Music, the universal language that transcends cultural boundaries, has the power to evoke emotions, tell stories, and bring people together. At the heart of this intricate art lies musical notation, a system of symbols that conveys melodies, rhythms, and harmonies to musicians. Among these symbols, notes stand as the fundamental building blocks of music. Each note carries a distinct meaning, and understanding their significance is essential for any aspiring musician or curious listener. In this blog, we’ll embark on a journey to decode the meanings behind the different notes in musical notation.
The Basics: Pitch and Duration
Before delving into the specifics of individual notes, it’s crucial to grasp two fundamental aspects of music that notes encapsulate: pitch and duration.
Pitch: Pitch refers to the highness or lowness of a musical sound. In notation, this is represented vertically on a set of five parallel lines called a staff. Notes placed higher on the staff indicate higher pitches, while notes positioned lower represent lower pitches.
Duration: Duration refers to the length of time a note is held or played. It’s symbolized by various note shapes and their associated stems and flags.
Understanding Note Values
In musical notation, different note shapes represent distinct note values, indicating the duration of each note. Here are some of the most common note values and their meanings:
Whole Note: A circular note head without a stem. It represents the longest duration among note values. When played, it’s typically held for four beats in 4/4 time signature, the most common time signature.
Half Note: A note head with a stem pointing upward or downward. It’s held for two beats in 4/4 time signature.
Quarter Note: Similar to a half note, but with a filled-in note head. It’s played for one beat in 4/4 time signature.
Eighth Note: An eighth note has a filled-in note head and a flag attached to its stem. It’s played for half a beat in 4/4 time signature.
Sixteenth Note: With two flags attached to the stem, a sixteenth note is played for one-fourth of a beat in 4/4 time signature.
Thirty-Second Note: This note has three flags attached to its stem and is played for one-eighth of a beat in 4/4 time signature.
Combining Notes: Understanding Rhythmic Patterns
Once you’re familiar with individual note values, the next step is to comprehend how they combine to create rhythmic patterns. Rests, symbols representing periods of silence, are also essential to understand rhythm. Here are some common combinations:
Ties: Ties connect two or more notes of the same pitch, indicating that they are held for a combined duration.
Dotted Notes: A dot placed after a note increases its duration by half. For instance, a dotted half note is equivalent to three beats in 4/4 time.
Triplets: Triplets divide a beat into three equal parts. Three triplet eighth notes, for example, would be played in the time normally occupied by two regular eighth notes.
The Last Word
(Songs for Ganda, by the Lorca Hart Trio, is a masterpiece of Jazz notation in action)
In the world of music, notes serve as the bridge between the composer’s imagination and the performer’s rendition. By understanding the meanings behind different notes in musical notation, you gain the ability to read, interpret, and bring to life the intricate melodies and rhythms that have shaped human expression for centuries. Whether you’re a musician or an appreciative listener, delving into the world of musical notation opens up a new dimension of understanding and enjoyment, enriching your musical experience. So next time you hear a beautiful melody, remember that the notes are like the words of a language that speaks directly to our hearts and souls.
Jazz is a musical genre that has evolved over time, with traditional jazz and modern jazz representing two distinct styles that have captured the hearts of music lovers around the world. Traditional jazz emerged in the early 20th century and is characterized by its improvisational nature, collective playing, and use of brass instruments. On the other hand, modern jazz emerged in the mid-20th century and is marked by its experimentation, individualism, and use of electronic instruments.
Despite their differences, both styles have made significant contributions to the world of music and continue to be enjoyed to this day. In this article, we will take a closer look at the evolution of traditional and modern jazz, exploring their contrasting styles and highlighting some of the most influential artists who have contributed to their development. So sit back, relax, and let’s swing through time as we explore the world of jazz music.
The Evolution of Jazz Music – From Traditional to Modern Jazz
Jazz music started in the late 19th century in New Orleans, Louisiana, and has since then spread throughout the world. The genre has evolved over time, and there are two main styles of jazz music: traditional and modern jazz.
Traditional jazz emerged in the early 20th century and is characterized by its improvisational nature, collective playing, and use of brass instruments. Some of the earliest forms of traditional jazz include Dixieland and New Orleans jazz. Dixieland jazz emerged in the early 1900s and is characterized by its use of improvisation, syncopation, and brass instruments. New Orleans jazz, on the other hand, emerged in the early 1910s and is characterized by its use of collective improvisation and brass band instrumentation.
Modern jazz emerged in the mid-20th century and is marked by its experimentation, individualism, and use of electronic instruments. Some of the earliest forms of modern jazz include bebop, cool jazz, and hard bop. Bebop emerged in the mid-1940s and is characterized by its use of fast tempos, complex chord progressions, and improvisation. Cool jazz, on the other hand, emerged in the late 1940s and is characterized by its subdued tempos, relaxed melodies, and use of non-traditional instruments such as the French horn and flute. Finally, hard bop emerged in the mid-1950s and is a fusion of bebop and gospel music, characterized by its use of bluesy melodies and hard-driving rhythms.
The Characteristics of Traditional Jazz Music
Traditional jazz music is characterized by its improvisational nature, collective playing, and use of brass instruments. One of the most defining features of traditional jazz is its use of collective improvisation, which involves multiple band members improvising at the same time. This technique gives traditional jazz a lively and spontaneous feel.
Another defining feature of traditional jazz is its use of brass instruments. Brass instruments such as the trumpet, trombone, and saxophone are used to create the distinctive sound of traditional jazz. These instruments are often played in unison, creating a rich and full sound that is synonymous with traditional jazz.
Finally, traditional jazz music is known for its lively and upbeat tempo. This tempo is designed to get people up and dancing, and it is a key feature of traditional jazz music.
The Pioneers of Traditional Jazz Music
There have been many influential artists who have contributed to the development of traditional jazz music. One of the most important pioneers of traditional jazz is Louis Armstrong, who is widely considered to be one of the greatest jazz musicians of all time. Armstrong’s innovative style of playing the trumpet and his use of improvisation helped to define the sound of traditional jazz.
Other influential artists who contributed to the development of traditional jazz include Jelly Roll Morton, Bix Beiderbecke, and Duke Ellington. Morton is known for his use of ragtime and blues in his music, while Beiderbecke is known for his lyrical and melodic style of playing the trumpet. Ellington, on the other hand, is known for his use of orchestration and his ability to blend different styles of music together.
The Influence of African-American Culture on Traditional Jazz Music
African-American culture has had a significant impact on the development of traditional jazz music. Many of the pioneers of traditional jazz were African-American, and their music was influenced by the blues and gospel music that was popular in African-American communities at the time.
The use of call-and-response techniques in traditional jazz is also a reflection of African-American culture. Call-and-response involves one musician playing a phrase, and another musician responding with a different phrase. This technique is often used in gospel music, and it has been adapted into traditional jazz music.
Finally, the improvisational nature of traditional jazz is also a reflection of African-American culture. Improvisation has long been a part of African-American music, and it is a key feature of traditional jazz music.
The Characteristics of Modern Jazz Music
Modern jazz music is marked by its experimentation, individualism, and use of electronic instruments. One of the defining features of modern jazz is its use of electronic instruments such as the synthesizer and electric guitar. These instruments are used to create new sounds and textures that were not possible with traditional jazz instruments.
Another defining feature of modern jazz is its focus on individualism. Modern jazz musicians are encouraged to develop their own unique style and sound, and they are often praised for their individuality. This focus on individualism has led to the development of new sub-genres of jazz, such as avant-garde jazz and free jazz.
Finally, modern jazz music is known for its experimentation. Modern jazz musicians are constantly pushing the boundaries of what is possible with jazz music, and they are not afraid to incorporate elements of other genres into their music.
The Pioneers of Modern Jazz Music
There have been many influential artists who have contributed to the development of modern jazz music. One of the most important pioneers of modern jazz is Charlie Parker, who is widely considered to be one of the greatest saxophonists of all time. Parker’s innovative style of playing the saxophone and his use of improvisation helped to define the sound of modern jazz.
Other influential artists who contributed to the development of modern jazz include Miles Davis, John Coltrane, and Thelonious Monk. Davis is known for his use of modal jazz, while Coltrane is known for his complex and virtuosic style of playing the saxophone. Monk, on the other hand, is known for his use of dissonant harmonies and unusual time signatures.
The Influence of Global Music on Modern Jazz Music
Modern jazz music has been influenced by a wide range of global music styles. Many modern jazz musicians have incorporated elements of Latin American music, African music, and Indian music into their music. This has led to the development of new sub-genres of jazz, such as Afro-Cuban jazz and world fusion jazz.
The use of non-traditional instruments in modern jazz is also a reflection of the influence of global music. Many modern jazz musicians have incorporated instruments such as the sitar, tabla, and djembe into their music, creating new sounds and textures that were not possible with traditional jazz instruments.
Finally, the use of electronic instruments in modern jazz is another reflection of the influence of global music. Electronic music has been popular in many parts of the world for decades, and modern jazz musicians have incorporated elements of electronic music into their music to create new sounds and textures.
Contrasts Between Traditional and Modern Jazz Music
Despite their many similarities, traditional jazz and modern jazz are also very different from each other. Traditional jazz is characterized by its improvisational nature, collective playing, and use of brass instruments, while modern jazz is marked by its experimentation, individualism, and use of electronic instruments.
One of the main differences between traditional jazz and modern jazz is their approach to improvisation. In traditional jazz, improvisation is often done collectively, with multiple band members improvising at the same time. In modern jazz, improvisation is often done individually, with each musician taking turns to improvise.
Another difference between traditional jazz and modern jazz is their use of electronic instruments. Traditional jazz is characterized by its use of brass instruments, while modern jazz often incorporates electronic instruments such as the synthesizer and electric guitar.
Finally, traditional jazz is known for its lively and upbeat tempo, while modern jazz often has a more subdued and relaxed tempo.
Jazz Festivals Around the World
Jazz festivals are a great way to experience the world of jazz music. There are many jazz festivals held around the world each year, featuring some of the biggest names in jazz music. Some of the most popular jazz festivals include the Montreux Jazz Festival in Switzerland, the New Orleans Jazz & Heritage Festival in the United States, and the North Sea Jazz Festival in the Netherlands.
Jazz festivals are a great way to experience different styles of jazz music and to discover new artists. They also provide an opportunity to meet other jazz fans and to experience the culture and atmosphere of different cities around the world.
Here to Stay
Jazz music has evolved over time, with traditional jazz and modern jazz representing two distinct styles that have captured the hearts of music lovers around the world. Traditional jazz is characterized by its improvisational nature, collective playing, and use of brass instruments, while modern jazz is marked by its experimentation, individualism, and use of electronic instruments.
Despite their differences, both styles have made significant contributions to the world of music and continue to be enjoyed to this day. From the pioneers of traditional jazz such as Louis Armstrong and Duke Ellington to the pioneers of modern jazz such as Charlie Parker and Miles Davis, jazz music has been shaped by some of the most innovative and influential musicians of all time.
So whether you prefer the lively and upbeat tempo of traditional jazz or the experimental and individualistic nature of modern jazz, there is no denying the enduring appeal of this timeless musical genre.
Jazz music is a genre that has been around for over a century and has produced some of the most iconic musicians of all time. At the core of jazz music are the instruments that create the distinctive sound that we all know and love. From the trumpet to the saxophone, each instrument plays a crucial role in the jazz ensemble. In this article, we will be exploring the top 5 most popular instruments in jazz. Whether you’re a seasoned jazz enthusiast or a newcomer to the genre, this list is sure to give you some insight into the instruments that have shaped the sound of jazz music over the years. So sit back, relax, and get ready to immerse yourself in the magical world of jazz music!
Importance of Instruments in Jazz
Instruments are the backbone of jazz music. They are what give the genre its unique sound and make it stand out from other forms of music. Jazz is a highly improvisational style of music, and the instruments used allow for the musicians to express themselves in a way that is not possible in other genres. The instruments used in jazz are chosen for their ability to create a wide range of sounds and emotions, and for their ability to interact with each other in a cohesive way.
The popularity of an instrument in jazz is determined by a number of factors. Firstly, the sound of the instrument must be unique and distinctive. It must be able to stand out in the midst of other instruments and be able to hold its own in a solo performance. Secondly, the instrument must be versatile and be able to create a wide range of sounds and emotions. Lastly, the instrument must be able to interact well with other instruments in the jazz ensemble. It must be able to complement and enhance the sounds of the other instruments.
The Most Played Instruments in Jazz – Saxophone, Piano, and Trumpet
The saxophone, piano, and trumpet are three of the most popular instruments in jazz. They are each unique in their sound and have played a pivotal role in shaping the sound of jazz music.
Third Place: Piano – History and Famous Pianists
The piano is a versatile instrument that has been an integral part of jazz music since its inception. It is used to create a wide range of sounds and emotions, from melancholy ballads to upbeat swing tunes. The piano was invented in the early 18th century and has since become one of the most popular instruments in the world.
Some of the most famous pianists in jazz history include Duke Ellington, Thelonious Monk, and Bill Evans. Duke Ellington was a composer, bandleader, and pianist who is considered one of the greatest musicians of all time. Thelonious Monk was known for his unique style and his ability to create complex melodies on the piano. Bill Evans was known for his sensitive and introspective playing style, and his ability to create beautiful harmonies on the piano.
Second Place: Trumpet – History and Famous Trumpet Players
The trumpet is a brass instrument that has been a staple in jazz music since the early 20th century. It is known for its bright and powerful sound, and its ability to create a wide range of emotions. The trumpet was originally used in military bands, but it wasn’t until the early 20th century that it became a popular instrument in jazz music.
Some of the most famous trumpet players in jazz history include Louis Armstrong, Dizzy Gillespie, and Miles Davis. Louis Armstrong was a pioneer of jazz music and is considered one of the greatest musicians of all time. Dizzy Gillespie was known for his virtuosic playing style and his ability to create complex melodies on the trumpet. Miles Davis was known for his innovative style and his ability to push the boundaries of jazz music.
First Place: Saxophone – History and Famous Saxophonists
Our number one most popular instrument in Jazz today, the saxophone, was invented in 1846 by Adolphe Sax, a Belgian instrument maker. It was initially used in military bands, but it wasn’t until the early 20th century that it became a staple instrument in jazz music. The saxophone is known for its smooth and sultry sound, and its ability to create a wide range of emotions.
Some of the most famous saxophonists in jazz history include Charlie Parker, John Coltrane, and Sonny Rollins. Charlie Parker, also known as “Bird,” was a pioneer of bebop and is considered one of the greatest saxophonists of all time. John Coltrane was known for his avant-garde style and his ability to push the boundaries of jazz music. Sonny Rollins is known for his improvisational skills and his ability to create complex melodies on the saxophone.
Other Popular Instruments in Jazz – Bass, Drums, and Guitar
While the saxophone, piano, and trumpet are the most popular instruments in jazz, there are several other instruments that are commonly used in jazz ensembles. The bass, drums, and guitar are three of the most popular instruments in jazz after the saxophone, piano, and trumpet.
The bass is a stringed instrument that is used to provide the foundation for the music. It is often used to create a walking bassline, which is a staple of jazz music. The drums are used to provide rhythm and to create a sense of forward momentum in the music. The guitar is used to create a wide range of sounds and emotions, from gentle chords to scorching solos.
Drum Roll – Why These Instruments are Important in Jazz Music
The instruments used in jazz music are crucial to the genre’s unique sound and feel. The saxophone, piano, and trumpet are three of the most popular instruments in jazz, and each has played a pivotal role in shaping the sound of jazz music over the years. Other popular instruments in jazz include the bass, drums, and guitar, each of which brings its own unique flavor to the music. Whether you’re a seasoned jazz enthusiast or a newcomer to the genre, these instruments are sure to capture your heart and transport you to the magical world of jazz music.
Jazz music has a long and storied history, with its roots tracing back to the late 19th and early 20th centuries in the United States. It has evolved over time, incorporating a wide range of influences and styles, and has had a profound impact on popular culture around the world.
One of the key events in the history of jazz is the emergence of “jazz age” in the 1920s, which saw the rise of popular jazz musicians such as Louis Armstrong and Duke Ellington. These musicians helped to popularize jazz and bring it to mainstream audiences, and their influence can still be felt today.
Jazz has also played an important role on New Year’s Eve, with many people turning to jazz music to help ring in the new year. From jazz clubs and dance halls to television and radio broadcasts, jazz has been a staple of New Year’s Eve celebrations for decades.
One of the reasons that jazz has remained so popular on New Year’s Eve is its ability to evoke a sense of excitement and celebration. The fast tempo and improvisational nature of jazz music make it the perfect accompaniment to the festive atmosphere of the holiday.
In addition to its role in New Year’s Eve celebrations, jazz has also had a lasting influence on other genres of music. Many modern artists, from pop and rock to hip hop and electronic, have incorporated elements of jazz into their music, helping to keep the genre alive and relevant for new generations of listeners.
Overall, jazz has a rich and varied history, and its influence can still be felt today, particularly on New Year’s Eve. Whether you’re dancing the night away in a jazz club or enjoying the sounds of a jazz band on the radio, there’s no denying that jazz is an integral part of the celebration of the start of a new year.
You can ring in the new year by listening to Night is Alive’s new album, Call Me Irresponsible, celebrating the Jazz of Jimmy Van Heusen.
Listen to the entire album on YouTube or on any of the major Streaming Services.
It’s that time of the year again. Whether snow is gently falling on your windowpanes or sunlight is streaming through, the holidays are fast approaching.
If you’re living in the southern hemisphere, it can sometimes be difficult to get yourself into the Christmas spirit. Most of the popular holiday songs and movies out there take place in colder climates—small towns nestled in snow-covered mountaintops, people dressed in hats and mittens, chestnuts roasting on an open fire. So, if your holidays usually consist of beachside barbeques, swimsuits, and sunglasses, you might be feeling a tad left out.
But don’t worry. We know just what’ll do the trick to get you in the spirit . . . baking Christmas cookies! There’s nothing else that can make you feel more like one of Santa’s elves. And some lively holiday tunes will also be sure to get you in the mood for some holiday cheer!
George Strait – Christmas Cookies
I don’t know about you, but country music usually makes me think of summertime. So, if you’re living in a tropical climate during the holidays, nothing can really beat Christmas country music!
This 2021 song is literally perfect for baking cookies because the cute and descriptive lyrics will get you excited and make your tummy rumble! The ones that look like Santa Claus, Christmas trees and bells and stars . . . sometimes I can’t get myself to stop . . .
John Di Martino, Wayne Escoffery & Lonnie Plaxico – Blue Christmas
Did you know that singing, even if it’s off-key, can greatly improve your happiness levels? Yes, it’s true! That’s why this December, you should make sure to belt out the lyrics to your favorite Christmas songs.
I’m sure that this new, jazzy instrumental rendition of Elvis’s hit “Blue Christmas” will prove to be a fan favorite since you and your family can all easily sing along while you bake cookies. Don’t worry, I’m sure no one will notice if you’re not all harmonized . . .
Nat King Cole – Deck the Halls
Even if you’re not much of a singer, chances are that you know the lyrics to this Christmas classic. And the range in tone is pretty limited, so it doesn’t matter whether your voice is an alto or bass! No matter who you are, you can handle this song, so there’s no excuse not to “fa, la, la, la, la, la, la, la, la” along with everyone while you mix up batter, knead dough or cut out cookies.
Bill Cunliffe Trio – It’s The Most Wonderful Time of The Year
This slow and whimsical rendition from Grammy-Award-Winner Bill Cunliffe really lingers in the beautiful details, just like the intricate icing and sprinkles on the sugar cookies you’ll be making. Sing along or even hum softly as you wrap up a lovely afternoon or evening full of Yuletide cheer.
John Di Martino, Wayne Escoffery & Andromeda Turre – Happy Hanukkah
Unfortunately, amid all the images of Santa Claus and baby Jesus in the manger, Hanukkah tends to get overlooked sometimes. But not anymore! This new song, featuring the stunning vocals of Andromeda Turre, shines light on the Jewish holiday.
If you’re looking for more holiday songs to listen to while you bake cookies, we recommend checking out our holiday album collection, which features stars like Andromeda Turre, Bill Cunliffe & John Di Martino.
Whether you’re a big fan of zodiac signs or not, chances are that you have a friend or loved one who was born sometime between November 22 and December 21, which makes them a Sagittarius!
Known for their optimism, honesty, spontaneity, and fun-loving outlooks on life, it comes as no surprise that many pop stars are Sagittarius—just to name a few, Britney Spears, Taylor Swift, Billie Eilish and Nicki Minaj.
But what about jazz? Well, the same applies! As we explored in our most recent Q&A series, with jazz journalist Joe Lang, Hoagy Carmichael is a Sagittarius. And so are Billy Strayhorn, Louis Prima, Frank Sinatra and many more.
In honor of the upcoming Sagittarius season, we put together a list of songs to play at the birthday party of your favorite Sagittarius!
Duke Ellington & Billy Strayhorn – Take the ‘A’ Train
Born on November 29, 1915, in Dayton, Ohio, Billy Strayhorn grew up to become one of the most famous jazz composers in American history. After moving to Pittsburgh as a child and studying classical music, Strayhorn met Duke Ellington at one of the band leader’s performances.
Strayhorn had the courage to show Ellington how he would have arranged one of his pieces differently! Luckily, the bold move paid off and Ellington was impressed enough to invite Strayhorn to play with his band, which led to many collaborations, such as this 1939 standard about the then-new A subway service running through New York City.
Louis Prima – Buona Sera
Known as “The King of Swing,” this American singer, songwriter, bandleader, and trumpeter is one powerhouse of a Sagittarius.
Born on December 7, 1910, to an Italian American family in New Orleans, Louis Prima not only helped to popularize jump blues in the late 1940s, but he also embraced his Italian heritage by blending elements of his Sicilian identity, such as the tarantella, with his jazz. This helped pave the way for other ethnic musicians, who, unfortunately, at that time, were discouraged from expressing their roots.
And did you know that Prima was also the voice actor for the orangutan King Louie in the 1967 Disney movie The Jungle Book? Talk about a fun-loving Sagittarius!
Frank Sinatra – Let’s Fall in Love
Even if you don’t know anything about jazz, you’ve definitely heard of Frank Sinatra, who is one of the world’s best-selling music artists of all time.
Also nicknamed “Chairman of the Board” and “Ole ‘Blue Eyes,” this singer and actor was born on December 12, 1915, in Hoboken, New Jersey to Italian immigrants. As a child, he became interested in big band jazz, and was deeply inspired by the easy-listening vocal style of Bing Crosby.
He got his first break in 1935 when he joined a local singing group and eventually rose to stardom, with an estimated 150 million record sales!
The WJ3 All-Stars – Broadway
This new tune—featuring many of the hottest contemporary jazz stars, like Willie Jones III, Wayne Escoffery and Steve Davis—really captures the spunky and spontaneous spirit of a Sagittarius! Just like the stars of Broadway, a Sagittarius is meant to shine bright.
For more spunky jazz tunes to play at a Sagittarius’s birthday party, check out our newest album, My Ship, which is available in our store and on all major music platforms.
This post was written by Night is Alive Blog Editor and Digital Marketing Manager Jacqueline Knirnschild.
Special Hoagy Carmichael Q&A with Joe Lang (Part III)
Happy belated birthday to the legendary composer Hoagy Carmichael, who if still alive, would’ve turned 123 this year on November 22nd!
In honor of the multitalented songwriter, we are wrapping up our chat with Joe Lang, who writes for the New Jersey Jazz Association.
JK: Tell us more about your interest in Hoagy Carmichael.
JL: He was my favorite songwriter. I became aware of him as a little kid because my dad used to sing around the house, and one of the songs he sang was “Stardust.” I was maybe four years old when I learned the words to “Stardust” and I used to go around and sing it to everyone and people thought what is this, a little kid singing about reverie?
Hoagy was the first person in the entertainment world I was aware of and over time he became a hero of mine. You know there’s an awful lot of great songwriters in American song—Cole Porter, Irving Berlin, Ira Gershwin, Harlen Howard, and I love them all, but I love Hoagy more than anybody.
Somebody once asked me who my three favorite songwriters were and my answer kind of flustered a lot of people because I said Hoagy, Stephen Sondheim, and Thelonious Monk and they didn’t see the connection. But you know I’m not a musician I’m a fan, so I’m not technically able to talk about music but I’ve listened to enough that you pick a lot up. For me, though, music is a very emotional experience rather than a technical experience, so a lot of songs strike me a certain way. I always tell people my favorite female singer was June Christie, not because I think she was the best female singer but there was just something about her singing that struck me emotionally—the sound of her voice, the phrasing, the fact that she kind of sang flat some of the time, it was kind of intentional and just was the thing that I react to.
And of course, I love a lot of Hoagy’s songs and lyrics, and I sat next to Hoagy Carmichael at his 80th birthday tribute and that had to be one of the greatest thrills of my life—to meet Hoagy, well not only meet him, but there were several performers on the show that he was not familiar with that he was asking me about, so I was educating him in a way. And early in the show, I think it was the second song they played, Bob Crosby introduced one of the earliest songs that Hoagy wrote and recorded, and it was called “March of the Hoodlums,” and I knew Hoagy’s music well, but I just didn’t remember having heard that song. Then about halfway through the sang, Hoagy jabbed me in the ribs with his elbow and said, “You know I don’t remember a damn note of that thing—I’m not even sure I wrote it! And so, I go home, and I had an album with early Hoagy Carmichael material on it and sure enough that song was on it, and there was also a recoding of that same song by Duke Ellington, so it was not an unknown song in its day, although it’s not one of Hoagy’s songs that has continued on.
It was funny that one of the guys who was on the program at the birthday tribute was Dave Frishberg. Now I thought that Frishberg was a latter-day Carmichael but when Frishberg came out, Hoagy had no idea who he was. Now Frishberg is a wonderful songwriter—he has a lot of songs that are a little bit different; that don’t follow a formula, and Hoagy was the same way—I think that’s one of the things that appealed to me about him. It wasn’t like you’d hear a song by him, and you’d think oh that’s a Hoagy song. He wrote so many different styles of songs and all so well. And he continued writing into the fifties. He probably kept writing after.
JK: I’d like to switch gears a bit here to talk about your short review of Night Is Alive’s album My Ship.
You wrote that Willie Jones II is “among the premier drummers on the scene today and demonstrates on this album that he also shines as a leader who knows how to put together a superior band. You will dig sailing on My Ship.”
Now I am wondering—what is your favorite son on the album?
JL: You know I’d have to look at the album again because I review 10-12 albums a month and I listen to many more that I get in the mail all the time.
JK: There was “Can’t Buy Me Love,” “God Bless the Child,” “My Ship,” “Broadway,” “Taking a Chance on Love,” “Star Eyes,” “Wave,” “I Should Care” and “Christmas Time Is Here.”
JL: Hmmm but I would say the song “My Ship” was probably the one I liked best if I had to pick one.
Special Hoagy Carmichael Q&A with Joe Lang (Part II)
We’re back this week to continue the conversation with jazz journalist and Hoagy Carmichael aficionado Joe Lang.
JK: So, for those of us who are unfamiliar with Hoagy Carmichael—would you mind giving us a brief rundown of his career? How and when did he begin composing?
JL:Well, he did so many things. I mean he’s primarily known as s songwriter, but he also did a lot of recordings, mostly of his own songs, but sometimes of other people’s songs. He did a dozen or so movies; he always seemed to play the same character—himself, but yeah, he had charm.
When he was a kid, he played piano and he was from Bloomington, Indiana and his mother played piano, and I guess when he was in college, he just started writing songs and playing music. He was basically a jazz musician, and he was just absolutely blown away by Bix Beiderbecke. He became good friends with Bix, and Bix died when he was 29 years old from drinking himself to death, but yeah, he hung around with Bix a lot when he could.
He was very special. He went to school at the University of Indiana. He got a law degree, and then he moved down to Florida, where he was working in a law office when he walked by this open window and heard this song “Washboard Blues” being played, which was one of his songs. He didn’t even know that recording had been made, so when he heard it, he said, “Gee! I think I’m going to concentrate more on songwriting.” So, he moved from Florida up to New York and became a songwriter and, you know, went on from there.
When he recorded “Washboard Blues,” it was for the Paul Whiteman Orchestra and the interesting thing about that was that when they were going to record it, Hoagy was going to sing it, but Paul Whiteman had Bing Crosby standing by in case they felt that Hoagy couldn’t do it, because it’s a very sophisticated song the way it’s written—it’s just not a normal song, it’s a wonderful song. But Hoagy nailed it, and they put the record out with Hoagy singing it. That was the record that really got him to realize that he had real potential as a professional songwriter. Interestingly enough the lyrics to that song were written by a guy who was a stonecutter somewhere in Indiana—I don’t know whether he sent the lyrics to Hoagy, if he was aa friend or if he ever wrote another lyric—but it’s a very fun lyric, it’s very kind of deep in its way.
Hoagy didn’t write many lyrics. He wrote a few lyrics but mostly he worked with other lyricists, most notably, Johnny Mercer. His most famous song is “Stardust,” which is one of the most recorded songs ever and when he wrote that, he actually wrote it as a midtempo instrumental, a bouncy little instrumental, but when Mitchell Parish added the lyrics, they made it a ballad. Most people think of “Stardust” as a romantic song but if you listen to the lyrics, it’s a very sad song. It’s about a love affair that went bad, as are many love songs.
Special Hoagy Carmichael Q&A with Joe Lang (Part I)
Did you know that Hoagy Carmichael’s birthday is on November 22nd? That’s right, the famous Tin Pan Alley songwriter is a Sagittarius!
In honor of the multitalented entertainer, we sat down to chat with jazz journalist Joe Lang, who reviews CDs, books, and live performances for the New Jersey Jazz Society’s magazine “Jersey Jazz.”
Lang, who has been listening to jazz since his early teens, is a huge Hoagy Carmichael fan. He remembers becoming attached to “Stardust” when he was only four years old. Over the years, Lang has watched many of Carmichael’s movies, read his biographies, listened to his songs, and even gave a presentation at his local library about the accomplished composer.
So, you can imagine that Lang was overjoyed when, at Carmichael’s 80th birthday celebration concert during the 1979 New York Jazz Festival, Lang discovered he was seated directly next to the guest of honor! How serendipitous, right?
JK: What is it about Hoagy Carmichael that you love so much?JL: I just like his songs—I never get sick of listening to them. I listened to that [1979 birthday] concert before we had the interview, and I’ve probably listened to that concert dozens of times and I never get sick of it. Of course, there’s a lot of nostalgia involved because I was there and sitting next to him. That was kind of special.
JK: What was Hoagy Carmichael like in person? Was he everything you had imagined?
Well, yeah. He was a character. His wife had passed away and he had remarried and this lady who he was married to was sitting next to him and she kept getting so embarrassed because he kept shouting things out. I remember they were playing a lot of relatively obscure songs and at one point he yelled out, when are you going to start playing my hits? He was just a character.
if you saw his movies, that pretty much captured what he was like. He had a TV show in the fifties—I wish I could find it—for a short time he was the host of a variety show, but I don’t remember watching it when it was on, and I’ve never been able to find it, but it would’ve been interesting to see that because I bet with that little bit of that recording, you’d really get a flavor of what his personality was like.
JK: Is Stardust still your favorite Hoagy song?
You know, it’s hard to pick out one song. I like a quirky little song that he wrote that’s not that well known now—it had its popularity in its time—it’s a song called “Little Old Lady.” I just always found it charming. And he wrote a musical with Johnny Mercer called Walk with Music that didn’t get to Broadway as far as I know and the rest of the score most people haven’t heard, but the title song “Walk with Music” is one that got picked up by a lot of singers and I like that song a lot.
Well, we hope you enjoyed this Feature Friday!
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Last, but certainly not least, we talk to Wayne Escoffery about how the jazz industry has changed since the 80s, along with his experiences recording My Ship!
JK: Do you feel like you have accomplished the musical dreams you had as a child?
WE: I think, like most people in many careers, after you make it to a certain point, you realize that, number one, it probably wasn’t exactly what you expected it to be and, number two, these vocations, these careers, they change. When I was coming up in the 80s and 90s, when I looked at what it meant to be a successful jazz musician—that was the day of The Young Lions. And at least what I thought was that they were doing very well for themselves, doing well financially, and had a lot of resources and support. So, you’re asking if I feel like I reached that success—sure iIve reached that success, that point. I’ve succeeded in many of the goals that I had set out for myself but I’m not sure that the outcome is quite what I thought it would be because the industry has changed so much.
JK: I mean you’re still getting to play your music and get to that level of artistry you desired, right?
WE: Of course, of course and that’s ultimately one of the most important things—and being able to play with high level musicians and I’m respected in my field. Those are ultimately some of the most important things that I’ve set out to do, so I’m very proud I’ve been able to succeed in that regard but of course there are still other things that we want to make sure that we get.
JK: So how has the jazz industry changed?
WE: I think in many ways musicians are exploited more than they used to be. Granted they were exploited back then too but I think there was more money being poured into jazz specifically and into certain types of jazz and certain types of musicians. There were just more resources that were available ad there was generally more artist support and more money to support the artists. Now I think there’s still money. But it’s hard to find and unfortunately, like in our social and political environment, the “haves” try to make sure that they continue to have. And I think that they’re more willing to exploit, than to help, bring up artists and invest in artists and the industry. But that’s kind of a common thread throughout industry.
JK: Yeah definitely. So, what was it like recording the album My Ship?
WE:Well, interestingly enough, I was only asked to join the cast I think one or two nights before we went into the studio. But with that being said, I’ve known most of the musicians, except for Isaiah, for decades. I’ve played with them on a number of occasions, so of course it was like reuniting with buddies to make some music and that was fun and I’m sure you can hear bits of that in the product. Yeah, and I mean you know Willie is a great professional and knows what to do. In many ways there’s very little that needs to be said among the musicians that performed in this album because we all know what to do, we all know how to support each other, and we all know how make great music. So, it was actually pretty easy. It felt good to just play some classic songs together.
JK: What’s your favorite song on the album if you have one?
WE:Well, I don’t know what my favorite rendition is, of what we’ve done, but I know that Broadway is one of those songs that I always have affection for because one of my heroes, saxophonist Dexter Gordon recorded Broadway—that was one of his classics, his recording of that song became a classic interpretation, so I always like getting a chance to play Broadway. It makes me think of Dexter. He’s really one of my idols.
If you’re looking for some more Wayne Escoffery, check out our albums My Ship and Old New Borrowed & Blue, both of which are available in our store and on all major music platforms!
