, says, why not take a chance on love? Go ahead and text your new crush! Or, if you’re not feeling quite so bold, you could at least plant a new flower in your garden!

Check out this music and more on Night is Alive’s albums page!

written by Jacqueline Knirnschild

Photo by yapo zhou on Unsplash

Q&A with Lonnie Plaxico – Part 2

Part Two of Night is Alive’s exclusive interview with Lonnie Plaxico

We’re back with part 2 of our chat with Lonnie Plaxico, whose album Radiance is receiving critical acclaim!

Night is Alive: When did you first become involved with Night is Alive?

Lonnie Plaxico: I got called to play in the session with Christie Dashiell, on the Christmas album. It’s fun, the sessions with Kathy Salem’s label always go well.

NiA: You’ve been a part of many Night is Alive albums. Which one has been your favorite?

LP: All of them. I mean because to me it’s all connected, it’s just another opportunity to make music. I don’t have a favorite, they’re all special.

NiA: Could you tell us more about your album Radiance, which came out last summer?

LP: When I started playing jazz, we had to learn the music of the elders, which was the pop music of their time. So, the music that I’m playing on this CD is for the young musicians. We’re the elders now. For a 16-year-old kid, playing music from the 70s, that’s grandparents’ music. For me, playing jazz was like playing my grandparents music, so for this album I wanted to do some music that my parents know. That made it special for me. Because sometimes we play original music and don’t nobody have a connection to it. So, I wanted to play some songs that the average person can listen to, and think “hey, I know that song,” and have a connection to it. And also, my brother–I got into music through him and he really don’t play jazz, so I was willing to do something that he’s comfortable with, that we grew up having the same musical experience with. The piano player, he grew up with this music too. The singer, Camille, she’s much younger, so it’s like we’re bringing her in to our culture, and what we grew up on, and that’s what all the musicians have always done with the younger musicians. We’re pulling them in, and that’s how we learn from the elders.

NiA: Was there a specific moment that inspired you to create the album?

LP: Well, I’ve always loved 70s music and early 80s music and sometimes I feel like I’m starving to play it, because a lot of young musicians play more original music and I don’t feel they connect to the audience. And I know that when you play something people know, it’s a whole different connection. I wanted to play some music that would connect with the people because when I grew up, musicians loved playing for people. But now, most musicians go to college and just want to play their own original music. And we don’t listen to the radio like we used to, so nobody has hit records, so the music, I feel like it doesn’t connect with the audience. And I grew up in a time when you didn’t write original music, you performed in clubs what you heard on the radio. People didn’t write original music until they got a record deal and it was very hard to get a record deal in the 70s. You had to get “discovered” and until then you played what was on the radio, played strictly for the audience, and I used to love doing that because people knew the music and we made them happy.

Check out Night is Alive’s albums page for the very best in jazz, including Lonnie Plaxico’s Radiance.

Learn more about Lonnie Plaxico at http://www.lonnieplaxico.com/

written by Jacqueline Knirnschild

photo from https://www.facebook.com/lonnie.plaxico1