Sweet Songs for Strawberry Picking

Sweet Songs for Strawberry Picking

Now that school is out, maybe you’ve been tasked with babysitting your grandchildren or your nieces and nephews, but you’re struggling to come up with fun activities to do with them. Or maybe, if you’re like me, you’ve just been finding yourself googling chocolate covered strawberries near me. Either way, chances are, you could probably use a nice day of strawberry picking!

And you’re in luck because, according to horticulturalists, mid-May to early July is the best time of year to go strawberry picking in the eastern and midwestern northern states! Strawberries are in season now in this area, which means they are the most naturally ripe. So, the local strawberries you’ll be picking will be much tastier than the strawberries you’ll find at the grocery store, which have usually been shipped from thousands of miles away!

Find a wild strawberry patch, farm, or orchard near you, grab a pail and a speaker, and turn on these sweet tunes while you pick some berries!

Miriam Makeba – Love Tastes Like Strawberries

Nicknamed “Mama Africa,” this South African singer, songwriter and civil rights activist was famous in the 1960s and 70s for her many musical accomplishments in Afropop and jazz, and for becoming a symbol of the anti-apartheid movement.

In contrast with her other more political songs, this 1962 tune is very light and whimsical. The dreamy lyrics will make biting into a dewy strawberry feel like true love’s kiss! The berry man cried, won’t you try this / We looked, we stopped, we stole a kiss / The berries are gone and the spring has passed / But I know my love will always last.

Wynton Marsalis – The Strawberry

This 2017 collaboration at the Lincoln Center Orchestra features many wonderful contemporary artists who really do a great job creating a fun, vibrant and eclectic sound that’ll be sure to put a pep in your step as you wake up early on a crisp summer morning to pick some delicious strawberries. Your grandkids and nieces and nephews will also probably love trying to identify all the different instrument sounds in the composition.

Also, here’s a quick tip: morning is the best time to pick strawberries because it is still cool out, so the delicate berries won’t bruise and will last longer and store better!

The Beatles – Strawberry Fields Forever

While you pick some scrumptious berries, embrace your inner free-spirit, and indulge in a sense of childlike wonder with this beloved 1967 tune. Did you know that John Lennon thought this song was his finest work with the Beatles? Do you agree?

Grover Washington, Jr. – Strawberry Moon

This funky 1987 tune comes from one of the founders of smooth jazz—Grover Washington, Jr. I don’t know about you, but the silky saxophone and charming melody of this song really makes me want to sit on the back patio at dusk, sip on some champagne and munch on some chocolate covered strawberries!

Deanna Washington – Strawberry Wine

Inspired by the songwriter’s coming of age story as a teenager at her grandparents’ dairy farm in Wisconsin, this sentimental 1996 ballad became a signature for both Washington and Matraca Berg, who wrote the song.

There’s just something nostalgic about the sweetness of strawberry wine. It brings you back to summers passed, doesn’t it? The hot July moon saw everything / my first taste of love oh bittersweet / Green on the vine.

The WJ3 All-Stars – Star Eyes

All the yummy strawberry sweetness and nectar might just go to your head and give you star eyes! After the day’s adventures, come home, relax with your loved ones, and listen to this peaceful jazz song while you eat some fresh-baked strawberry scones.

If you’re looking for some more dreamy jazz songs that’ll bring you back to your childhood, check out the newest album from the WJ3 All-Stars—My Ship, which is available in our store and on all major music platforms today!  

This post was written by Blog Editor, Jacqueline Knirnschild.

Feature Friday with Wayne Escoffery

Feature Friday with Wayne Escoffery

What are your plans for the weekend? Maybe you’re going hiking, or kayaking? What about the drive-in movies? With the nice temperate weather we’ve been having lately, the possibilities are endless! Whatever your plans are though, we at Night is Alive, hope you enjoy yourself as much as we enjoyed sitting down and chatting with jazz saxophonist Wayne Escoffery!

Born in London and now based in New York City, Escoffery has experience performing with a multitude of musicians, such as Carl Allen, Eric Reed, and the Mingus Big Band. And now, we at Night is Alive are lucky enough to have collaborated with him on three albums: Christmas Ain’t Like It Used to Be, Old New Borrowed & Blue, and most recently, My Ship. In the latest release, My Ship, Escoffery’s vibrant sax is sure to make you want to move and groove!

Now, time to learn a bit more about Wayne Escoffery:

If you are not playing jazz, what is your favorite music to play?

I’ve always enjoyed playing Funk music a la James Brown, “Soul Jazz” a la Eddie Harris and Fusion a la The Yellow Jackets. Unfortunately, I don’t get to play those styles as much as I would like. 

If you were a song, which would you be and why?

A Change is Gonna Come” by Sam Cooke. It’s timeless, and will make you feel happy, sad, hopeful, and sexy all at the same time. 

Do you have a favorite place to vacation?

At the moment, Portugal and Mallorca are at the top of the list. But, I think it’s ultimately more about the company you are with and your state of mind during the vacation that is most impactful. 

Who is your dream collaboration (living or legend)?

Miles Davis.

What is the best piece of advice you have been given?

“Be patient, you’ll get ‘em next time.” –Jackie McLean 

What is polyphony?

What is polyphony?

Get your notebooks out and your pencils sharpened, because today we are continuing our lesson in musical theory! If you haven’t already, please read our post about the differences between the melody and harmony.

So, last time we talked about how the melody is a sequence of notes that sound pleasing, while the harmony refers to a blending of notes. Before we go any further today, I’d like to also mention that the harmony can also informally refer to any parts of the composition that accompany the main melody. Remember, the melody is the backbone and leader of the piece, while the harmony refers to the vertical relationship between different pitches. The harmony creates chord progressions that complement the melody.

Now that we’ve refreshed ourselves on those basics, let’s take a look at a slightly more complex musical term—polyphony.

In Greek, ‘poly’ means many and ‘phony’ means voice, which contrasts with monophony, meaning one voice. As the etymology indicates, polyphony refers to music in which more than one entity—voice or instrument—plays melodic lines at the same time. This differs from harmony in the way that harmony is usually dependent on the main melody, whereas polyphonic music has each entity playing their own independent melodic lines.

However, things get tricky, because even though in polyphony, each “voice” is independent to a certain extent, these melodic lines are still connected by the overall harmonic framework. A polyphonic musical texture, therefore, still has harmony. The harmonic framework—meaning the blending of pitches to make chords—is what makes the music sound good! If a song didn’t have harmony, it would merely sound like an unpleasant cacophony of sounds. And, in case you didn’t know, ‘caco’ in Greek means bad.

Technically speaking, any music that consists of multiple “voices” is polyphonic, which would be most music. But in the Western music tradition, polyphony often refers to a particular technique called contrapuntal, or counterpoint. With this technique, there is no foreground or background lines, as with most pop songs today, but rather involves a mutual conversation between the lines. With counterpoint, the notes in each independent melodic line also coincide to create chords. Bach was a composer who loved writing in the intellectually stimulating counterpoint technique.

But chances are that if you’re reading this post, it’s because you love jazz music, so you may be wondering, what exactly does this have to do with jazz?

Well, polyphony was used in the traditional jazz that developed in New Orleans at the turn of the 20th century. In these early jazz compositions, the trumpet often played the melody, while the clarinet and trombone improvised semi-independent lines that were counterpoint in nature. And in bebop jazz—originating in the 1940s—the bass played a consistent countermelody of quarter notes that produced a polyphony with whatever other musical texture was played on top.

After that lesson in music theory, you deserve to sit back, relax, and let the polyphony of this 1993 jazz tune wash over you. Listen to the independent melodies of the bass trombone and bari sax in Mingus Big Band’s “Moanin’!”

Now that you understand musical theory better, why don’t you take a listen to the sample tracks from our newest album, My Ship, and see if you can identify the melody, harmony and chord progressions! Or just simply try to identify the different instruments that are playing simultaneously.

This post was written by Blog Editor, Jacqueline Knirnschild.

What’s the difference between melody and harmony?

What’s the difference between melody and harmony?

Face it, there are just some pop songs out there that get stuck in your head no matter how much you may dislike them. You’ll hear the song just a few times on the radio and before you know it, it’ll be playing on repeat in your mind! Songs like Ariana Grande’s “seven rings,” Camila Cabello’s “Havana” and Carly Rae Jepsen’s “Call Me Maybe.”

But what is it about these tunes that make them so persistent and fixed in the mind?

Why it’s the melody of course, which, in pop music can usually be identified as the chorus that repeats throughout the song. For example, with “Call Me Maybe,” the first thing you probably think of is the chorus, Hey, I just met you, and this is crazy / But here’s my number, so call me maybe. This is the melody, which is usually, but not always, played at a higher pitch than the other verses in the songs, and is thus the most recognizable part.

If you’re not a musician or music aficionado, chances are that you are familiar with the term ‘melody,’ but do you really know what it means and how a melody is created? Also, how exactly does a melody differ from a harmony?

Well, it’s actually not all that complicated. A melody is simply a sequence of musical notes that sound satisfying to the ear. For example, some simple melodies that you are probably familiar with are the Happy Birthday song, and “Twinkle, Twinkle, Little Star.” Or maybe you remember playing “Hot Cross Buns” on the recorder or piano when you were in elementary school? These are all examples of melodies—aka, a series of notes arranged into a sequence that sounds very pleasing!

Usually, though, a successful musical composition consists of more than just one simple melody. Several melodies are often woven together to complexify and enrich a song. Melodies are also often also supported by other musical elements, such as chords, harmonies, and rhythms. The melody is like the backbone—it guides and supports the body of the song.

A harmony differs from a melody in the way that it stacks multiple notes on top of one another to create a sound. So, instead of being a sequence of sounds, the harmony is a blend of sounds. Harmonies involve two or more different sounds being played simultaneously. That’s why, in a choir, the vocalists must harmonize their voices—meaning they must blend the baritones (low pitched) and altos (high pitched) to create one beautiful sound.

Now, time to enjoy a jazz classic—Duke Ellington’s “Take the A Train.” Can you hear the melody in this 1939 hit?

And what about this jazz-up version of the country tune, “Are You Alright.” Can you find the melody?

Remember the chorus is usually where the melody is located, so, in this case, the melody is repeated when Janis Siegel sings “Are You Alright.” You also may be able to identify a harmony that is playing simultaneously with the melody.

If you’re looking for more jazzy country classics, check out our album, Cryin’ in My Whiskey, which is available in our store and on all major music platforms today.

This post was written by Blog Editor, Jacqueline Knirnschild.

Feature Friday with Lorca Hart

Feature Friday with Lorca Hart

Are you finding your eyes drooping at the end of a long, challenging week? Don’t worry—you’re not alone. With the schoolyear ending and summer right around the corner, I think that many of us are feeling the heat and are more than ready for Memorial Day weekend! 

And what better way to kick things off than with a Feature Friday? Today, we’re getting to know one of the West Coast’s most esteemed jazz drummers—Lorca Hart. Growing up in a musical family in New Mexico, Hart began performing in high school, then attended the California Institute of Arts and is now part of the wonderful Lorca Hart Trio! 

Drum roll please … 

If you are not playing jazz, what is your favorite music to play?

That’s a tough one—probably R&B.

If you were a song, which would you be and why?

Firm Roots by Cedar Walton. There’s something so positive and uplifting about this tune—I love the melody and it’s always a fun song to play!

Do you have a favorite place to vacation?

Maui.

Who is your dream collaboration (living or legend)?

Herbie Hancock.

What is the best piece of advice you have been given?

Don’t get so caught up in planning for the future that you can’t enjoy living in the present.

Feature Friday with Josh Nelson

Feature Friday with Josh Nelson

I don’t know about you, but this week seems to have gone by very slowly. The constant weather changes can really put my body in a funk, but alas, it is finally Friday! We made it! It is finally the end of the week, and hopefully, the sun is shining, and the rain will go away. But even if dark clouds come your way, don’t worry, we have something that’ll brighten you weekend … a Feature Friday with pianist-composer-bandleader Josh Nelson!

But first, a little more about Josh. Born and raised in Southern California, he produced his first independent album at only age 19. And he didn’t stop there—he went on to produce seven more albums. One of his latest albums, The Sky Remains,blends narrative and music to tell a story about the city of LA. Nelson has also worked with many famous musicians, like legendary vocalist Natalie Cole, with whom he toured worldwide for six years.  

Now, time to learn some more about this talented and fascinating artist …

If you are not playing jazz, what is your favorite music to play?

I also enjoy playing R&B, classical, and Brazilian music.

If you were a song, which would you be and why?

Probably “The Age of Not Believing,” which is a Sherman Brothers song from the 1971 Disney film Bedknobs and Broomsticks. It’s a classic song to me—wonderful melody, lyric and harmony!

Do you have a favorite place to vacation?

Palm Springs, California!

Who is your dream collaboration (living or legend)?

With visionary Herbie Hancock; he inspires me so much. 

What is the best piece of advice you have been given?

You can always make more money, but you can’t get the time back, so use that wisely! 

 

What’s the history of the EP & LP?

What’s the history of the EP & LP?

In order to answer this question, we need to take a quick lesson on the history of music distribution. As we mentioned in a previous blog post, vinyl records were invented in the 1940s and were the predecessors of CDs and digital audio recordings. Lately, vinyl has been making quite the comeback, and we even hopped on the bandwagon with our limited-edition vinyl record of Lovers & Love Songs, which is available in our store today.

But what came before vinyl records?

The phonautograph, invented in 1857 by a French printer and bookseller named Léon Scott, is the earliest example of musical recording. Although the phonautograph didn’t actually produce any audible sound, it did record sound waves as graphical tracings on sheet paper. These tracings weren’t used to play the music back, but rather to analyze it visually.

In 1877, Thomas Edison invented the phonograph, which was groundbreaking in its ability to both record and reproduce sound. Edison’s hollow wax cylinder became the most predominant form of musical recording in the early 20th century.

This cylinder, however, could only play for about two minutes, which led Emile Berliner to pioneer lateral-cut disc records and the gramophone. Initially, the cylinders still had better sound quality, but eventually, Berliner improved the mechanisms of the gramophone and created 12-inch records in 1903, which could play music for over four minutes! Thus began the short-lived format war between cylinders and discs, with analog discs ultimately winning, and dominating the industry until the 1980s when digital compact discs were invented.

Alright, so now that you know all about the history of music recording and distribution, you’re probably wondering, where do EPs and LPs fit into all of this?

Well, since phonograph cylinders could only hold two to four minutes of audio, all music releases in the early 1900s were essentially singles. These singles became known as SP, meaning standard play.

Then, in the mid-20th century there was a format battle between Columbia’s 33 1/3 rpm LP (Long Play) and RCA Victor’s 45 rpm. Columbia’s LP held up to two complete songs, while RCA’s version held one song on each side with better sound quality. In 1952, RCA then invented another improvement with the EP (Extended Play) 45, which had twice the recording time.

So, essentially, the EP and LP arose from a commercial battle akin to the competition between Blu-rays and DVD. The LP, however, with its ability to hold more content gained more traction than the EP.

Today, however, artists who are just starting out in their careers often release EP albums, which only have 4 to 6 songs and are thus easier and cheaper to produce than LP albums, which have 10 to 12 tracks or more.

Here at Night Is Alive, we mostly produce LP albums, like our new 2022 release, Old New Borrowed & Blue, which merges the musical artistry of new songs with jazz classics. Old New Borrowed & Blue is available in our store and on all major music platforms!

This post was written by Blog Editor, Jacqueline Knirnschild.

Mexican Music for Cinco de Mayo

Mexican Music for Cinco de Mayo

Even though Cinco de Mayo has already passed (it was on May 5th), that doesn’t mean it’s too late to celebrate the holiday that commemorates the Mexican victory over France in 1862! Because really, is there ever a bad time to drink a jalapeño margarita on the back patio?

This month, though, do more than just eat a taco and drink a margarita—delve deeper into Mexican culture by listening to these jazz songs that’ll introduce you to the music history of Mexico!

Luis Miguel – México en la piel

Translated to “Mexico on the skin,” this 2004 mariachi-inspired song celebrates Mexico by taking the listener on a trip around the country. It gives the impression that you are in a helicopter overlooking the beautiful panoramas of the diverse landscapes. Like looking at the mountain range of Chihuahua, or the craftworks made in San Miguel, climbing the Cerro de la Silla, that’s how you wear Mexico on the skin.

Luis Miguel—nicknamed “The Sun of Mexico”—is one of the biggest stars in Mexico. Since his career took off in the early 80s, he has sung in a plethora of genres, including pop, jazz, big band, and mariachi, but has always stayed true to his heritage. Unlike many other Latin singers of the 90s, Miguel never recorded in English, only Spanish. 

José José – El Triste

Mexican musician and actor José José began his career playing the guitar, singing serenades, and later, playing in a jazz and bossa nova trio. It wasn’t until 1970 though, at the Latin music festival in Mexico City, when he sang this song (translated to “The Sad One”), that he gained universal fame and critical acclaim as a balladeer.

With its unique melody and sublime lyrics about the loss of a loved one, this song instantly touched the hearts of many and catapulted José José into stardom. After the first performance, the audience insisted that the singer won the festival competition. Despite the fact that he only ended up receiving third place, “El Triste” still became part of the popular Mexican music repertoire and is now viewed as an icon of Mexican culture!

Juan Garcia Esquivel – Mucha Muchacha

Have you ever heard of “Space Age Bachelor Pad Music”? It’s the type of music that a suave, slicked-back guy would play while drinking a cocktail in his upscale apartment. “Mucha Muchacha” is a prime example of the subgenre, which was pioneered by Mexican band leader, pianist, and composer Esquivel in the 1950s and 60s. As you can probably tell from listening, this style of music is very quirky, experimental, and sophisticated. It is largely instrumental and fuses lounge music and jazz with a Latino touch.

Unfortunately, Night is Alive has not yet produced any Mexican style albums, but we have plans to add the genre to our library soon! In the meantime, if José José’s song has you feeling blue, we do have a new album out called Old New Borrowed & Blue, which features some beautifully poignant instrumentals, like “Blue and Sentimental.” The album is available in our store and on all major music platforms.

This post was written by Blog Editor, Jacqueline Knirnschild.

Is The Guitar Used In Jazz Music?

Is the guitar used in jazz music?

From Wes Montgomery to Django Reinhardt, there are many famous jazz guitarists throughout history, but is the guitar a traditional and typical jazz instrument? 

In honor of International Guitar Month, we are going to take a closer look at the role of the guitar in jazz music history. 

Early Jazz: 1880s to 1920s 

As we explored in an earlier blog post, jazz originated in New Orleans in the 1880s, where it developed from the African dance and drumming traditions of formerly enslaved peoples. 

In early New Orleans jazz, the “front line” referred to the three instruments that were played simultaneously to create a melody: the cornet, clarinet, and trombone. These instruments were used for collective “call and response” improvisation. 

During this early stage of jazz, the guitar usually wasn’t given a solo part; instead, it took on more of a supportive role. Guitars—along with drums, piano, and banjo—were used to create a steady, driving rhythm that contrasted nicely with the polyphony of the front line. 

One of the first jazz-orientated string bands was led by guitarist Charlie Galloway in 1889. Buddy Bolden’s bands also usually had a guitarist, and Nick Lucas performed the unaccompanied guitar solos in his 1922 tunes “Pickin’ the Guitar” and “Teasing The Frets.” But, the most famous jazz guitarist of this early era was definitely Eddie Lang, who, beginning in 1925 popularized the guitar as a solo instrument and is thus known as the “father of the jazz guitar.”  

Eddie Lang – I’ll Never Be The Same

Playing a Gibson L-4 guitar, Lang ultimately won the 1920s competition with the banjo, which was quickly becoming more commonplace than the guitar in jazz music. His contributions to the jazz guitar have inspired generations of musicians. 

Big Band & Swing Eras: 1930s & 40s

Although guitar had won the battle to be a consistent part of jazz, they still didn’t typically take center stage and were often drowned out by large bands. In the 1940s, Charlie Christian gave the guitar a louder voice when he electrically amplified his Gibson ES 50. The guitar was no longer just the soft steady rhythm in the background; it could be heard alongside the saxophone ad trumpet, and thus became a force to be reckoned with. 

Charlie Christian – Swing to Bop

Despite his early death at 25, Christian had a major influence on the role of the jazz guitar, especially when it came to playing intricate and impeccable solos, like this 1941 hit, “Swing to Bop.”

Innovations & Experimentation: 1950s & 60s

The 50s and 60s brought new foundations for the modern jazz guitar. Artists like Wes Montgomery, Joe Pass and Jim Hall experimented with different styles and techniques, like plucking the strings, extensive use of octaves and interactive improvisation in duos and trios. These innovators paved the way for jazz artists who were incorporating soul and R&B, like Grant Green.

Grant Green – Ain’t It Funky Now

With a unique and immediately recognizable sound that combines hard bop, soul jazz and bebop, Green’s bluesy and groovy guitar showcases the innovations of the 1960s & 70s. 

Jazz-Rock Fusion & European Styles: 1970s & 80s

Rock guitarists like Jimi Hendrix influenced the jazz guitarists of this era to incorporate rock-style signal processing effects, like distortion ad flange pedals. At the same time, the delicate and ethereal sounds of European Jazz were also impacting jazz guitarists.

John McLaughlin – Peace Piece

A British pioneer of jazz fusion, McLaughlin blends rock, world music, Indian & Western classical music, flamenco, and blues!

This post was written by Blog Editor, Jacqueline Knirnschild.

Songs That Are Full Of Hope

Songs That Are Full of Hope 

You know the myth: Pandora opened that infamous box, from which sprung all the misery and evil to plague humankind for eternity. However, not all was lost. She did manage to shut the box before one vital entity escaped: Hope. This is why humans are able to persevere and carry on, despite tantamount struggle.    

To feel hope is to expect a positive outcome and to trust that things will turn out for the best. Hope is important because it can ameliorate a difficult situation and motivate us to build a better future for ourselves. 

With the global pandemic, we have all become very familiar with the role of hope in our lives and world. But did you know that in 2018, a non-profit organization, Mothers in Crisis, designated April as the National Month of Hope? 

To help you celebrate the power of hope and inspire you to plant seeds of hope in your life, community, and world, we put together a playlist of exemplary songs that are full of hope. Enjoy! 

Nat King Cole – Smile

While listening to Nat King Cole’s 1954 hit, I can’t help but think of the well-known fact that it takes more muscles to frown than it does to smile. With his pure, buttery baritone, Cole reminds us to smile even if our hearts our aching and breaking. When there are clouds in the sky, you’ll get by if you smile through your fear and sorrow.  

Marvin Gaye & Tammi Terrell – Ain’t No Mountain High Enough

There’s just no way you can a list of hopeful songs without include this 1967 classic! And the production of this song actually also involved a certain level of hope on the part of Tammi Terrell. Apparently, she was a bit nervous and overwhelmed during the recording sessions because she hadn’t rehearsed the lyrics, but hope must’ve carried her through, because her vocals were excellent! 

Curtis Mayfield – Move On Up

Like most of his songs, this 1970 tune was created with firm roots in the black gospel tradition, which originated from the uplifting work songs of enslaved people. Much of Mayfield’s work also inspired the Black community to persevere, and maintain hope, on their quest toward freedom and equality. With just a little faith / if you put your mind to it / You can surely do it. 

Dinah Washington – Trouble in Mind

This vaudeville blues-style song was written by a jazz pianist, and first recorded, in the early 1920s. Since then, it has become a blues standard and been recorded by many artists in an array of styles. With its beautiful lyrics that instill a deep sense of hope, even in the very darkest of times, it’s no wonder that Dinah Washington’s 1952 rendition reached number four on the Billboard Rhythm & Blues chart.  

John DiMartino, Joe Magnarelli & Wayne Escoffery – Hudson River Wind 

With the recent unpredictable and sporadic spring weather, this is the perfect jazz song to listen to and help you gain hope for a brighter, sunnier tomorrow! This brand-new tune reminds us that no matter how hard the harsh winds may be blowing, the river of life will persist and continue flowing. 

To hear more jazz songs that merge the musical artistry of the new with the traditions of the old, check out our album, Old New Borrowed & Blue, which is available in our store and on all major music platforms.   

This post was written by Blog Editor, Jacqueline Knirnschild.