I don’t know about you, but this week seems to have gone by very slowly. The constant weather changes can really put my body in a funk, but alas, it is finally Friday! We made it! It is finally the end of the week, and hopefully, the sun is shining, and the rain will go away. But even if dark clouds come your way, don’t worry, we have something that’ll brighten you weekend … a Feature Friday with pianist-composer-bandleader Josh Nelson!
But first, a little more about Josh. Born and raised in Southern California, he produced his first independent album at only age 19. And he didn’t stop there—he went on to produce seven more albums. One of his latest albums, The Sky Remains,blends narrative and music to tell a story about the city of LA. Nelson has also worked with many famous musicians, like legendary vocalist Natalie Cole, with whom he toured worldwide for six years.
Now, time to learn some more about this talented and fascinating artist …
If you are not playing jazz, what is your favorite music to play?
I also enjoy playing R&B, classical, and Brazilian music.
If you were a song, which would you be and why?
Probably “The Age of Not Believing,” which is a Sherman Brothers song from the 1971 Disney film Bedknobs and Broomsticks. It’s a classic song to me—wonderful melody, lyric and harmony!
Do you have a favorite place to vacation?
Palm Springs, California!
Who is your dream collaboration (living or legend)?
With visionary Herbie Hancock; he inspires me so much.
What is the best piece of advice you have been given?
You can always make more money, but you can’t get the time back, so use that wisely!
In order to answer this question, we need to take a quick lesson on the history of music distribution. As we mentioned in a previous blog post, vinyl records were invented in the 1940s and were the predecessors of CDs and digital audio recordings. Lately, vinyl has been making quite the comeback, and we even hopped on the bandwagon with our limited-edition vinyl record of Lovers & Love Songs, which is available in our store today.
But what came before vinyl records?
The phonautograph, invented in 1857 by a French printer and bookseller named Léon Scott, is the earliest example of musical recording. Although the phonautograph didn’t actually produce any audible sound, it did record sound waves as graphical tracings on sheet paper. These tracings weren’t used to play the music back, but rather to analyze it visually.
In 1877, Thomas Edison invented the phonograph, which was groundbreaking in its ability to both record and reproduce sound. Edison’s hollow wax cylinder became the most predominant form of musical recording in the early 20th century.
This cylinder, however, could only play for about two minutes, which led Emile Berliner to pioneer lateral-cut disc records and the gramophone. Initially, the cylinders still had better sound quality, but eventually, Berliner improved the mechanisms of the gramophone and created 12-inch records in 1903, which could play music for over four minutes! Thus began the short-lived format war between cylinders and discs, with analog discs ultimately winning, and dominating the industry until the 1980s when digital compact discs were invented.
Alright, so now that you know all about the history of music recording and distribution, you’re probably wondering, where do EPs and LPs fit into all of this?
Well, since phonograph cylinders could only hold two to four minutes of audio, all music releases in the early 1900s were essentially singles. These singles became known as SP, meaning standard play.
Then, in the mid-20th century there was a format battle between Columbia’s 33 1/3 rpm LP (Long Play) and RCA Victor’s 45 rpm. Columbia’s LP held up to two complete songs, while RCA’s version held one song on each side with better sound quality. In 1952, RCA then invented another improvement with the EP (Extended Play) 45, which had twice the recording time.
So, essentially, the EP and LP arose from a commercial battle akin to the competition between Blu-rays and DVD. The LP, however, with its ability to hold more content gained more traction than the EP.
Today, however, artists who are just starting out in their careers often release EP albums, which only have 4 to 6 songs and are thus easier and cheaper to produce than LP albums, which have 10 to 12 tracks or more.
Here at Night Is Alive, we mostly produce LP albums, like our new 2022 release, Old New Borrowed & Blue, which merges the musical artistry of new songs with jazz classics. Old New Borrowed & Blue is available in our store and on all major music platforms!
This post was written by Blog Editor, Jacqueline Knirnschild.
Even though Cinco de Mayo has already passed (it was on May 5th), that doesn’t mean it’s too late to celebrate the holiday that commemorates the Mexican victory over France in 1862! Because really, is there ever a bad time to drink a jalapeño margarita on the back patio?
This month, though, do more than just eat a taco and drink a margarita—delve deeper into Mexican culture by listening to these jazz songs that’ll introduce you to the music history of Mexico!
Luis Miguel – México en la piel
Translated to “Mexico on the skin,” this 2004 mariachi-inspired song celebrates Mexico by taking the listener on a trip around the country. It gives the impression that you are in a helicopter overlooking the beautiful panoramas of the diverse landscapes. Like looking at the mountain range of Chihuahua, or the craftworks made in San Miguel, climbing the Cerro de la Silla, that’s how you wear Mexico on the skin.
Luis Miguel—nicknamed “The Sun of Mexico”—is one of the biggest stars in Mexico. Since his career took off in the early 80s, he has sung in a plethora of genres, including pop, jazz, big band, and mariachi, but has always stayed true to his heritage. Unlike many other Latin singers of the 90s, Miguel never recorded in English, only Spanish.
José José – El Triste
Mexican musician and actor José José began his career playing the guitar, singing serenades, and later, playing in a jazz and bossa nova trio. It wasn’t until 1970 though, at the Latin music festival in Mexico City, when he sang this song (translated to “The Sad One”), that he gained universal fame and critical acclaim as a balladeer.
With its unique melody and sublime lyrics about the loss of a loved one, this song instantly touched the hearts of many and catapulted José José into stardom. After the first performance, the audience insisted that the singer won the festival competition. Despite the fact that he only ended up receiving third place, “El Triste” still became part of the popular Mexican music repertoire and is now viewed as an icon of Mexican culture!
Juan Garcia Esquivel – Mucha Muchacha
Have you ever heard of “Space Age Bachelor Pad Music”? It’s the type of music that a suave, slicked-back guy would play while drinking a cocktail in his upscale apartment. “Mucha Muchacha” is a prime example of the subgenre, which was pioneered by Mexican band leader, pianist, and composer Esquivel in the 1950s and 60s. As you can probably tell from listening, this style of music is very quirky, experimental, and sophisticated. It is largely instrumental and fuses lounge music and jazz with a Latino touch.
Unfortunately, Night is Alive has not yet produced any Mexican style albums, but we have plans to add the genre to our library soon! In the meantime, if José José’s song has you feeling blue, we do have a new album out called Old New Borrowed & Blue, which features some beautifully poignant instrumentals, like “Blue and Sentimental.” The album is available in our store and on all major music platforms.
This post was written by Blog Editor, Jacqueline Knirnschild.
From Wes Montgomery to Django Reinhardt, there are many famous jazz guitarists throughout history, but is the guitar a traditional and typical jazz instrument?
In honor of International Guitar Month, we are going to take a closer look at the role of the guitar in jazz music history.
Early Jazz: 1880s to 1920s
As we explored in an earlier blog post, jazz originated in New Orleans in the 1880s, where it developed from the African dance and drumming traditions of formerly enslaved peoples.
In early New Orleans jazz, the “front line” referred to the three instruments that were played simultaneously to create a melody: the cornet, clarinet, and trombone. These instruments were used for collective “call and response” improvisation.
During this early stage of jazz, the guitar usually wasn’t given a solo part; instead, it took on more of a supportive role. Guitars—along with drums, piano, and banjo—were used to create a steady, driving rhythm that contrasted nicely with the polyphony of the front line.
One of the first jazz-orientated string bands was led by guitarist Charlie Galloway in 1889. Buddy Bolden’s bands also usually had a guitarist, and Nick Lucas performed the unaccompanied guitar solos in his 1922 tunes “Pickin’ the Guitar” and “Teasing The Frets.” But, the most famous jazz guitarist of this early era was definitely Eddie Lang, who, beginning in 1925 popularized the guitar as a solo instrument and is thus known as the “father of the jazz guitar.”
Eddie Lang – I’ll Never Be The Same
Playing a Gibson L-4 guitar, Lang ultimately won the 1920s competition with the banjo, which was quickly becoming more commonplace than the guitar in jazz music. His contributions to the jazz guitar have inspired generations of musicians.
Big Band & Swing Eras: 1930s & 40s
Although guitar had won the battle to be a consistent part of jazz, they still didn’t typically take center stage and were often drowned out by large bands. In the 1940s, Charlie Christian gave the guitar a louder voice when he electrically amplified his Gibson ES 50. The guitar was no longer just the soft steady rhythm in the background; it could be heard alongside the saxophone ad trumpet, and thus became a force to be reckoned with.
Charlie Christian – Swing to Bop
Despite his early death at 25, Christian had a major influence on the role of the jazz guitar, especially when it came to playing intricate and impeccable solos, like this 1941 hit, “Swing to Bop.”
Innovations & Experimentation: 1950s & 60s
The 50s and 60s brought new foundations for the modern jazz guitar. Artists like Wes Montgomery, Joe Pass and Jim Hall experimented with different styles and techniques, like plucking the strings, extensive use of octaves and interactive improvisation in duos and trios. These innovators paved the way for jazz artists who were incorporating soul and R&B, like Grant Green.
Grant Green – Ain’t It Funky Now
With a unique and immediately recognizable sound that combines hard bop, soul jazz and bebop, Green’s bluesy and groovy guitar showcases the innovations of the 1960s & 70s.
Jazz-Rock Fusion & European Styles: 1970s & 80s
Rock guitarists like Jimi Hendrix influenced the jazz guitarists of this era to incorporate rock-style signal processing effects, like distortion ad flange pedals. At the same time, the delicate and ethereal sounds of European Jazz were also impacting jazz guitarists.
John McLaughlin – Peace Piece
A British pioneer of jazz fusion, McLaughlin blends rock, world music, Indian & Western classical music, flamenco, and blues!
This post was written by Blog Editor, Jacqueline Knirnschild.
You know the myth: Pandora opened that infamous box, from which sprung all the misery and evil to plague humankind for eternity. However, not all was lost. She did manage to shut the box before one vital entity escaped: Hope. This is why humans are able to persevere and carry on, despite tantamount struggle.
To feel hope is to expect a positive outcome and to trust that things will turn out for the best. Hope is important because it can ameliorate a difficult situation and motivate us to build a better future for ourselves.
With the global pandemic, we have all become very familiar with the role of hope in our lives and world. But did you know that in 2018, a non-profit organization, Mothers in Crisis, designated April as the National Month of Hope?
To help you celebrate the power of hope and inspire you to plant seeds of hope in your life, community, and world, we put together a playlist of exemplary songs that are full of hope. Enjoy!
Nat King Cole – Smile
While listening to Nat King Cole’s 1954 hit, I can’t help but think of the well-known fact that it takes more muscles to frown than it does to smile. With his pure, buttery baritone, Cole reminds us to smile even if our hearts our aching and breaking. When there are clouds in the sky, you’ll get by if you smile through your fear and sorrow.
Marvin Gaye & Tammi Terrell – Ain’t No Mountain High Enough
There’s just no way you can a list of hopeful songs without include this 1967 classic! And the production of this song actually also involved a certain level of hope on the part of Tammi Terrell. Apparently, she was a bit nervous and overwhelmed during the recording sessions because she hadn’t rehearsed the lyrics, but hope must’ve carried her through, because her vocals were excellent!
Curtis Mayfield – Move On Up
Like most of his songs, this 1970 tune was created with firm roots in the black gospel tradition, which originated from the uplifting work songs of enslaved people. Much of Mayfield’s work also inspired the Black community to persevere, and maintain hope, on their quest toward freedom and equality. With just a little faith / if you put your mind to it / You can surely do it.
Dinah Washington – Trouble in Mind
This vaudeville blues-style song was written by a jazz pianist, and first recorded, in the early 1920s. Since then, it has become a blues standard and been recorded by many artists in an array of styles. With its beautiful lyrics that instill a deep sense of hope, even in the very darkest of times, it’s no wonder that Dinah Washington’s 1952 rendition reached number four on the Billboard Rhythm & Blues chart.
John DiMartino, Joe Magnarelli & Wayne Escoffery – Hudson River Wind
With the recent unpredictable and sporadic spring weather, this is the perfect jazz song to listen to and help you gain hope for a brighter, sunnier tomorrow! This brand-new tune reminds us that no matter how hard the harsh winds may be blowing, the river of life will persist and continue flowing.
To hear more jazz songs that merge the musical artistry of the new with the traditions of the old, check out our album, Old New Borrowed & Blue, which is available in our store and on all major music platforms.
This post was written by Blog Editor, Jacqueline Knirnschild.
If you’re not a musician, when you hear the word ‘reed,’ you probably think of the tall, slender green leaf that grows and sways on the outskirts of ponds and lakes. But did you know that the mouthpieces of woodwind instruments, like the clarinet, oboe, and saxophone, are all made from the hollow stems of these plants?
from Wikipedia.org
The cane of the Arundo donax, which is also known as the giant reed plant, is stripped of its leaves, and left outside to soak in the sun, resulting in a nice golden-brown color. The canes are then dried by the wind, and aged for a few years, until they are placed inside a humidity-controlled factory where they are cut into smaller tubes and split into four thin pieces. Next, the cane is cleaned, cut, and sanded into a shape that is flat on one side and conical on the other. Finally, it’s time for the most important step—the reed-cutting process. With a blade, the red is shaved, gently and carefully, from the back toward the tip and then lastly, the very top is cut ever so precisely.
Sounds like a lot of work for such a tiny, fragile, thin reed? Well, you’re right—it sure is a lot of work, but for good reason. The reed is what vibrates and creates sound. Without a reed, the instrument simply cannot be played. That is why many professional oboists and bassoonists will purchase cane—already sanded into a flat-conical shape—and cut their reeds themselves.
As a former oboe player, myself, I know, firsthand, how crucial, complex and finnicky a double reed can be. If you do not have a quality reed, your instrument will be out of tune, or it may even squawk like a dying flamingo! I can’t tell you how many times I showed up to band practice with a reed that had accidentally cracked in the case, and my oboe wouldn’t make a single sound at all! That is why you always pack a back-up, or two, or three.
Anyway, you may still be wondering, what is the difference between a reed and a double reed? Well, it’s actually quite obvious when you think about it—a single reed only consists of one piece of finely manipulated cane and thus, must be attached to a mouthpiece, while a double reed has two reeds that vibrate against one another to create a sound. A double reed twists into the top of the instrument, standing alone, while the single reed is fastened directly onto the mouthpiece.
Now, check out the song below, which features the wonderful Wayne Escoffery on saxaphone, to hear a single reed in action!
John DiMartino, Joe Magnarelli & Wayne Escoffery – Tell Me Why
Despite the fact that a saxophone is made of metal, it uses a single reed, which classifies it as a woodwind, not a brass instrument. As you listen to the sax solo in this tune, you can think about and appreciate all the hard work that went into make the reed!
And if you’re looking for more jazz music that merges the musical artistry of new songs with the jazz classics, check out our recent release, Old New Borrowed & Blue, which is available on all major music platforms and in our store today!
This post was written by Blog Editor, Jacqueline Knirnschild.
From whoopee cushions to huge plastic spiders, pizza made from candy to confetti on the ceiling fan, April Fool’s Day pranks may seem like a juvenile thing of the past, but really, what’s so wrong about having a little harmless fun at someone else’s expense?
Maybe you’re shaking your head right now. Maybe you’re much too mature for all this nonsense and pranks simply aren’t for you. Well, that is okay, too! You don’t have to pull a prank in order to celebrate April Fool’s Day, which, by the way has roots in an ancient Roman festival that involved disguises and the mocking of fellow citizens.
There are many ways to recognize the holiday, like listening to the playful jazz tunes that we compiled just for you! Honor that inner child of yours by tapping your toes along to these songs while you drive to work or cook dinner.
Ella Fitzgerald – I Found My Yellow Basket
We all know and love Fitzgerald’s iconic tune “A-Tisket, A-Tasket,” which was based on a 19th century children’s nursery rhyme about a girl who lost her basket, but did you know that Fitzgerald came out with a follow-up song? Co-written by the Queen of Jazz herself, this charming little tune, released in 1938, just might help to bring your childhood back to life this April Fool’s Day! I found my yellow basket / Oh yes, I really did / I found the girl who took it / I knew just where she hid.
Hoagy Carmichael – Barnacle Bill the Sailor
Inspired by a traditional folk song, this bawdy 1930 tune, which has since become a popular drinking song, tells the story of a fictional sailor named Barnacle Bill. The sailor knocks on a woman’s door and tells her, in rowdy detail, about how he dips snuff and drinks whiskey from an old tin can. I fight and swear and drink and smoke.
Cab Calloway – A Chicken Ain’t Nothin’ But a Bird
Who knew there was a jazz song out there about chicken? I sure didn’t!
All joking aside, despite its silly subject content and lyrics, this tune really showcases the rhythm and soul of the 1940s. Not to mention, it’s hard to hold back a smile listening to such a fun song. You can boil it, roast it, broil it …
Cole Porter – Let’s Do It, Let’s Fall in Love
Did you know that Porter’s first attempt at Broadway was unsuccessful and that it was only after the producer of Paris—the musical from which this song first appeared—convinced Porter to give it another try that he became famous? This 1928 hit song is precisely what brought Porter success in Broadway!
And I bet you also didn’t know that this tune is a favorite of mine because the lyrics are just so witty! With the double entendre and sexual innuendos, it almost feels like Porter is pulling a prank on the audience and listener. Oysters down in oyster bay do it / Let’s do it, let’s fall in love.
John DiMartino, Joe Magnarelli & Wayne Escoffery – Please Don’t Go
With its fast pace, upbeat rhythm and stellar trumpeting, this brand-new song will be sure to put a pep in your step this April Fool’s Day. By the end of the day, you’ll be wishing that the day didn’t go by quite so fast!
If you’re looking for more jazz songs that merge contemporary musical artistry with the timelessness of jazz classics, look no further than our new album, Old New Borrowed & Blue, which is available in our store and on all major music platforms today.
This post was written by Blog Editor, Jacqueline Knirnschild.
With all these global shipping delays, and with Christmas right around the corner, you might be struggling to find the perfect gifts for everyone on your list. To prevent you from seeming like the Grinch, or from having to put coal in the stockings of all your friends, relatives, and coworkers, we’ve come up with some unique gift ideas that won’t require any shipping at all! Don’t believe me, read for yourself:
Mason Jar Alcohol Infusion Kit
You’ve probably seen these cute jars, filled with dried fruits, spices on Etsy, but did it ever occur to you that you could make one yourself? After all, it is just a mason jar full of herbs and dried fruit—you can buy all those items at your local health food store. All you need is a recipe and some creativity!
Put dried cranberries, orange slices, cinnamon sticks, and brown sugar into a mason jar and ta da, you just made a hot toddy spirit infusion kit! You might want to add that special touch with a red ribbon around the top, and maybe even a handwritten label that reads, Just add whiskey!
Digital Jazz Album
No one really uses CDs anymore, so why not gift those music lovers in your life a new digital Christmas album that is sure to knock their socks off? Not to mention, you certainly won’t have to worry about any shipping fees or delays. Just print off a picture of the album and put it in an envelope, or if you really want to be cheeky, wrap it in inside a box with a bunch of tissue paper! And maybe if you’re giving this gift to a significant other, you could invite he or she to slow dance with you to one of the songs—what’s more romantic than that?
You’re in luck because we have quite a few digital albums available in our store right now. Christmas Ain’t Like It Used To Be offers fresh, new and heartwarming holiday songs, along with the stellar vocals of Andromeda Turre; Lorca Hart Trio’s Colors of Jazz takes you on a whirlwind adventure through the rainbow, exploring the vibrancy of contemporary jazz; WJ3 All-Stars’ Lovers and Love Songs sweeps you away on a romantic journey through the ages; and Cryin’ In My Whiskey, featuring Janis Siegel and John Di Martino,is the perfect mix of jazz standards and country classics! You really can’t go wrong with any of these choices.
Personalized Coupons
Grab some card stock, markers, and stickers and make some adorable, personalized coupons that show your loved ones that you really care. Some ideas for coupons: Good for one free hug, one free cuddle, back massage, ice cream date… The options are endless! Just get creative. Oh, and if you really want to have some fun with it, you could even put expiration dates on the coupons—just be ready to redeem them all when the time comes!
Concert Tickets
Experiences can be more valuable than any tangible object, so, this holiday season, gift your friends, family, and coworkers with an early Christmas gift: tickets to the album concert for Christmas Ain’t Like It Used To Be.
On Friday, December 17th at 8pm, Akron will be hosting some of the best musicians in New York City on the Knight Stage at the Civic Center. You and your loved ones won’t want to miss this joyful celebration of Christmas, Hannukah and jazz! To purchase tickets, please see the link below:
https://www.akroncivic.com/shows/370
This post was written by Blog Editor, Jacqueline Knirnschild.
You’ve probably heard the term thrown around before in phrases like, “a modern rendition of the jazz standard…” but what exactly is a jazz standard?
As the name implies, a jazz standard is a composition that has established widespread popularity among musicians and listeners. There is no concrete list of jazz standards, and they fluctuate with time, but songs that appear in fake books are usually considered standards.
Now you may be wondering, what is a fake book? Well, a fake book is a collected volume of lead sheets, which are musical notations that specify the crucial components of a famous song. The melody, lyrics and harmony are marked on a lead sheet, but the chord voicings, voice leadings, and bass lines are not described, thus giving the musician or arranger freedom to improvise. Collections of lead sheets are called fake books because skilled musicians can “fake it” and perform the song decently with only having the rough outline, as opposed to having the full score, which writes out every note to be played and all the intricacies of the song.
Not all jazz standards were written by jazz composers—many were originally Broadway show tunes, Tin Pan Alley songs and even songs from Hollywood musicals. In Europe, fake books may also include traditional folk songs and ethnic music. But, even if a song has non-jazz origins, it can only become a jazz standard when it is played widely among jazz musicians.
By now you’re probably curious to learn which jazz standards are the most well-known. Well, lucky for you we made a short list below:
Juan Tizol & Duke Ellington – Caravan
First performed by Duke Ellington in 1936, this tune quickly gained popularity for its “exotic” sound, and has since been used in many films, such as Ocean’s Eleven. It is considered one of the most covered songs of all time, with over 500 uses!
W.C. Handy – St. Louis Blues
Published in 1914, this is an example of a song with origins in another genre—blues—that has become a fundamental part of the jazz repertoire. Artists including Louis Armstrong, Bing Crosby, Bessie Smith, Glenn Miller, and Guy Lombardo have all recorded a version of this tune, which has been nicknamed, “the jazzman’s Hamlet.”
Hoagy Carmichael – Stardust
Part of the Great American Songbook, this tune was inspired by the ending of one of Hoagy Carmichael’s love affairs, and since its publication in 1929, it has been recorded 1,500 times! My consolation is in the stardust of a song…
Joseph Kosma – Autumn Leaves
This 1945 tune, with the original lyrics written in French, is particularly popular among beginning musicians because it offers a nice way to become acquainted with jazz harmony.
You can find modern recordings of iconic jazz standards in our album, Lovers & Love Songs, which features “I’ve Never Been in Love Before,” “I’m an Old Cowhand,” and “From This Moment On.” Lovers & Love Songs is available in our store and on all major music platforms!
This post was written by Blog Editor, Jacqueline Knirnschild.
To answer this question, we must think about why we listen to music in the first place. Why do we pop in earbuds and jam to our favorite tune during our commute to work? Why do we play music at parties, weddings, funerals, and sports games? Why do we sing along to the radio?
Well, it’s because music is a powerful experience that has been a part of our shared human culture since prehistoric times. As you know, when you listen to a particularly satisfying song, your body undergoes a visceral reaction—you become giddy, you feel chills, or maybe you’re even moved to tears. There’s something magical and transcendent about how music can tap into a deeper part of ourselves.
Jazz, like all music, expresses ideas and emotions that may be difficult to articulate through a normal conversation. We also must remember that jazz is a fundamentally diverse and wide-ranging genre, borrowing elements from other styles, like swing, bebop, blues, and hard bop, so there are not exactly strict distinctions when it comes to defining the subject material of jazz. Nonetheless, there are some recurring themes in jazz music that are best explained with examples. Check out the song list below to learn more about the themes of jazz!
The WJ3 All Stars – I’ve Never Been in Love Before
Probably the most obvious theme that first comes to mind when you think of jazz is love. With hits like John Coltrane’s “My One And Only Love,” Johnny Hartman’s “How Sweet It Is to Be in Love” and Nina Simone’s “I Love My Baby,” jazz definitely pays homage to the romantic passion that overcomes us all from time to time.
Published in 1950, “I’ve Never Been in Love Before” is a great example of a jazz love song. It first appeared as a duet in the musical Guys and Dolls, sung by the main characters Sky Masterson and Sister Sarah Brown when they spontaneously realized that they had fallen in love. Now all at once it’s you, it’s you evermore…
Since that first showing, the song has become a jazz standard, recorded by many artists including Shirley Bassey, Bing Crosby, and Doris Day. And most recently, the classic has been recorded by the WJ3 All Stars, offering a heartwarming, modern rendition that’ll sweep you off your feet on a romantic journey through the ages.
Billie Holiday – Good Morning Heartache
Unfortunately, lots of jazz songs about love means that there will also be lots of songs about heartbreak. It is utterly devastating when that all-consuming love turns sour and what better way to lament than through music, like Billie Holiday’s 1946 song, “Good Morning Heartache” I’ve got those Monday blues straight through Sunday blues…
Duke Ellington – Black, Brown, and Beige
https://www.youtube.com/watch?v=GM2N8_H4me0
Since jazz was conceived by a fusion of traditional African music, brought to the country by enslaved peoples, and “New World” ideas of creative expression found in the cultural melting pot of Caribbean, French and Spanish cultures in New Orleans, it comes as no surprise that the genre often celebrates diversity.
This extended jazz work, written in 1943, is composed of three movements that Ellington said offer, “a parallel to the history of the Negro in America.” The piece begins with a work song and spirituals, which represent the religious songs that black enslaved people sung, then it moves into more West Indian influences, a celebration of Emancipation and the conception of the blues. Lastly, the piece depicts the African Americans of the 1920s, 30s and World War II.
The Lorca Hart Trio – Introspection on the 401
Jazz songs don’t always have lyrics and instrumental tunes can provide a listener with a wordless moment of introspection. As we’ve discussed, music often stirs up emotions and thoughts, thus providing an excellent backdrop to do some thinking. This new song from The Lorca Hart Trio creates just the right ambience to do some self-reflection as you drive down the road to work.
If you’re interested in listening to more jazz songs, and uncovering more themes and meanings, I would recommend our albums, Lovers & Love Songs, and Colors of Jazz, both of which are available in our store and on all major music platforms!
This post was written by Blog Editor, Jacqueline Knirnschild.
