Jorma Kaukonen: Front Row Seat to the 60’s.

Jorma Kaukonen: Front Row Seat to the 60’s.

Few decades in America are as defined and culturally rich as the 1960’s.  The era is responsible for some of the greatest music in the history of rock.  Listen to any 60’s band and you are immediately taken back in time. The music was a reflection of the passion and protest of the people.  The mental shift that took place in the 60’s can still can be felt present day. There are many legendary stories that can be told of the generation.  Jorma Kaukonen’s new book entitled “Been So Long: My Life and Music” is a front row seat into a world of music, drugs, and fame in the hippie 60’s.  

In “Been So Long: My Life and Music,” Jorma Kaukonen reflects about his life,    music and the artistry that defined the 60’s and found success.  This Rock & Roll Hall of Fame artist is best known for being the legendary guitarist for Jefferson   Airplane. He was a major part of the super-group that produced hits like, “Somebody to Love” and “White Rabbit”.  These are era defining songs that still get constant radio play 50 years later. Getting his start with other great San Francisco artists like Jimmy Hendrix, and Janis Joplin, Kaukonen was there from the          beginning. He played Altamonte, Monterey and Woodstock. These concerts are at the heart of 60’s music and this guy was around to see it all.

In the book Kaukonen draws a contrast between the artists and the fans who flocked to their shows.  He writes that the artists were not all drug induced artist like many have come to think. While drugs, alcohol, and a fear of monogamy were always present, these artists were professional musicians.  He states that he and his music peers did not look at themselves as hippies or drop-outs. They were successful artists that had reached a high level of success and the money that comes with it. They were not living in a beat-up old Volkswagen.  These were mega stars with mansions in San Francisco. They had rich people problems. They did not share the same life as their fans.

Kaukonen’s “Been So Long: My Life and Music,”  is not filled with endless stories of drugs, sex and parties but a clear look at a time in music that caused huge and lasting change to our culture.  Kaukonen’s honest and humorous telling of his past experiences is an amazing look at a time that many wish they could relive. Now 77, Jorma Kaukonen is still touring and active on the music scene.  He also developed a musical retreat in rural Ohio called the Fur Peace Ranch. At the ranch, Kaukonen brings students and professional musicians together to get instruction and hear the stories first hand.

Written by Michael Brigger

Iverson & Turner: Temporary Kings of Jazz

One of the greatest things about jazz is how two artists, with their individual styles and backgrounds, can collaborate.  What comes out can be remarkable. Jazz is a language that can be progressed, built upon and pushed forward. Collaborations can change the feel of music and affect space and time.  When that happens it is obvious as in the case of the album “Temporary Kings.”

Jazz Pianist Ethan Iverson and saxophonist Mark Turner come together to create an incredibly distinct and cerebral jazz that album shows both masters at work.  The album “Temporary Kings”, is elegant and brings the growing field of chamber jazz to the front of the jazz music scene. Iverson, from the renowned jazz piano trio Bad Plus, came to the project after many successful solo recordings and blogging extensively about jazz and music.  The album is his first release with jazz saxophonist Mark Turner. Turner and Iverson first met in the early 90’s New York City jazz scene. Those early jam sessions cemented the artists’ respect for each other. From that point forward the artists worked together most notably in the Billy Hart Quartet and have written for each other on different recording projects.  

On “Temporary Kings,” Ethan Iverson and Mark Turner are able to construct a mix of progressive smooth style and Cool School influences that can be heard throughout the album.  The album consists of 9 tracks that showcase the artists’ depth of knowledge and artistry. Iverson wrote six of the tracks while Turner wrote two on this album. The last track is a cover of Marsh’s “Dixie Dilemma” that both musicians felt was a great addition to giving the album its vibe.  Each production is a solid step progressing the art form forward. The musicians interact with each other dynamically pulling the listener in unmistakably strong directions. Turner’s saxophone creates an elegant contrast to Iverson’s impactful piano style and drive. Iverson says the album’s name refers to their amazing experience recording the album: “We were momentary royalty or something in this lovely environment before we came back to reality and back to Brooklyn where Mark takes his kids to school and I play for dance classes.”

Iverson and Turner are both amazing musicians and “Temporary Kings” is a great example of chamber jazz and the direction it is going.  This album is the definition of cool and will continue to find an audience because of the skill and proficiency of the artists. The duo has tour dates planned for select cities.

Article Written By Michael Brigger