Wayne Shorter—Innovative Saxophonist and Prolific Composer

Wayne Shorter—Innovative Saxophonist and Prolific Composer

The passing of Wayne Shorter at age 89 on March 2, 2023 was a sad occasion for his many fans. Shorter had a career as a jazz saxophonist that spanned almost 70 years. Even after he stopped performing in 2018 due to health concerns, he continued to compose music. 

Shorter was born in Newark, New Jersey, on August 25, 1933. He had an older brother named Alan. Wayne’s mother encouraged her sons to be creative, even excusing them from chores so that they could use their imagination while playing. Wayne and Alan enjoyed reading comic books and recalling film music they heard while at the movies. Wayne hoped to become an artist one day. A watercolor painting of his won first prize in a contest held for children. His artistic talent enabled him to gain admission to the Newark Arts High School. However, after listening to a New York jazz radio program, he became fond of bebop. At age 15, Shorter began taking clarinet lessons. Later he switched to the tenor saxophone. Shorter was influenced by jazz legends such as Sonny Rollins, John Coltrane, and Coleman Hawkins.

Wayne performed with local jazz bands so he could save money for college tuition. He majored in music education at New York University, though he wasn’t keen on becoming a music teacher. 

After graduation, Wayne was inducted into the U.S. Army, where he served for two years. He continued to play saxophone while in the Army. After his discharge, he joined Maynard Ferguson’s band for a brief time. He quit when drummer Art Blakey offered Shorter a spot with the Jazz Messengers. He was encouraged to compose music for the Jazz Messengers during his five-year stint and eventually became the group’s music director.  

Shorter went on to join the Miles Davis’ Second Great Quintet in 1964. He released eight solo records on the Blue Note label, most of them while he was in Davis’ group. One of his classic compositions, “Footprints,” first appeared on Shorter’s Adams Apple album in 1966. The song was later recorded for Davis’ Miles Smiles album in 1967. With its 6/4 time signature and bluesy melody in the C Dorian mode, “Footprints” perhaps is the composition most associated with Shorter. 

After the quintet broke up in 1968, Shorter continued to collaborate with Davis, appearing on the studio albums, In a Silent Way and Bitches’ Brew. In 1970, Shorter went on to become a founding member of Weather Report, along with keyboardist Joe Zawinul, bassist Miroslav Vitous, and others. Weather Report enjoyed phenomenal popularity and acclaim, thanks to its fusion of jazz, funk, rhythm and blues, and other musical genres. During his 14 years with Weather Report, Shorter played both tenor and soprano sax and composed music for his bandmates.

 He continued to record albums under his own name and worked on side projects with other musicians, including Herbie Hancock, Joni Mitchell, and Carlos Santana. Shorter also toured and recorded albums as a member of V.S.O.P. during the late 1970s and early 1980s. 

Shorter returned to acoustic jazz in 2000, forming a quartet with pianist Danilo Perez, bassist John Patitucci, and drummer Brian Blade. The Wayne Shorter Quartet released several live albums.  Shorter received numerous Grammy nominations and awards during his lifetime. In his later years, he worked on an ambitious project, an orchestral suite titled Emanon. He also composed an opera titled Iphigenia, inspired by Euripides’ play. It debuted in 2021.  

Patricia Martin 

John di Martino Post #2

Ah, the sweet bliss of a Friday afternoon. Nothing beats it. Except maybe this Friday feature with New York City based musician, John Di Martino. 

If you read last week’s feature, you’ll know that Martino is more than just a jazz pianist, he is also a composer, arranger and producer. But did you know that Martino also has worked in a wide range of musical genres? 

Martino has a long collaboration with percussionist and musicologist, Bobby Sanabria. Together in 2000, they produced the album “Afro-Cuban Dream: Live & In Clave!!!” which was nominated for a Grammy award and received critical acclaim for its progressive approach to the art of the big band. Martin is also active on the world beat scene, working with South African bassist Bakithi Kumalo. 

More recently, Martino has been exploring the fusion of country western and jazz music in the new album, “Cryin’ In My Whiskey.” Released by Night Is Alive, this album also features the vocals of Janis Siegel and the bass of Lonnie Plaxico. “Cryin’ in My Whiskey” is just what we need to be listeninng to right now in order to celebrate this (hopefully) post-covid era. The songs on this album tell the stories of country classics with a jazz twist. You won’t want to miss it! 

“Cryin’ In My Whiskey” is available at https://nightisalive.com/portfolio/cryin-in-my-whiskey/ and all major online music platforms. 

What music inspires the versatile John Di Martino you may wonder? Well, look no further, we have the answers you’re looking for below:

  • Besides jazz, what genres of music do you like to listen to? 
    • I love to listen to classical music, world music—I really love all music!
  • Who are some other musicians that inspire you? 
    • I am inspired by Herbie Hancock, Antonio Carlos Jobim, Gil Evans, John Coltrane, Bela Bartok & many others!
  • What is your favorite tune from Cryin’ In My Whiskey
    • I love all the tracks, but I will say: “Break It To Me Gently.”

John Di Martino Post #1

The weekend is finally here! Thank goodness! Now it’s time to have some fun and get to know this creative jazz pianist, John Di Martino. 

Martino was born and raised in Philadelphia, and as a teenager he spent most of his time at local jazz clubs, where he still returns to work on occasion. Martino eventually moved to New York City, where he is now based, and began his career.

Described as a “shape-shifter,” Martino is known for occupying many different realms as a composer, arranger, jazz pianist and producer. As a jazz pianist, he’s performed and recorded with famous musicians like Eddie Gomez, Kenny Burrell and James Moody. As a musical director, he has accompanied Dianne Schuur and Jon Hendricks. 

We’re lucky enough to feature this world-class pianist, who has performed in China and Carnegie Hall, on our newest album, “Cryin’ In My Whiskey.” Also featuring the vocals of Janis Siegel, this album is a blend of country western and jazz music that is full of classics you’re sure to recognize, like “Always On My Mind” and “I Fall To Pieces.” 

I know it’s Friday and we don’t want to think about next week yet, but the tunes from “Cryin’ In My Whiskey” will make your commute to work on Monday feel like a luxurious cruise.    

“Cryin’ In My Whiskey” is available at https://nightisalive.com/portfolio/cryin-in-my-whiskey/

and all major online music platforms. 

#JohnDiMartino #CryinInMyWhiskey #jazz #feature #musician #pianist #composer #arranger #NightisAlive #countrywestern #album #crossgenre

We got to sit down and pick Martino’s brain. Check out his answers below!

  • What are you most looking forward to in the coming months? 
    • I look forward to the return of live gigs and touring, but much more recording in the meantime!
  • Do you have any advice or words of wisdom for young musicians? 
    • Find your unique ‘God-Given’ voice and trust in it! The practice of imitation is only a tool for learning!
  • What is your favorite tune from Cryin’ In My Whiskey
    • I love all the tracks, but I will say: “Break It To Me Gently”

Friday Feature with Drummer Tim Horner

Piano would be my next choice and I wish it had been my first, but I do absolutely love playing drums. After piano, I wish I played my violin (which I already play) better!

I honestly can’t say I have that one inspiration but so many great classical and jazz composers for me are very inspirational, from Ravel and Bartok to Duke and Gil Evans. As far as Drummers go, pick one of the greats and they inspire me. Freddie Hubbard inspires me, Pharoh Sanders inspires me, Bill Cunliffe and Martin Wind inspire me. I love most music and the musicians that play it well.

I’m not sure I have a great answer for this one as I’m on the 14th Floor in a 2 bedroom apartment with no terrace. It’s been quite tough, but I guess I’ve been trying to reflect on my life, my past, my future, what am I going to do if our industry doesn’t return, how to make a living. I’ve written a little bit of music and have been practicing some everyday but I’ll be honest, some of that has been tough. It’s easy to sit and play but much of the pure enjoyment of music for me has always been the free association with other musicians, ensemble playing, I really love and miss that!!!

Right now, wow anywhere!!!! Right when the lockdown hit, I was supposed to be going to Pakistan and Lebanon for the State Dept playing concerts and teaching. It’s safe to say I was really looking forward to that.

I wouldn’t mind having a small dog right now, but one that’s been trained, no training for me. I’ve had cats all my life, I’m allergic to them although I love them. If I had a bigger place with a backyard an Elephant or Water Buffalo would be nice lol.

Tim Horner,  and The Bill Cunliffe Trio can be heard on Night is Alive’s holiday album “Christmas in the Dog House”, available att https://nightisalive.com/shop/ and all major online music platforms.

Chet Baker: “My Funny Valentine”

From now until Valentine’s Day, we’re sharing some of our picks to get you in the mood.  Last time, we told you about “Our Love Is Easy” by Melody Gardot. Now, we’re giving you a jazz standard.

 

Chet Baker

“My Funny Valentine”

 

My funny Valentine, sweet comic Valentine

You make me smile with my heart

Your looks are laughable

Unphotographable

Yet you’re my favorite work of art

 

Of course, this made the list.  C’mon, you can’t have Valentine’s Day without it!  The funny thing about it is that “My Funny Valentine” started as a show tune written by Richard Rodgers and Lorenz Hart back in 1937, and it was introduced by child star, Mitzi Green.  It’s since become a popular jazz standard and has been performed by more than 600 artists. Baker was able to turn the tune into a jazz classic when he recorded an instrumental version with the Gerry Mulligan Quartet in 1952, and then a haunting vocal version in 1956.  He then would go on to revisit the song a number of times throughout his career.

Chesney Henry Baker Jr., or Chet Baker, was known for the melancholic, fragile tone of his trumpet playing and singing.  He began playing the trumpet at 10 and later went on to play in Army bands while he was a soldier.  During the 50s, he played with Charlie Parker and joined Gerry Mulligan’s quartet in 1952.

In 1954, Baker beat out Miles Davis and many others to win the Downbeat Jazz Poll. Over the next few years, Baker was a frontman for his own combo He played trumpet and sang.  Baker’s good looks, vibratoless, soft tenor voice and cool vibe pretty much put him on the fast track.  But his personal struggles would end up taking a toll on his career.

Despite the troubles, it’s been said that the period between 1977 and 1988 were Baker’s most prolific musical years.  He’s pretty much an icon for the “cool school” style of jazz.

What’s your favorite song for Valentine’s Day?  Let us know in the comments.

Ron Carter: Mr. 2,221…and Counting

If you love jazz, but you don’t know who Ron Carter is, you really don’t love jazz.

Why do we say that?

Because Ron Carter is one of the most prolific, innovative and influential bassists in jazz history.
He’s also played with a number of the greats. From Lena Horne to B.B. King, Miles Davis to even A Tribe Called Quest, Mr. Carter’s talent has transcended a variety of genres.

Carter was born in Ferndale, Michigan on May 4, 1937. He started playing cello at age ten, and later switched to the double bass. He went on to play during his time at Cass Technical High School in Detroit, the Eastman School of Music in Rochester, New York and the Manhattan School of Music in the Big Apple.

His professional career in music started with gigs playing bass for Jaki Byard and Chico Hamilton. Carter hit the big time in 1963 when he became a member of the classic and acclaimed Miles Davis Quintet. In it, he played alongside Herbie Hancock, Wayne Shorter and Tony Williams. He played with the group until 1968. During his time, he recorded two albums with them—Seven Steps to Heaven in 1963 and E.S.P. in 1965.

After his quartet time, Carter went on to forge a number of musical partnerships and was a member of the New York Jazz Quartet. He also was a sideman on many Blue Note recordings playing with Freddie Hubbard, Duke Pearson, McCoy Tyner, Horace Silver and many others.

In a career which spans more than 50 years, Carter has more than 2,221 albums to his credit. He’s the most recorded jazz bassist history and was recognized for it by The Guinness Book of World Records in 2016. At 81, Carter is still teaching and performing.

So far as his style, it’s been described as such.

“What makes Carter so unique is the fact that describing his style is more comparable to describing the entire jazz genre—it includes a grandiose and diverse spectrum of sophisticated music that has evolved over the past several decades. Carter has been at the forefront of various jazz movements, from bebop to bossa nova, straight-ahead to experimental. If that weren’t enough, he has thrived in virtually every form of ensemble playing from conservation-driven duos to quartets to big bands. He has played the bass lines that all students of jazz have to learn and does so with impeccable tone, technique, and temperament.”

Ryan Madora

Bass Players to Know: Ron Carter, notreble.com

Sept. 15, 2017

Night is Alive’s own Donald Vega performs on piano with Carter’s Golden Striker Trio.

This just goes to show the caliber of the great talent that we work with. In a nutshell, we represent legends who have been inspired, mentored and celebrated by jazz greats, and we’d love to share their unique sounds with you—and the world.

Learn more about what we do and who we represent.