Whimsical Wedding Songs

Photo by Jen Theodore on Unsplash

Jazz songs for the wedding season.

It’s midsummer and that means the wedding season is in full swing! How many weddings are you attending this summer? From engagement parties to bridal showers, bachelorette parties and rehearsal dinners, you are probably very busy finding just the right outfit and gift for every event. But amid all the craziness, make sure to stop and enjoy every moment. Weddings are an important life moment and it’s crucial that you are there, in mind, body and spirit, to celebrate your loved ones. Don’t let the checklists and schedules eclipse the real reason for the season: true love. We at Night is Alive, have created a playlist of love songs to help you destress and be present in the moment.

Lorca Hart Trio – A Time For Love

Wedding season is all about making time in our busy lives for love. Let this song, from Night is Alive’s album Inspiration and Gratitude, wash over you and remind you that right now is a time for love. While you are getting ready for a wedding event, whether it be doing your nails, washing your hair or fixing your bowtie, listen to this song to get you into the wedding spirit!

WJ3 All-Stars – First Time I Saw Your Face

They say that when you know, you just know. From that very first time you saw each others’ faces, you probably knew that this was the person meant for you. And this beautiful song, from Night is Alive’s album Lover and Love Songs perfectly captures that love-at-first-sight moment. Maybe it was at a coffee shop, or maybe it was a bar, or in the office, when your eyes first locked and you saw a future in your beloved’s face.

Harry Allen Trio – It’s You Or No One

With its whimsical melody, this snazzy tune, from Night is Alive’s newest album It Takes 3, really gives strong wedding season energy. The swinging beat brings to mind a bunch of couples grooving and jiving, hand-in-hand, on the dancefloor. So, dust off those dancing shoes, grab a partner and have a ball! Why not?

WJ3 All-Stars – Taking A Chance on Love

Even when you know you’re with the right person, love still feels risky, doesn’t it? It’s scary to be vulnerable with another person; it’s scary to share all your feelings and take a chance on love. This song, from Night is Alive’s album My Ship, conjures that feeling of vulnerability and risk while also being playful about it. Yes, love is risky and means taking a chance, but that’s what life is all about, isn’t it? Maybe you’re a single guest at the wedding reception, and you notice a cute guest across the hall smiling at you–take a chance on love and go ask that person to dance!

John Di Martino, Janis Siegel & Others – Whenever You Come Around

This jazzy rendition of the beloved 1994 Vince Gill country tune will truly melt your heart. From Night is Alive’s album Cryin’ in My Whiskey, this sappy song will have you tearing you when you think about your lover. Or it also gives you the perfect opportunity to slow dance with a new crush. I’m standin’ here holding the biggest heartache in town / Whenever you come around / I get weak in the knees and I lose my breath

Check out this music and more on Night is Alive’s albums page!

written by Jacqueline Knirnschild

Photo by Jen Theodore on Unsplash

5 Jazz Songs for Christmas in July

Who says you have to wait until it’s snowy and cold in December to “jingle all the way”? Why not have some fun and celebrate Christmas now while the sun is a-blazing? Barbeques and pool parties are how the Australians usually celebrate the Yuletide, so why shouldn’t we give Christmas in the summer a try in the northern hemisphere too!? Grab a cold beverage or an ice cream sundae with red and green sprinkles and let these jazz tunes inspire your festivities.

Teddy Horangic, Frank Lacy & others – Have Yourself a Merry Little Christmas

Who needs Mariah Carey when you have this lovely new rendition of one of the most beloved Christmas songs from Night is Alive? Whenever I hear this song start coming on the radio, it always puts me into the jolliest spirit! Enjoy Frank Lacy’s baritone and, like he sings, let your heart be light as you bask in the sun or float in the pool.

John Di Martino, Willie Jones III & others – Christmas Ain’t Like It Used to Be

The titular song of the Night is Alive album, this groovy tune adds some spice to the typical holiday music playlist, which is perfect for a Christmas in July celebration! Christmas sure ain’t like it used to be, it’s sweaty and slick and daylight is much longer now, so why not stay up late twistin’ and jivin’ to this stellar saxophone solo?

Bill Cunliffe Trio – Linus and Lucy

This playful song is perfect for a summer holiday party! From the Night is Alive album Christmas in the Dog House, this upbeat tune captures the childlike wonder of the holiday season. It’ll bring back memories of watching A Charlie Brown Christmas, and, perhaps, eating one too many gingerbread cookies…don’t forget to leave some for Santa!

Bill Cunliffe – Dance of the Sugar Plum Fairy

Christmas in July is the time for the fun and fast-paced tunes, like this one from Night is Alive’s album That Time of Year. Maybe you’re lucky enough to have seen the beloved musical, The Nutcracker? If so, you’ll recognize this lovely, whimsical song, which really captures the magical spirit of the Yuletide season. Watch out, the sugar plum fairy might even leave some sparkly fairy dust on your pillow!

Teddy Horangic, Frank Lacy & others – O Holy Night

To round out this playlist, we’d like to finish with a classic from This Christmas With Night is Alive that you can all sing along to! By this point, you’ve probably had a few spirited drinks and are hopefully feeling quite jolly, so gather round, maybe arm-in-arm, and sing together! Maybe you can even make it into a carol for the neighbors?

Check out this music and more on Night is Alive’s albums page!

written by Jacqueline Knirnschild

Q&A with David Basse from Kansas City Radio – Part 3

Here we wrap up our conversation with the acclaimed David Basse, a living legend in today’s jazz world. Stay tuned for more interviews with your favorite artists!

NiA: Your singing has been compared to Mel Tormé, Jon Hendricks and Al Jarreau. Are these the musicians you look up to the most? Which musicians do you most admire and why?

DB: I think what that comparison speaks to is that I don’t really copy anybody. There’s also another article that compared me to Dr. John. But I really actually patterned myself after Tom Waits for quite a while, and Joe Williams who sang with Count Basie Orchestra. And each time that somebody would say, oh you sound like that guy, and if I was trying to sound like that person, I would try to sound like someone else. I didn’t really start singing, really singing until I was 19, when I came to Kansas City. When I got to Kansas City it was like I had a new life. I could try anything, dress however I wanted to dress, be whoever I wanted to be, so I felt comfortable singing. But I’ve changed a lot over the years and I don’t pattern myself after anyone anymore and I don’t really hear that anymore. I’m just doing what I do.

NiA: Which musicians are you most jazzed to be listening to at the moment?

DB: I like to explore music and I guess that’s why I started doing radio, which was in 1998. Recently, I went to the last two Sarah Vaughan music competitions in Newark, New Jersey. And Tyreke McDole, he won in 2023, and the next winner was April May Webb. In 2023, I picked Tyreke and my wife and I went to dinner and he won, so we went back the next year and I picked April May and she won! I’ve kept in touch with both of them. They’re really great; they’re really saying something with their music. And then there’s a young trombonist, Altin Sencalar, he’s Turkish and Mexican, and he’s a terrific trombonist. So those are my three favorite people right now in jazz. And it’s not like my opinion means anything, it’s just something I like. I’m not listening to any particular kind of jazz–I just love music. So, on my radio show we play a wide range–blues, smooth jazz, classic jazz, whatever it is, I make a case for it.

NiA: Could you talk a bit about your transition from performing to the radio?

DB: I don’t really make a differentiation–in both, I play the music I want to play. As I’ve gotten older I want to play my original music more and play less of the standards and things I used to play although I do play a lot of those songs because people want to hear them and they come into my head. With radio, I try to make it like a symphony, so there’s the first movement of the symphony and then it has to lead into the next movement. Even if I’m going to talk in between the songs and explain things–which I don’t always do–I want the key, the tempo, and the feel of the music to bleed into the next piece of music. So curating the jazz for the radio is the most fun and the most challenging; it takes the most time.

NiA: Could you talk about how exactly you decide which songs to play on the radio? What is the selection process?

DB: Record companies and artists work with radio promoters and they send an awful lot of music. I get maybe 30 or 40 CDs a month and 10-20 downloads a day from various places and artists from all over the world. So, I’m able to have a good amount of music and it’s really run me out of a couple studios so far and I’m currently looking for a place to house my collection of recordings–my albums and CDs, drives with shows. I’ve done about 8,000 hours of jazz at this point, and I was involved in a syndicated radio show before this for a decade and that show is no longer–it’s housed in a library now–it’s no longer on the air. That’s a lot of music! And I pick a Top 10 every year. You can look on my website from 2015 to 2023 to see the Top 10s. So if you think of all the albums, I’m distilling them down to 10 top songs of 10 top albums. I’ve been curating 15 hours of jazz per week and there’s 9-10 songs in an hour–that’s 150 albums a week! And I put a post-in note in every CD or album that says when I played it and the track that I played. The only way that the album can be in the Top 10 is if I play every track in the album and so at the end of the year I have a tabletop full of stacks of CDs and I start to rethink and play those great songs again. Then I can say over the air that this is one of my Top 10 picks for the year.

NiA: What do you think about NiA’s music?

DB: Well as someone who has had their own record label for quite a while, I think it’s a good endeavour. I think she’s doing good things with it. I think she’s making nice, really good albums with influential musicians. You know, it’s a hard thing to do. It’s a labor of love and a lot of jazz labels don’t last for a long, long time. But she has some very good music, so…it’ll probably be something very special as time goes on.

Since I’m a radio person, I receive stacks of CDs from everywhere, and downloads come in all the time, so there’s a lot of competition. But she has a style that’s specific and it’s a wide genre, it’s not just jazz, it’s Night is Alive! The way that she puts these albums together is very personal, so I usually play all the songs, which is my criteria for a good album.

NiA: Yeah, I know what you mean. With a really good album you listen to every single song, no skips.

DB: Yeah, sometimes there’s just one good song, and sometimes there’s no good song. And it depends on a lot of aspects, and it’s really hard. I’m making my own recording right now and sometimes I really like it, and other times, I’m like “am I doing the right thing? Is this going to be successful in any way?” It has to be something that you really choose to do, and that seems like what Kathy does–she really chooses what she wants it to sound like, which I think is the best course of action.

NiA: Which Night is Alive album of ours is your favorite?

DB: Call Me Irresponsible is my favorite because it really captures an excellent singer in the beginning of her career, and it’s off-handed in a way. I love John Di Martino–the pianist–too. He was the director of the band. But I remember all the albums as joyful to open up. They always come in the mail and I like everything about them. I like the way Kathy presents the albums, so I always play them.

Learn more about David Basse at davidbasse.com

written by Jacqueline Knirnschild

photo from facebook.com/davidbassejazz/

Q&A with David Basse from Kansas City Radio – Part 2

Welcome to part two of Night is Alive’s interview with the legendary David Basse!

NiA: How did you get into singing?

DB: I graduated from high school when I was 17 and two weeks later, a band came through town and they happened to need a drummer and they were going on to Colorado and other places. So, I joined the band and left, and as we were driving away, the bandleader asked if I could sing and I said no. The band leader said, well that’s too bad because I would give you more money if you sang. He suggested I sing without a microphone and see if I could find a part to sing harmony and just get comfortable singing from the drums. So, I’m more comfortable singing from the drums than without the drums. I guess I’m equally comfortable now, after many, many years.

NiA: When did you decide to become a bandleader?

DB: I decided to be a bandleader in 1980. So I stopped playing what somebody else wanted to play and I started playing the music I loved, which was a mixture of jazz and blues–the music of Kansas City is what really drew me in. In the first two years I was on the road I went to all the places I wanted to go and I hadn’t found one that stuck–I went to Nashville, New Orleans, LA, New York–and I didn’t know about Kansas City. Then somebody in Iowa said, “you know, you ought to go to Kansas City, here’s the number of an agent.” And when I came here, I found that you can make a living on music in Kansas City and there are a lot of people doing it and it’s not that difficult. So, I was playing as many as nine gigs a week, playing seven nights and taking a couple of matinees and going to jam sessions and it was just great.

NiA: Wow, that’s incredible–it sounds like you really found where you belong, found your home.

DB: Yeah, I think I did. You know, about ten years ago I was talking to John Clayton–the bassist with Diana Krall and the Hollywood Bowl, a prominent musician–and I was having dinner with him, and I told him I was so impressed by his career and all the things he’s done, and he said, “you know, you have a place too–you’re our guy in Kansas City, so don’t be too impressed with me, just be you.” And I was very taken by that.

NiA: What was it like being a part of the City Light Orchestra?

DB: In 1980 when I became a bandleader there was a vocalist named Priscilla Bowman and she had a hit record called “Keep Your Hands Off Him, He Don’t Belong To You,” so it’s blues and it was a million-seller hit. I was going to my tenth high school reunion and a trumpeter said, we got this gig tonight–you should come and play drums with Priscilla Bowman, and I did. Then towards the end of the second set, she said she was going to go home, she was tired, so the club owner said to me, I heard you’re a vocalist, can you sing in the last set? And I said sure, so I sang some songs and after the set, he asked, what would you call this band? And I said I’d call it the City Light Orchestra. He asked, why orchestra? Why not the City Light Band because we’re the City Light Jazz Club. I said no, ‘orchestra’ sounds better, so that’s what we named it. And one thing led to another and we played there for seven nights, five nights a week.

NiA: What are some of your most memorable moments and experiences from being the bandleader of the City Light Orchestra?

DB: We got to go to New York. The editor of the newspaper here had been married in a nightclub on Upper East Side, 91st and 2nd avenue, and the club had just piano players, some of the exceptional piano players there, and this editor got us a gig for two weeks. So, the first time we went to New York we played for two weeks in a nightclub and that was phenomenal. We got to meet a lot of cool people, like Benny Goodman, Southside Johnny. To think of it now–to go to New York and play two weeks in a nightclub, twelve nights in a row with a Sunday off. That’s not really possible anymore unless you’re somebody of great stature. We were just a bar band.

NiA: It sounds like a dream!

DB: Yeah, it seems like a dream to me too.

To be continued in part three… In the meantime, check out Night is Alive’s albums page for the very best in jazz.

Learn more about David Basse at davidbasse.com

written by Jacqueline Knirnschild

photo from facebook.com/davidbassejazz/

Q&A with David Basse from Kansas City Radio – Part 1

Part One of Night is Alive’s exclusive interview with David Basse

This week we were lucky enough to speak with David Basse, who you may recognize from his very own radio show Jazz with David Basse, which explores the depth and breadth of jazz through fifteen hours of curated songs per week. And not only is David the host of this nationally syndicated show, but he also has an impressive musical career spanning fifty years. David has played the drums and sang since the 1970s, and was the leader of The City Light Orchestra, which played at the 1997 Inaugural Gala for President Clinton. Before Jazz with David Basse, David also hosted The Jazz Scene, and he instructed jazz at Lincoln Center’s Swing University in 2022 and 2023. Now let’s hear from David…

Night is Alive: You’ve been playing music, and have been a part of the jazz music scene, since the 70s. How have you seen jazz change throughout the decades? How do you see the current state of jazz music today?

David Basse: You know I love all kinds of jazz–I’ve never met jazz I didn’t like, even the kind that drives people crazy, I still like it. I think jazz is really thriving because there’s so many young people involved in jazz these days. These young musicians have a very interesting take on the music and they’re not afraid to jump in and do what they gotta do. I’ve always loved the fact that jazz is passed down from the elders to the young people and I really think that’s the best of all jazz education–just standing next to someone fifty years older than you and trying to play music with them.

NiA: I’m curious, what kind of jazz music do you think “drives people crazy”?

DB: Well, it’s such a free-form music that if you have a strong opinion of what the music should be, there’s a good chance that you’re driving somebody crazy. I mean Kenny G didn’t set out to drive people nuts with his music and neither did Ornette Coleman; they’re just playing what’s in their heart–I would think–because that’s what most jazz musicians do.

NiA: Is that what you were doing–playing what’s in your heart–when you were playing the drums and singing?

DB: I started out playing the drums when I was 11. I lived in a very small town in Nebraska–I went to a two-room schoolhouse with an outhouse, out in the country. I had no exposure to jazz except for what I heard on a station called KAAY in Little Rock, Arkansas. After 11 o’clock at night I could pick up on a transistor radio, so I would listen with one headphone, and listen to Miles Davis and Ornette Coleman, mixed in with Jimi Hendrix and Janis Joplin. The song “Mellow Yellow” by Donovan is what drove me to the drums; I loved the drumbeat. I thought, “man I gotta do that! I gotta play the drums! I love the drums!” I was ten going on eleven and I talked my mother into paying for a drum lesson. I told her when I left the lesson that I found my career. She laughed, of course, and people still laugh, which is just fine because I play what I like to play and do what I want to do, which is why I like being a jazz musician.

Look for the second part of this compelling interview, coming soon! In the meantime, check out Night is Alive’s albums page for the very best in jazz.

Learn more about David Basse at davidbasse.com

written by Jacqueline Knirnschild

photo from facebook.com/davidbassejazz/

Songs for a Summer Solstice Picnic

Photo by Liana S on Unsplash

Did you know that right around the time of the Summer Solstice is when the sun is out for the longest? Yup, right now you are going to be experiencing the most daylight of the year! As nature comes alive–the crickets chirp, the bees buzz and the wind rustles–why not grab a basket and fill it with your favorite snacks and have an evening picnic? Just be sure not to forget the bugspray! And of course, a lovely sunset playlist.

Harry Allen Trio – It’s Sunny in Cape Cod

I don’t know about you, but I just love these long evenings. I feel so much more awake when the sun is still out at 8, 9 p.m. This song, from Night is Alive’s newest album It Takes 3, not only captures what it feels like when “It’s Sunny in Cape Cod,” but it also captures what it feels like when it’s sunny during the solstice! Sit back, relax and enjoy the soothing piano notes, each one like a ray of sunshine.

Lorca Hart Trio – Dew Drop

Even though there are lots of mosquitos right after it rains, I still think there is something just so serene about dewy, fresh, post-storm evenings. The earth and greenery feels like it was freshly cleansed and refreshed. Everything has such a rejuvenating gleam to it, just like this lovely song from Night is Alive’s album Colors of Jazz. The saxophone is like a perfect dew drop on a leaf, glistening and serene.

Janis Siegel, John Di Martino & Others – Don’t It Make My Brown Eyes Blue

This is one of my favorite tunes to sing along to–it’s just so catchy, clever and croony. Maybe as you’re sitting at your picnic, you’ll also feel inspired to sing along! From Night is Alive’s country jazz album Cryin’ In My Whiskey, this tune encapsulates the melancholy feeling of a tortured relationship yet still manages to feel light and singable. Plus, there’s nothing like country music when you’re sitting outside on a nice summer evening, right?

Bill Cunliffe, Martin Wind & Tim Horner – Marching Season

As the skies begin to finally darken a little bit, you may want to listen to a song that has a bit more of a haunting feel to it, like this one from Night is Alive’s album Border Widow’s Lament. This dynamic tune makes me think of all the ants marching up tree trunks and branches, the raccoons and squirrels stirring in the woods, the owl blinking its eyes; all the life that is teeming in the unknown darkness beyond human eyes.

WJ3 All-Stars – Star Eyes

Maybe a few stars are beginning to twinkle in the sky? Maybe the moon is peeking out from behind a cloud? Well, it really was a lovely Summer Solstice picnic, and what better way to end it than with this lovely song from Night is Alive’s album My Ship. Maybe you’re sitting with a loved one and the stars are reflecting in their eyes, or maybe this person makes you starry-eyed!

Check out this music and more on Night is Alive’s albums page!

written by Jacqueline Knirnschild

Photo by Liana S on Unsplash

Father’s Day Fun!

Photo by Ante Hamersmit on Unsplash

5 Songs for a BBQ with Dad

What are you up to this weekend for Father’s Day? Did you mow the lawn and power wash the driveway in preparation for a family BBQ? Have you stocked up on some ice and beer? And most importantly, did you remember to make a playlist for the BBQ?

Father’s Day is a special time to honor and celebrate the amazing dads, grandpas, uncles, and father figures in our lives. From fixing scraped knees to offering wise advice (and maybe a few bad dad jokes!) dads are always there for us and do so much. So, it’s important to show our appreciation with a rockin’ playlist on Father’s Day! Get ready to crank up the volume, share a dance and cherish the good vibes together.

Janis Siegel, John Di Martino & others – Are You Alright

Remember all those times you fell off a skateboard, a bike or went through a heartbreak–dad was always there. Every time you fall, your dad is right there to check on you and ask you if you’re alright, just like Siegel’s beautiful vocals in this song. Nod along with this jazzy rendition of Lucinda Williams’s 2007 tune, which is a part of Night is Alive’s country album, Cryin’ in My Whiskey. Who knows–maybe if your dad is a country fan, you’ll want to buy him the album as a gift!

Harry Allen Trio – It’s Sunny in Cape Cod

Hopefully the weather where you are is warm and sunny this weekend, just like the blue skies and cotton candy clouds over Cape Cod. This lovely, relaxing tune, from Night is Alive’s newest album It Takes 3, will transport you and dad to all the family vacations you’ve gone on together throughout your lives. Remember that time you got so sunburned that dad had to go take an emergency trip to town for aloe? Or how about the time that dad laughed so hard beer came dribbling out his nose?

Lorca Hart Trio – Song for Ganda

This fast-paced, upbeat tune from Night is Alive’s album Inspiration & Gratitude is the perfect one to get you and dad up dancing! The snazzy, groovy melodies will make y’all want to snap your fingers, clap to the beat and start shaking those feet. Remember, it doesn’t matter what you look like on the dancefloor (or driveway!), all that matters is that you’re having fun.

Janis Siegel, John Di Martino & others – Always on My Mind

After all that groovy dancing, I bet you and dad are a bit tuckered out! So, take a breather and listen to this jazzy rendition of Willie Nelson’s beloved 1982 ballad. Because really, what dad doesn’t love good ol’ Willie Nelson? You might even want to pour out a drink of whiskey to amplify the vibe.

WJ3 All-Stars – Wave

From Night is Alive’s album My Ship, this mellow tune really showcases the masterful trumpetering of Jeremy Pelt! Not only does it have excellent trumpet, but this song also creates a calm and smooth vibe to end a lovely barbeque with dad. As you’re putting the folding chairs and folding tables back into the shed, allow this song to guide you into a reflective state that gives you a chance to feel gratitude for the great day and memories you made with dad.

Check out some of this music and more on Night is Alive’s albums page!

written by Jacqueline Knirnschild

Photo by Ante Hamersmit on Unsplash

Get Groovy on Your Bike Ride

Photo by Clark Young on Unsplash

Our favorite tunes for a Springtime bike ride.

Even though the sun is shining, the temperatures have still been mostly in the 50s and 60s,
which makes it a bit too cool for summer activities, like sunbathing and swimming. But you
know what the current weather is perfect for? A long bike ride! Whether you like to mountain
bike, or prefer a more leisurely city ride, right now is a great time to grab your helmet and set
out for some scenery and blue skies. Don’t forget your water bottle, and more importantly,
don’t forget to enjoy these groovy bike-riding tunes.


Lorca Hart Trio – Discoveries
Who knows what you’ll discover on your bike ride–a bird’s nest full of eggs, a snake
slithering by on the pavement or an old friend sitting on a park bench! The opportunities are
endless as long as you keep your mind and heart open to curiosity and discovery, which is
encapsulated in this song from Lorca Hart Trio’s album Colors of Jazz!

Janis Siegel & John di Martino – Whenever You Come Around
I don’t know about you, but the warmer weather has got me feeling like it’s time to start
listening to some country music! And what better way to kick off the country music season
than with a beloved tune like “Whenever You Come Around.” This new rendition from the
album Cryin’ in My Whiskey captures the country classic while also adding layers of depth
with the jazzy overtones, making it a lovely companion on your bike ride.

Lorca Hart Trio – Blues on the Corner
About halfway through your bike ride you might start losing steam, which is a great time t
listen to this jazzy song! Like I mentioned earlier, you never really know what you’re going
to find right around the corner of your bike ride, or your life. You could find something blue,
or maybe an unexpected ray of sunshine! Who knows–just keep pedaling, just keep moving
forward and you’ll end up right where you need to be. And this song, from our album
Inspiration & Gratitude, will help you remind you of this important message.

John Di Martino, Harry Allen, Dave Stryker, Peter Washington & Willie Jones – Suddenly
It’s Spring

Spring always seems to come out of nowhere to me, which may be why it’s called spring–it
just jumps out and catches you by surprise every year! You can really start to get used to the
gray skies, rain and cold that the spring almost feels like a fright, but no fear–the time is here
to let the air be a bit looser, and to let your hair fall more freely, especially as you coast past
all the lovely spring flowers. Let the April showers be where they belong, in the past, and
celebrate the new green growth while you listen to this lovely tune from our album Call Me
Irresponsible
.

Willie Jones III – My Ship
End your bike ride with this slower song, featuring some gorgeous trumpet-playing from our
very own Jeremy Pelt! The titular song of our album My Ship, this tune is perfect for ending a
journey, for arriving at your destination. I can wait the years / ‘Til it appears / One fine day,
one spring.

Check out some of this music and more on Night is Alive’s albums page!

written by Jacqueline Knirnschild

Photo by Clark Young on Unsplash

Get Jazzed for Spring!

Photo by Daiga Ellaby on Unsplash

Songs to jazz up a beautiful spring day

I don’t know about you, but this winter felt very long to me! Even after the snow gave way, the rain and clouds were still relentless and I felt like we just couldn’t catch a break. That is, until now. Finally, spring has arrived–the darkness is gone, the skies are blue, the sun is shining and the air just feels lighter. That density of winter is gone and the lightness of spring is here. Things are looking up, and we at Night is Alive have a playlist that will help jazz up your beautiful spring day!

Johnny Nash – I Can See Clearly Now

This 1972 classic is one that is close to my heart. I sang it in the middle school choir and the lyrics have stuck with me since then. It’s hard to see clearly when the metaphorical rain is blinding our vision, but no more–it’s going to be a bright sun-shiny day. All of the bad feelings have disappeared / Here is the rainbow I’ve been prayin’ for.

Lorca Hart Trio – Like This

With warm springtime weather like this, who needs anything more? This sprightly tune, from Lorca Hart Trio’s album Inspiration and Gratitude, reminds us to be grateful for what is right in front of us, and seize the day! Let’s not take these lovely April and May days for granted, let’s get outside and feel the exuberance floating around in the air, it is free for the taking. The quick and bright tempo of “Like This” will make you want to skip out the door and do a handstand or somersault in the grass!

Harry Allen Trio – Runnin’ Wild

Let’s go! Let’s run! Let’s be wild! Why not? What are we waiting for? What else do we have to do? Grab your headphones or earbuds, pop on this new song, from Harry Allen Trio’s album It Takes 3, and go for a run outside, maybe on a trail in the woods. The fast pace of the tune will match your heart rate and your steps on the path. And the snazzy drum interludes will motivate you to keep going even when you’re tired. Okay, ready? Let’s go! I promise you won’t regret it.

Harry Allen Trio – It’s Sunny in Cape Cod

Alright, time to slow things down just a tad with this peaceful tune, that feels almost like an ode to the sun. Have you ever been to Cape Cod? Well even if you haven’t, this song will transport you; transport you to the lighthouses, sand and tall green grass rustling in the Cape Cod breeze. Relax and enjoy, sink into the sunny day.

Bill Cunliffe, Tim Horner & Martin Wind – Little Bird

It’s one of the greatest small joys of life to be awoken by birds a-chirping. We forget how lovely these birdsongs are until they are suddenly gone for the winter. But now the robins, cardinals, mockingbirds and wren are all back to play and sing! Thank goodness. As you wake up in the morning and get ready for the day, turn on this new jazz tune “Little Bird,” from Bill Cunliffe, Tim Horner and Martin Wood. I’m sure the birds will be happy to have some music to bounce off of, to collaborate with! Maybe the birds will even match their songs to the melody.

Check out all of Night is Alive’s albums to find more Springtime classics!

written by Jacqueline Knirnschild

Photo by Daiga Ellaby on Unsplash

Earthy Jazz Tunes for Earth Day

Songs to listen to this Earth Day – April 22

Did you know that Earth Day was first celebrated on April 22, 1970? So Earth Day is over fifty years old now! And did you know that the purpose behind it is to demonstrate support for environmental protection, which includes not only the daytime environment, but also the nighttime?

With all the pictures of sunshine, green grass and bright flowers, we often forget that the nighttime environment is just as important as the daytime environment, and worthy of protection. For instance, have you ever thought about the immense amount of light pollution blocking the beautiful stars and confusing the nocturnal wildlife? And what about sound pollution that prevents us from hearing the beautiful chirps, crickets and rustling of nature?

This Earth Day let’s draw attention to the nighttime environment and sound pollution by listening to a few jazz songs from Night is Alive. These songs capture the beauty of nature, nighttime and all the relaxing sounds of our earth.

Lorca Hart Trio – Dew Drop

The lovely conversation between the piano and saxophone in this piece evokes a single dew drop trickling down a piece of bamboo at midnight. Like a dew drop this track is ephemeral and clear, glistening and vulnerable.

Harry Allen Trio – Runnin’ Wild

This brand-new original composition captures that exhilarating feeling of running wild through the woods when the moon is out. The quick pace of the saxophone is like footsteps on a path, leading you to the watering hole where you and your friends plan to go swimming. And the drum is the heartbeat of the universe, encouraging you to embrace all the wonders of this beautiful planet.

Lorca Hart Trio – Recluse

The term ‘recluse’ tends to carry a negative connotation, but it doesn’t have to. There’s nothing wrong with taking some time to be solitary, especially in nature. Famous nature poet Mary Oliver writes, “For me it was important to be alone; solitude was a prerequisite to being openly and joyfully susceptible and responsive to the world of leaves, light, birdsong, flowers, flowing water.”

Lorca Hart Trio – Discoveries

The soft and playful nature of this tune brings to mind childhood and play in nature. Remember when you used to stay outside until the sun went down, listening to the crickets and breeze, discovering bird nests and rocks? Our earth is abundant with discoveries and it is beckoning to us to find them.

Harry Allen Trio – Each and Every Yesterday

We hope that this Earth Day you take some time to reflect upon each and every yesterday; each and every day that we are lucky enough to be alive on this rich and gorgeous planet. What can we do to protect our earth? How can we preserve all the wonders that make it so exciting to be alive? Let’s allow our gratitude to guide us to action.

Remember, here at Night is Alive, we believe that the night is teeming with life!

written by Jacqueline Knirnschild