April is Jazz Appreciation Month


Featured Image: Nils Schirmer on Unsplash

April was designated as Jazz Appreciation Month starting in 2001 by John Edward Hasse, the curator of the National Museum of American History at the Smithsonian Institution. Jazz Appreciation Month is an extension of Jazz Awareness Month, introduced by the Louisiana Jazz Federation in New Orleans in 1980. Schools, libraries, community organizations and other groups currently offer free educational programs and events to promote jazz awareness. Trumpeter Miles Davis is featured on the poster for Jazz Appreciation Month in 2023. He was a versatile musician associated with the bebop, cool jazz, and experimental jazz movements.


Jazz is regarded as the first unique style of music to emerge in America. It began in the late 1890s and early 1900s in the African American communities of New Orleans, though it was also influenced by Caribbean, Latin and European cultures. Ragtime, a popular style of music during that time, the blues, and the marches played by brass bands gave rise to a new type of music. Jazz soon became popular in other cities such as Chicago, New York City, and Kansas City. Radio broadcasts and early recordings allowed the music to reach even more listeners.


Jazz has helped to promote cultural and racial diversity and equality. The popularity of jazz during the 1920s and 1930s brought people of various ethnic backgrounds together, and many jazz musicians became familiar and respected figures in America and overseas. Jazz embodies the American ideals of freedom of expression, creativity, liberation, and diversity. It is associated with the Civil Rights Movement. Jazz has influenced and been influenced by other musical forms, such as rock, hip-hop, blues, and classical music. It has influenced fashion and literary movements as well.


Over the past 100 years, many different styles of jazz have emerged. Traditional, Dixieland, Swing, Big Band, bebop, and cool jazz were part of the first half of the 20th century. During the second half, musicians influenced by rock and rhythm and blues began adding electric piano, organ, guitar and bass guitar to their arrangements. Latin jazz, bossa nova, modal jazz, jazz fusion, avant-garde, modern, and freeform jazz were some of the subgenres to emerge. Jazz continues to evolve, as contemporary musicians compose and play nu jazz, electronica, and acid jazz.


Jazz is popular in many countries. Jazz Appreciation Month culminates with International Jazz Day on April 30. There will be many global live performances to mark the occasion. Jazz fans can check their local news outlets or look online to find events.


There are many ways to observe Jazz Appreciation Month. Revisit your favorite jazz album or jazz standards to evoke mellow moods and treasured memories. Explore new jazz releases or music by artists who seem interesting. Visit Night is Alive’s website for suggestions on new CDs. Read an autobiography by or biography about a famous jazz musician, or watch a movie or documentary about jazz. As the weather gets warmer, consider attending a live concert or jazz festival, or visit a nightclub.


Author: Patricia Martin

Remembering Jimmy Heath: Triple Threat

Photo by EAVONE Jazzman on Unsplash

Jimmy Heath, also known as “Little Bird,” was a legendary jazz saxophonist who appeared with the Cleveland Jazz Orchestra at Playhouse Square in April 2012. Short in stature but long on talent, he was known as a “triple threat” for being a jazz composer, arranger, and musician.

Heath was born in Philadelphia, Pennsylvania, on October 25, 1926. Both of his parents had musical backgrounds. His father played clarinet in a marching band and his mother sang in the church choir. Jimmy’s older brother studied violin and later became a founding member and double bass player for the Modern Jazz Quartet. His younger brother Albert (Tootie) played drums. Jimmy Heath began playing alto saxophone at age fifteen. He and Percy attended high school in Wilmington, North Carolina, where Jimmy played saxophone in the marching band. Heath founded his first big band, the Jimmy Heath Orchestra, in 1946. After the band broke up in 1948, Jimmy and John Coltrane joined Dizzy Gillespie’s band. Jimmy also played with Gil Fuller’s Orchestra. Around that time, he switched to tenor sax. He was influenced by Charlie Parker and Johnny Hodges. Unfortunately, Jimmy became addicted to heroin, which ultimately led to his dismissal from Gillespie’s orchestra. He was later convicted of selling heroin and sent to Lexington, Kentucky, where he underwent withdrawal. After his release, he was convicted
again in 1955 for dealing drugs and sentenced to six years in prison. While incarcerated, he composed a number of songs and conducted the prison orchestra. He also learned to play the flute.

Heath was released from prison early and met his future wife Mona Brown shortly afterward. He recorded his first album for Riverside Records in 1959. He briefly toured with Miles Davis, but the terms of his probation made it difficult for him to travel with the band. Riverside Records went out of business in 1964, leaving Jimmy without a record contract until the early 1970s. He began teaching at Jazzmobile, a free music training program in Harlem, where he was commissioned to write several major compositions.

In 1975, Jimmy, Percy, and Albert Heath formed the Heath Brothers, along with Stanley Cowell on piano. Later, Jimmy’s older son James Mtume joined the group as a percussionist. Percy Heath died in 2005, but Jimmy and Albert continued to perform and record as the Heath Brothers with other musicians.

Jimmy Heath joined the music faculty of Queens College at the City University of New York, where he taught for over 20 years.

Jimmy Heath wrote over 100 compositions and appeared on 125 recordings during his career, which spanned over 7 decades. He was nominated for a Grammy Award three times and received the NEA Jazz Masters Award in 2003. One of his noteworthy compositions, “Gemini”, was written for his daughter Rosyln and appears on his 1962 album, “Triple Threat. “ The instrumental has a ¾ time signature and features a haunting flute solo as the piece begins. “Gemini” became a hit for the Cannonball Adderley Sextet, whose live version was released in 1962. Other notable songs include ”Gingerbread Boy” and “C.T.A.”

In January 2020, the scrolling marquee at Playhouse Square announced the sad news that Jimmy Heath had died at age 93. I recalled how thrilled I was when he signed his CD “Turn Up the Heath” for me after the show in 2012.

Saxophonist Wayne Escoffery was one of Jimmy Heath’s former students at the Thelonius Monk Institute of Jazz Performance at the New England Conservatory. He appears on the recent Night Is Alive releases, “Old New Borrowed and Blue” and “My Ship.”

Author: Patricia Martin for Night is Alive

Celebrating the Life of Composer Ryuichi Sakamoto

(Featured image from: Arūnas Naujokas on Unsplash)

Ryuichi Sakamoto was a Japanese composer and musician who has been a driving force in the world of music for over four decades. He has created some of the most memorable and iconic pieces of music in recent history, and his work has influenced countless artists and musicians around the world.

One of Sakamoto’s most well-known compositions is “Merry Christmas, Mr. Lawrence,” a hauntingly beautiful track that was originally featured in the 1983 film of the same name. The piece is instantly recognizable for its haunting melody and stirring emotional content, and it has become a classic in its own right.

Over the years, many musicians and artists have covered “Merry Christmas, Mr. Lawrence,” but one of the most notable covers is by jazz pianist Bill Cunliffe. Cunliffe’s version of the track is a stunning tribute to Sakamoto’s original, capturing the haunting beauty and emotional power of the piece while also showcasing Cunliffe’s own impressive musicianship.

Cunliffe’s cover of “Merry Christmas, Mr. Lawrence” is a testament to the enduring power of Sakamoto’s music. Despite being over 30 years old, the piece still resonates with audiences today, and it continues to inspire artists and musicians around the world.

Sakamoto’s work extends far beyond “Merry Christmas, Mr. Lawrence,” however. He has composed scores for countless films and television shows, including “The Last Emperor,” “The Revenant,” and “Black Mirror.” He has also released numerous albums and collaborated with a wide range of artists, including David Byrne, Iggy Pop, and Alva Noto.

Throughout his career, Sakamoto has pushed the boundaries of what is possible with music, blending different styles and genres to create something truly unique and groundbreaking. He has also been a vocal advocate for environmentalism and political activism, using his platform to raise awareness about important issues and to inspire change.

In short, Ryuichi Sakamoto is a true icon of the music world, and his contributions to the art form are immeasurable. His work continues to inspire and move audiences around the world, and his legacy will undoubtedly live on for generations to come.