Jazz music has a long and storied history, with its roots tracing back to the late 19th and early 20th centuries in the United States. It has evolved over time, incorporating a wide range of influences and styles, and has had a profound impact on popular culture around the world.
One of the key events in the history of jazz is the emergence of “jazz age” in the 1920s, which saw the rise of popular jazz musicians such as Louis Armstrong and Duke Ellington. These musicians helped to popularize jazz and bring it to mainstream audiences, and their influence can still be felt today.
Jazz has also played an important role on New Year’s Eve, with many people turning to jazz music to help ring in the new year. From jazz clubs and dance halls to television and radio broadcasts, jazz has been a staple of New Year’s Eve celebrations for decades.
One of the reasons that jazz has remained so popular on New Year’s Eve is its ability to evoke a sense of excitement and celebration. The fast tempo and improvisational nature of jazz music make it the perfect accompaniment to the festive atmosphere of the holiday.
In addition to its role in New Year’s Eve celebrations, jazz has also had a lasting influence on other genres of music. Many modern artists, from pop and rock to hip hop and electronic, have incorporated elements of jazz into their music, helping to keep the genre alive and relevant for new generations of listeners.
Overall, jazz has a rich and varied history, and its influence can still be felt today, particularly on New Year’s Eve. Whether you’re dancing the night away in a jazz club or enjoying the sounds of a jazz band on the radio, there’s no denying that jazz is an integral part of the celebration of the start of a new year.
You can ring in the new year by listening to Night is Alive’s new album, Call Me Irresponsible, celebrating the Jazz of Jimmy Van Heusen.
Listen to the entire album on YouTube or on any of the major Streaming Services.
Whether you’re a big fan of zodiac signs or not, chances are that you have a friend or loved one who was born sometime between November 22 and December 21, which makes them a Sagittarius!
Known for their optimism, honesty, spontaneity, and fun-loving outlooks on life, it comes as no surprise that many pop stars are Sagittarius—just to name a few, Britney Spears, Taylor Swift, Billie Eilish and Nicki Minaj.
But what about jazz? Well, the same applies! As we explored in our most recent Q&A series, with jazz journalist Joe Lang, Hoagy Carmichael is a Sagittarius. And so are Billy Strayhorn, Louis Prima, Frank Sinatra and many more.
In honor of the upcoming Sagittarius season, we put together a list of songs to play at the birthday party of your favorite Sagittarius!
Duke Ellington & Billy Strayhorn – Take the ‘A’ Train
Born on November 29, 1915, in Dayton, Ohio, Billy Strayhorn grew up to become one of the most famous jazz composers in American history. After moving to Pittsburgh as a child and studying classical music, Strayhorn met Duke Ellington at one of the band leader’s performances.
Strayhorn had the courage to show Ellington how he would have arranged one of his pieces differently! Luckily, the bold move paid off and Ellington was impressed enough to invite Strayhorn to play with his band, which led to many collaborations, such as this 1939 standard about the then-new A subway service running through New York City.
Louis Prima – Buona Sera
Known as “The King of Swing,” this American singer, songwriter, bandleader, and trumpeter is one powerhouse of a Sagittarius.
Born on December 7, 1910, to an Italian American family in New Orleans, Louis Prima not only helped to popularize jump blues in the late 1940s, but he also embraced his Italian heritage by blending elements of his Sicilian identity, such as the tarantella, with his jazz. This helped pave the way for other ethnic musicians, who, unfortunately, at that time, were discouraged from expressing their roots.
And did you know that Prima was also the voice actor for the orangutan King Louie in the 1967 Disney movie The Jungle Book? Talk about a fun-loving Sagittarius!
Frank Sinatra – Let’s Fall in Love
Even if you don’t know anything about jazz, you’ve definitely heard of Frank Sinatra, who is one of the world’s best-selling music artists of all time.
Also nicknamed “Chairman of the Board” and “Ole ‘Blue Eyes,” this singer and actor was born on December 12, 1915, in Hoboken, New Jersey to Italian immigrants. As a child, he became interested in big band jazz, and was deeply inspired by the easy-listening vocal style of Bing Crosby.
He got his first break in 1935 when he joined a local singing group and eventually rose to stardom, with an estimated 150 million record sales!
The WJ3 All-Stars – Broadway
This new tune—featuring many of the hottest contemporary jazz stars, like Willie Jones III, Wayne Escoffery and Steve Davis—really captures the spunky and spontaneous spirit of a Sagittarius! Just like the stars of Broadway, a Sagittarius is meant to shine bright.
For more spunky jazz tunes to play at a Sagittarius’s birthday party, check out our newest album, My Ship, which is available in our store and on all major music platforms.
This post was written by Night is Alive Blog Editor and Digital Marketing Manager Jacqueline Knirnschild.
Special Hoagy Carmichael Q&A with Joe Lang (Part III)
Happy belated birthday to the legendary composer Hoagy Carmichael, who if still alive, would’ve turned 123 this year on November 22nd!
In honor of the multitalented songwriter, we are wrapping up our chat with Joe Lang, who writes for the New Jersey Jazz Association.
JK: Tell us more about your interest in Hoagy Carmichael.
JL: He was my favorite songwriter. I became aware of him as a little kid because my dad used to sing around the house, and one of the songs he sang was “Stardust.” I was maybe four years old when I learned the words to “Stardust” and I used to go around and sing it to everyone and people thought what is this, a little kid singing about reverie?
Hoagy was the first person in the entertainment world I was aware of and over time he became a hero of mine. You know there’s an awful lot of great songwriters in American song—Cole Porter, Irving Berlin, Ira Gershwin, Harlen Howard, and I love them all, but I love Hoagy more than anybody.
Somebody once asked me who my three favorite songwriters were and my answer kind of flustered a lot of people because I said Hoagy, Stephen Sondheim, and Thelonious Monk and they didn’t see the connection. But you know I’m not a musician I’m a fan, so I’m not technically able to talk about music but I’ve listened to enough that you pick a lot up. For me, though, music is a very emotional experience rather than a technical experience, so a lot of songs strike me a certain way. I always tell people my favorite female singer was June Christie, not because I think she was the best female singer but there was just something about her singing that struck me emotionally—the sound of her voice, the phrasing, the fact that she kind of sang flat some of the time, it was kind of intentional and just was the thing that I react to.
And of course, I love a lot of Hoagy’s songs and lyrics, and I sat next to Hoagy Carmichael at his 80th birthday tribute and that had to be one of the greatest thrills of my life—to meet Hoagy, well not only meet him, but there were several performers on the show that he was not familiar with that he was asking me about, so I was educating him in a way. And early in the show, I think it was the second song they played, Bob Crosby introduced one of the earliest songs that Hoagy wrote and recorded, and it was called “March of the Hoodlums,” and I knew Hoagy’s music well, but I just didn’t remember having heard that song. Then about halfway through the sang, Hoagy jabbed me in the ribs with his elbow and said, “You know I don’t remember a damn note of that thing—I’m not even sure I wrote it! And so, I go home, and I had an album with early Hoagy Carmichael material on it and sure enough that song was on it, and there was also a recoding of that same song by Duke Ellington, so it was not an unknown song in its day, although it’s not one of Hoagy’s songs that has continued on.
It was funny that one of the guys who was on the program at the birthday tribute was Dave Frishberg. Now I thought that Frishberg was a latter-day Carmichael but when Frishberg came out, Hoagy had no idea who he was. Now Frishberg is a wonderful songwriter—he has a lot of songs that are a little bit different; that don’t follow a formula, and Hoagy was the same way—I think that’s one of the things that appealed to me about him. It wasn’t like you’d hear a song by him, and you’d think oh that’s a Hoagy song. He wrote so many different styles of songs and all so well. And he continued writing into the fifties. He probably kept writing after.
JK: I’d like to switch gears a bit here to talk about your short review of Night Is Alive’s album My Ship.
You wrote that Willie Jones II is “among the premier drummers on the scene today and demonstrates on this album that he also shines as a leader who knows how to put together a superior band. You will dig sailing on My Ship.”
Now I am wondering—what is your favorite son on the album?
JL: You know I’d have to look at the album again because I review 10-12 albums a month and I listen to many more that I get in the mail all the time.
JK: There was “Can’t Buy Me Love,” “God Bless the Child,” “My Ship,” “Broadway,” “Taking a Chance on Love,” “Star Eyes,” “Wave,” “I Should Care” and “Christmas Time Is Here.”
JL: Hmmm but I would say the song “My Ship” was probably the one I liked best if I had to pick one.
Ah, nothing beats the bliss of a Friday afternoon, right? And to improve your good mood even more, we have a new Q&A series with the Grammy-Award-winning tenor saxophonist Wayne Escoffery!
Escoffery has experience front lining, around the world, in Tom Harrell’s working quintet, as well as being a member of The Mingus Dynasty, Big Band and Orchestra, and teaching jazz improvisation at the Yale School of Music.
And now we’re lucky enough at Night Is Alive to have Wayne Escoffery featured in our albums My Ship and Old New Borrowed & Blue. And with Christmas being just around the corner, be sure to be on the lookout for our upcoming album, Christmas Ain’t Like It Use To Be, featuring Wayne Escoffery!
So, without further ado, let’s get to know this remarkable musician!
JK: Was music a big part of your household when you were growing up?
WE:Well, my mother was an avid listener of classical music and old school R&B music. But she was not a jazz listener. I basically grew up with my mother, but for the first few years of my life when my father was in the house he did listen to and play reggae music. He was an amateur reggae guitarist. So, there was exposure to that from a very early age, but for most of my childhood, it was with my mother, and she was a big fan of classical and R&B music. She would have it on casually in the house as background music. Music was always playing but it was never something that was discussed much or was a huge part of our lives.
JK: Do you have a most beloved song from your childhood?
WE:Not in particular. But for sure, I myself was always a big fan of the young Michael Jackson and the Jackson 5. My mother played that a lot. And also, choral music, she played a lot of choral music. So, no specific song, just certain artists, like Michael Jackson—he’s definitely one that resonated with me and all the artists surrounding him. You know, Motown era music.
JK: Yeah, definitely great music! So, I saw that at age 11 you joined the New Haven Trinity Boys Choir and began taking saxophone lessons.
WE:Yeah, the boys’ choir was really my first formal introduction into music, so really, I consider the voice my first instrument. And yes, after that, at around 11, I started playing the tenor saxophone actually, which is somewhat unusual as a lot of older players start playing the clarinet or alto saxophone first.
JK: What inspired you to join the choir?
WE:Well, two-fold—my mother’s love for choral and classical musical and also, growing up in New Haven, Connecticut. New Haven is a very diverse place and while there are a lot of areas that are well-to-do, there is also a lot of poverty, so there were lots of areas, things ad environments that my mother wanted me to stay away from. She was definitely big on keeping me busy. When the director of the New Haven Boys’ Choir visited our elementary school looking for choir boys, he saw some talent in me and my mom right away suggested I join the boys’ choir. It was a pretty serious organization, so that pretty much kept me busy at least three days of the week.
JK: Hmm I see. Clever of your mom! And then you started playing the saxophone.
WE: Yeah, I would basically go to choir practice with saxophone in hand and before or after choir I would have saxophone practice. Not necessarily playing jazz music, just band music. If you’re looking for some more Wayne Escoffery, check out our albums My Ship and Old New Borrowed & Blue, both of which are available in our store and on all major music platfor
Ah, the bliss of waking up, pulling on a cozy old wool sweater, and drinking a mug of hot tea. Like most Americans, fall is my favorite season. The cooler, autumnal weather is such a relief after the sweaty, hazy days of summer. And even though it may be “basic,” the pumpkin spice lattes, hay bale mazes, knit scarves and warm apple cider are pretty hard to beat!
But the most treasured fall pastime is hands-down pumpkin carving. There’s nothing like getting your family together on a chilly fall night to craft spooky faces while a full moon looms in the sky.
Did you know that the tradition of the jack-o’-lantern comes from an old Irish legend about a drunkard who makes a bargain with Satan that curses him to wander the Earth with just a hollowed turnip to illuminate his way? The tradition was brought to the United States by Irish immigrants in the early 19th century and has become an American staple ever since.
Now, what music should you listen to while carving pumpkins? Don’t fear—we have some eerie tunes just for you!
Bing Crosby – The Headless Horseman
This 1949 song comes from the Disney movie adaptation of Washington Irving’s short story “The Legend of Sleepy Hollow,” which tells about a horseman who carries his head in his lap, and who, late one night, frightens a teacher so bad that the teacher disappears. Some say he fled the village, while others say that the horseman took his body and soul. All that they know for certain is that the teacher’s hat was found in the morning next to a smashed pumpkin.
Written in 1820, this story helped to create the cannon of American literature, and it also contributed to the spookiness of the carved-out pumpkin in the American imagination. With a hip-hip and a clippity-clop, he’s out lookin’ for a top to chop …
Jackie McClean – Demon’s Dance
The angular and varied textures in this 1967 tune will inspire you to make crisp and creative cuts in your pumpkin, turnip, gourd, or other root vegetable. Maybe you’ll even carve out an image of demons dancing around a fire—who knows? See where your inner ghoul takes you!
Ella Fitzgerald – Ding Dong! The Witch Is Dead
From the classic 1939 film The Wizard of Oz, this is a beloved song that’ll definitely captivate you and your family. If you don’t remember, the song celebrates when Dorothy’s house falls on the Wicked Witch of the East, and when the Wicked Witch of the West is splashed with water.
John DiMartino, Joe Magnarelli & Wayne Escoffery – Hudson River Wind
Although this is technically not a spooky song, it really captures the spirit of fall. When you think of autumn, don’t you think of a gust of wind blowing leaves into a rushing river?
If you’re looking for more jazz songs to listen to while you carve pumpkins, check out our albums My Ship and Old New Borrowed and Blue, which are both available in our store and on all major music platforms now.
Since we’ve been locked up for the past few years with COVID, chances are that you’re feeling a bit restless. Maybe, due to travel restrictions, you haven’t left the country in years. Or maybe, you’re a homebody and just recently got a passport. Well, either way, now is the time to indulge your wanderlust! Hop on a flight to the exotic destination of your dreams—Paris, Bangkok, Fiji—who knows where you’ll go!
And while you’re waiting to board that 9-, 10- or 12-hour flight, take a look at the playlist we made especially for you. These songs will help you to unwind, enjoy the view out the window and get you excited to explore a new city or village!
Willie Jones III, Steve Davis, Jeremy Pelt – Wave
I don’t know about you, but I always snag the window seat if possible. There’s nothing like soaring above the clouds at sunset, sipping on a glass of complimentary wine and listening to some instrumental jazz music, like this new 2022 song “Wave.” Featuring some of the top musicians in the industry today, this tune will inspire you to reflect on all the ups and downs in life while you gaze out the window.
Ella Fitzgerald – April in Paris
Originally written in 1932 for a Broadway musical, this slow song reveres the beauty of springtime in Paris and creates the perfect atmosphere to get you in the mood for your trip abroad. Whether you’re going to Paris or not, traveling internationally will be sure to make your heart sing, and who knows, maybe you’ll stumble upon the chestnuts in bloom that Fitzgerald croons about so beautifully.
Otis Redding – (Sittin’ On) The Dock of the Bay
This charming 1967 hit is all about sitting and watching the morning sun, wasting time, which is exactly what you’ll be doing on your flight and during your vacation. So, enjoy it. Savor every moment. In our daily lives, we’re always rushing, like busy bees pollinating flowers, but we never stop to smell the roses. Well, this is your chance.
Willie Jones III, Steve Davis, Jeremy Pelt – My Ship
Yes, you are on an airplane, but with all the wine and exhaustion, do you ever look out the window and mistake the clouds for the sea? As adults, we don’t often indulge our imaginations, but why not? Why not imagine that you’re on a ship with sails that are made of silk, decks trimmed with gold and aglow with a million pearls?
If you’re single and looking for love, who knows, maybe this flight is taking you across the seas to find your true love and set the sails in your heart.
If you’re looking for more relaxing jazz music for your flight, check out My Ship and Old New Borrowed & Blue, which are both available in our store and on all major music platforms today!
Born in Worcester, Massachusetts, and raised in Binghamton, New York, trombonist Steve Davis has always had a gift for music, which led him to release twenty albums, gain recognition for his hard-swinging, lyrical style, perform internationally and teach jazz workshops at the Jackie McLean Institute.
More recently, Davis—nicknamed Stevie-D—has joined with Night Is Alive to arrange the music, and play the trombone in the 2022 album, My Ship, which also features Willie Jones III (drums/bandleader), Jeremy Pelt (trumpet), Wayne Escoffery (tenor sax), Isaiah Thompson (piano), and Gerland Cannon (bass).
And since My Ship is about looking back fondly on your childhood dreams, today we’re going to get to know a bit more about Stevie-D’s childhood, family, and early musical influences!
JK: I read that jazz was played often in your household when you were growing up. Were your parent’s musicians?
Stevie-D: My parents weren’t musicians but they both loved music and my father, in particular, was a record collector—he had a lot of jazz, blues and rock ‘n’ roll albums. Growing up in the 70s and 80s, I had access to his vast record collection and then later CDs. So, there was always good music playing in the house, and just a culture of appreciation of jazz music in particular. And then my grandparents on both sides—my dad’s father, my grandsire, he was also a newspaper journalist like my father was at that time, but a big jazz fan and played the trumpet as a hobby. My dad played the electric bass and did a few gigs in my hometown of Binghamton, NY, but he was mostly just a music fan and played for fun. And my grandsire played the trumpet, and he could belt out “Sweet Georgia Brown” and “When the Saints Go Marching In” and he loved Duke Ellington and Louis Armstrong.
And then on my mother’s side, my nana, I called her, she was a great stride pianist. She was the real jazz musician in the family. She was semi-professional and lived in Connecticut. She died when I was 19, but as a kid, I got to hear her play. When I started playing trombone as a teenager, I got to play with her a little bit when we would visit. She didn’t read a note of music, she played by ear—she was a real jazz musician, but being a woman at that time, it just wasn’t so acceptable for her to just do that, so when I look back on it, I think it was relegated more to the parlor entertainment, like “Oh isn’t that nice, you know, she’s playing the piano.” But she played all kind of Gershwin and American songbook standards and Ellington, and I learned a lot from her. She could really play.
JK: That’s an amazing story, but a shame that she wasn’t able to pursue it more.
Stevie-D: Well, she did to some degree. Boy, she would sit down—she had a piano in the house, it’s a Steinway, my parents still have it—and she’d sit down at that thing and just start swinging and play all kinds of things—”Honeysuckle Rose,” “Them There Eyes,” “Undecided”—some of the old swinger tunes, and she’d sing a little bit. She just had it. She knew what to do. So, then I would get my horn out eventually and she would teach me some of these tunes and I did it just naively, and we had fun together. So, I did get to play with her, and looking back all these years, forty years later, I cherish those memories very much. She’s a big influence on me for sure.
JK: Did you have a most beloved song growing up?
Stevie-D: Wow. Um. There’s so many. Well, one of the first songs I learned to play on my trumpet—I started on trumpet then I switched to baritone horn, and they suckered me into the tuba for a while at school, and I would up on trombone at 14, so I was a bit of a latecomer—but one of the first songs I could play on any of those instruments was “When the Saints Go Marching In,” just by ear. I always like that song, but I think everyone loves that song. My nana’s favorite song was “Embraceable You” by George Gershwin, and I played it at her funeral when I was 19 years old and I did it, again, the best I could by myself. I didn’t even appreciate or understand the depth of that moment the way I would now. So, I love that ballad.
There are so many songs I love, and plus as a kid, I was listening to the blues, B.B. King and Muddy Waters, and rock ‘n’ roll, Rolling Stones and the Beatles, Jimi Hendrix. There’s lots of great music but “Embraceable You” was a special one because it was my nana’s favorite, so I think that one’s very close to my heart.
JK: Have you played it since then?
Stevie-D: Here and there. It’s one of those tunes that I, you know some songs are so special to you that you hold it out for the right time. There are some other American Songbook standards that I wanted to play in my 20s when I had become a serious jazz musician and now that I’m 55 years old, I finally feel ready to play them in the way that I was dreaming of as a younger musician. My wife, Abena—her name is Abena Koomson Davis—she’s a great singer and knows a lot about the American Songbook. She loves “Polka Dots and Moonbeams,” so I always play that one for her and I love that song too. There’s so many obviously, that was one of the things that was so fun about the project with Willie and everyone—we always delve into some of the great standards, and I think all of us really appreciate the opportunity to interpret some of the American Songbook classics and put a little bit of a fresh spin on it, but also play the tones hopefully with a great deal of integrity and genuine feeling.
JK: Do you think you’ll record a rendition of “Embraceable You” at some point?
Stevie-D: I’d love to. I look forward to it. I haven’t yet. I’m just holding that one. I appreciate the question. I’m looking forward to it; probably sooner than later.
And the conversation will continue . . . Look for the next installment of the interview next Friday! And in the meantime, if you’re looking for more Stevie-D, check out our album My Ship, which is available in our store and on all major music platforms now.
Did you know that the more heat and humidity there is in the air, the stronger and wetter a thunderstorm will be? Yup, that’s right. The hot, humid draft rises to a point where it eventually condenses and forms a cloud, which grows until it’s ready for a torrential downpour.
But a summer storm doesn’t have to be a downer or disappointment. Rather, the overcast skies and rain can be a nice break from the seemingly relentless sun! And what better way to enjoy a later summer storm than reading a thrilling novel while you sip on a nice glass of crisp white wine and listen to some soft jazz?
Lorca Hart Trio – Here’s That Rainy Day
I don’t know about you, but there’s something about those gray clouds in the sky, obscuring all the blue, that calms me. Ah, there’s nothing like the smooth trinkle of raindrops sprinkling against the windowpane and the musty smell of a well-loved book with worn, dog-eared pages.
This new 2021 tune really captures the spirit of a cozy rainy day. Ralph Moore’s smooth, buttery saxophone really takes the edge off and makes you want to kick back and relax.
Stormy Weather – Etta James
This 1960 ballad is heart wrenching in its exploration of sorrow following the dissolution of a romantic relationship. The speaker’s heart is full of stormy weather since she and her man are no longer together.
She feels like she just can’t go on, yet, at the same time, James’s powerful, sunny vocals and the lyrics about praying to walk in the sun once more seem to hint at future hope. Because remember, after a rainstorm always comes a rainbow.
Come Rain or Come Shine – Ray Charles
Whether we like it or not, there are many ups and downs in life. But without the alternating rain and shine, we would all just be bored, wouldn’t we? The so-called rain is what makes us stronger, and, like Ray Charles sings in this song, it also shows us who is really there for us when it matters.
As you enjoy your later summer storm, why not celebrate love with this beautiful 1959 tune? It’ll remind you of all those people who have stood by you come rain or shine.
John Di Martino, Joe Magnarelli & Wayne Escoffery – Hudson River Wind
Maybe you’ve been having a difficult time lately. Misfortune just keeps knocking at your door and it won’t stop. Well, you know the saying—when it rains it pours, meaning that when things go wrong, they do so all at once.
Challenging periods like that may seem unbearable and insufferable, but if you’ve ever been to the Hudson River in eastern New York, you know that it can actually be quite magical to watch the storm stir up the water. This lovely 2022 song will inspire you to change your perspective and view your setbacks not as reasons to cry but as opportunities to grow.
If you’re looking for some more relaxing, instrumental jazz tunes for your rainy afternoon or evening, I’d recommend our new albums Old New Borrowed & Blue and My Ship, both of which are available in our store and on all major music platforms today!
This post was written by Digital Marketing Manager Jacqueline Knirnschild.
Have you spent too much time out in the sun this summer? Between camping, boating and paddle boarding, I know that I’m a bit toasted and could use a rest from all the rays and heat.
And what better way to rest than with a cozy girls’ night in? Staying in is also a good way to save some money! Grab a few friends, a few bottles of booze and enjoy the air conditioning in the basement. While you’re at it, why not grab some aloe to soothe that nasty sunburn? There’s nothing like the salve of cool conversation with friends to revitalize you for the second half of this hot summer!
Of course, as you can probably already predict, we at Night Is Alive put together a fun playlist for your girls’ night in. These tunes will make you want to cry, laugh, and, hopefully, by the end of the night, dance and sing along!
Janis Siegel, John Di Martino & Lonnie Plaxico – Don’t It Make My Brown Eyes Blue
Face it, after going through a grueling heartbreak, there’s no one you’d rather talk to you than your best gal pals. And as the lyrics of this country classic point out, sometimes it’s really hard to accept that a relationship is over. You might cry so much that your brown eyes turn blue, but your friends will be there to wipe away the tears and pick you back up, so let it all out on girls’ night.
Respect – Aretha Franklin
This 1967 R&B hit is just what you need on a girls’ night because everyone is sure to know the words. From the moment that melody starts to the first vocals, this song is instantly recognizable and will make you tap your toes, or, at the very least, nod your head.
Because at the end of the day, all that we’re asking for is just a little respect when you come home—isn’t that right ladies?
Carole King – Where You Lead
If you’re a Gilmore Girls fan, you’ll know this 1971 tune, which is the theme song of the cult classic TV show. Like Rory and Lorelai, your best girl friends will always follow where you lead. If you need them, they will be there for you, and they will go to the ends of the earth ‘cause darling that’s what you’re worth.
And don’t worry, we won’t judge you if you and your friends belt out all lyrics and sway together with your arms entwined. We’ve all been there.
Girls Just Wanna Have Fun – Cyndi Lauper
C’mon you knew we had to put this song on the playlist, didn’t you? You got to save the best for last and this 1983 tune is definitely it. Go out with a bang by dancing on top of the tables like you just don’t care because the best of friends knows how to have fun!
Or maybe your girls’ night isn’t quite as wild as we imagined and you’re looking for some more mellow, classy tunes to which you can sip chardonnay and nibble on goat cheese and olives. In that case, check out our many jazz albums, like our most recent releases My Ship and Old New Borrowed & Blue.
Everyone is always thrilled when the weather starts to warm up, but by mid July, you’re probably getting a bit sick of the heat, right? Sunburn, sweat and overheating cellphones can make you nostalgic for wintertime, snow and Yuletide carols.
Popular myth has it that Christmas in July was founded in the 1930s when a summer camp in North Carolina celebrated the holiday on July 24th and 25th with cotton snow, gifts, Christmas trees, and Santa Claus. Then, with the movie Christmas in July, which came out in the 1940s, the somewhat silly holiday hit the mainstream.
So, what are your Christmas in July party ideas? Do you have some quirky decorations with Santa Claus in swim trunks drinking a margarita? A t-shirt with reindeer on the beach? A Christmas-themed cornhole board?
Whatever your plans, you’re going to need music, which is why we, at Night Is Alive, put together a Christmas in July playlist for you! Enjoy!
John Di Martino, Andromeda Turre & Wayne Escoffery – Christmas Ain’t Like It Used to Be
Even though this song is technically about celebrating Christmas without a special someone, it can also be relevant for Christmas in July, which certainly isn’t like any other Christmas you’ve probably celebrated before! Plus, there’s never a bad time to listen to the stellar vocals of Andromeda Turre!
Jonathan Coulton & John Roderick – Christmas in July
This sweet little folk tune really draws attention to the benefits of Christmas in July, like warm breezes by the shore and long days beneath the summer sky. Released in 2012, this song makes me think that maybe celebrating Christmas in Australia—where the seasons are flipped with the Northern Hemisphere—wouldn’t actually be so bad. A barbeque and gift exchange on the beach anyone?
Bill Cunliffe Trio – Christmas Is Coming
From Grammy-award-winning arranger Bill Cunliffe, this 2019 tune will really get you in the mood for Christmas in July! The fast pace, and fun, inventive melodies create excitement for the holiday. And the funky percussion gives it a more tropical feel than many other Christmas songs out there.
Night Is Alive All Stars – Merry Christmas Baby
Nothing beats celebrating a holiday with your beloved—spoiling each other with gifts and furtively glancing into one another’s eye during the festivities. And the buttery vocals and silky-smooth saxophone in this tune produce that sense of romance one often feels around Christmas. As vocalist Christie Dashiell sings, I feel like I’m in paradise.
Bill Cunliffe – Dance of the Sugar Plum Fairy
End the day on a whimsical note with this crisp and jaunty tune that will bring you back to the sweet and dreamy days of your childhood Christmases. The playful piano will put a smile on your face as the sun dips below the horizon and the sky takes on the pink and purple hues of the sugar plum fairy.
If you’re looking for more holiday tunes to listen to this Christmas in July, be sure to check out all of our holiday albums, which are available in our store and on all major music platforms! And if you’d like to book one of our lovely musicians, please don’t hesitate to contact us.
This post was written by Digital Marketing Manager, Jacqueline Knirnschild.
