Now Available: Radiance by Lonnie Plaxico
Immerse yourself in Radiance, the brilliant new release from Lonnie Plaxico—a soul-jazz masterclass featuring the luminous Camille Thurman, rhythmic heartbeat of Douglas Plaxico, and the rich piano textures of Lafayette Harris Jr. This reimagined collection of classics, including “Don’t Know Why,” “The Closer I Get to You,” and “All This Love,” showcases Camille Thurman’s expressive vocals and saxophone, Douglas Plaxico’s driving drums and vocals, and Lafayette Harris Jr.’s elegant piano and Rhodes grooves—together crafting a deeply emotional and groove-forward journey.
From tender balladry to up‑tempo soul, each track on Radiance delivers warmth, sophistication, and musical virtuosity. Whether you’re a longtime jazz aficionado or newly exploring soulful interpretations of beloved songs, this album extends a heartfelt invitation to experience something timeless and fresh. Rich in arrangement and intimate in spirit, Radiance resonates with depth and vibrancy.
Catch Radiance now on your favorite platforms: listen on Bandcamp (with high‑resolution 24‑bit/96 kHz downloads) Spotify, Apple Music, Amazon Music, and on Night is Alive. Radiance is available now—stream it, download it, and let its luminous sound move you.
Lonnie Plaxico – Radiance
What Does It Mean to Swing?
The Origins and Meaning of One of Jazz’s Most Iconic Terms
If jazz had a heartbeat, it would swing.
But what does that word actually mean—to “swing”? Is it a rhythm? A feeling? A genre? The answer is yes… and more.
Let’s break down the origins of the word, what it means musically, and how it became one of the most iconic ideas in all of jazz.
The Origins of the Term “Swing”
The word “swing” predates jazz, showing up in English in the 16th century to describe pendulum-like motion—back-and-forth, side-to-side. Think of a literal swing on a playground or the smooth arc of a dancer’s hips. The idea of rhythmic, loping movement was baked into the word from the start.
In the early 20th century, when jazz was still young and evolving in cities like New Orleans, Chicago, and New York, musicians began to apply “swing” informally to music that had a particular kind of bounce or groove. By the 1930s, the term had stuck—and “swing music” became a label for an entire big band era.
What Swing Means Musically
Swing isn’t just a vibe—it’s a specific rhythmic feel. Technically, swing refers to how eighth notes are played:
- In straight time (like in pop or rock), eighth notes are evenly spaced:
1 & 2 & 3 & 4 & - In swing time, those eighth notes are uneven, often interpreted as a triplet feel:
1 (trip) let, 2 (trip) let, 3 (trip) let, 4 (trip) let
But instead of playing all three parts of the triplet, swing usually hits the first and the third:DA — duh, DA — duh
That subtle delay on the second note is what gives swing its unique forward-rolling momentum.
This rhythmic shape creates a loping, infectious pulse that makes listeners want to tap their feet—or dance. It’s both loose and precise, relaxed yet driving.
What Swing Means in Jazz
In jazz, to swing goes way beyond note spacing. It’s about groove, timing, and expression. When someone says, “That band swings,” they don’t just mean the eighth notes are syncopated—they mean the music is alive. It’s locked in, flowing, and in the pocket.
Here’s what swinging really means to jazz musicians:
- Rhythmic Drive: Everyone in the band plays in sync, creating a groove that propels the music forward like a train on a smooth track.
- Feel Over Math: It’s not mechanically “tripletized”—great swing is flexible. Musicians subtly vary the swing ratio depending on tempo, context, and emotion.
- Interaction: Jazz swing lives and dies on communication between players. The drummer might push the beat, the bassist might hold it back, and the soloist floats somewhere in between. That tension is magic.
Famously, Duke Ellington once said, “It don’t mean a thing if it ain’t got that swing.” He wasn’t just talking about rhythm—he was talking about soul.
Swing as a Genre
While swing is a rhythmic concept, it also names an era and a style of jazz. The Swing Era (roughly 1935–1945) was the age of big bands: Count Basie, Benny Goodman, Glenn Miller, and of course, Ellington himself.
These bands played intricate arrangements, featured virtuosic soloists, and—most importantly—made people dance. Swing music lit up ballrooms across America and brought jazz to the center of popular culture.
Even after the big bands faded and bebop took over, the essence of swing remained in jazz’s DNA. Miles Davis swung. Coltrane swung. Modern jazz trios still swing today—even when they’re experimenting with odd time signatures or electronic textures.
So… What Does It Mean to Swing?
It means more than just playing with a certain rhythm. To swing is to lean into the groove. To lift the music. To make it breathe, dance, and spark. It’s a handshake between players, a grin from the drums to the bass, a nod from the horn to the piano. It’s jazz at its most human.
And when it’s really working, you don’t have to define it.
You just feel it.
Night is Alive Productions is your source for modern & classic Jazz!
It Takes 3
Feature Friday with Richie Goods
Happy Feature Friday! This week we’re highlighting bassist Richie Goods as we gear up for his show at The Carlyle room in DC with vibraphonist Chien Chien Lu. They are playing music from their album Connected which speaks about our divided society and how we all need to come together.
Continue readingNews from Elsewhere, Article VII
“Making a Recording: Mixing and Mastering This Christmas with Night Is Alive”

Photo by Oleg Ivanov on Unsplash
It has been a very long time since our last News from Elsewhere. There are the usual excuses: I have Covid, I am busy with other musical responsibilities, I forgot about writing these (that’s the best one)…and anything else I forgot to use as an explanation. With all that in mind, I am going to start with today: August 11, 2023. Here I am in New York City one of my favorite places in the world and it is always a joy to record here and finish the product for your enjoyment.
Today I spent the day in Bass Hit Studios in New York, New York recording Night is Alive’s newest holiday album, This Christmas With Night is Alive. The studio is owned by Dave Darlington. He is the master and mixing expert and one of the best in the business.
Joining us in the studio was saxophonist Wayne Escoffery, who is producer of This Christmas with Night is Alive. Wayne can be heard on quite a few of Night is Alive’s other recordings, including Christmas Ain’t Like It Used To Be, Old, New, Borrowed, & Blue, and My Ship. You can learn more about him by visiting http://www.wayneescoffery.com/
Recording an album is so much more involved than just showing up and playing into microphones. Our day began around 11:00 a.m. and finished up around 7:00 p.m. Hours are spent mixing and mastering the music for all of our listeners to enjoy the most perfect sound possible. This is a long day, as we listen to every note and take special care adjusting every song. This means paying attention to the smallest details, including:
- Are individual instruments too loud? Too soft?
- How is the balance with the rhythm section – especially the drums?
- Is the vocalist in tune?
- Where is the bass?
- Okay, let’s listen to the entire CD again and make sure the sound is cohesive.
This continues until we are happy with the overall sound of each tune. After that, we need to decide on song order, especially the first and last tracks. The length of each tune is also important – we do our best to keep each track under 5 minutes 30 seconds. We managed to accomplish this goal today! Keeping the tracks from being too lengthy is good for DJs, who are always looking for that one tune to fill a certain play space.
One of the fun aspects of recording is working with the musicians and experiencing how much they care about every song they play. We at Night is Alive are very excited about this new Holiday music. As always, we are committed to bringing you the best and hottest musicians and providing the greatest listening experience possible.
Be sure to keep an eye out for future News from Elsewhere articles, which will focus on my memories of the past few years. Make sure you don’t miss an update: subscribe to News from Elsewhere so you can receive new articles as soon as they become available. Just send us a message with the comment text, “Sign me up for News from Elsewhere emails”.
For more information about This Christmas with Night is Alive and our world-class musicians, please visit our web page (https://nightisalive.com/) or contact directly via phone.
Article by Kathy Salem, Producer & Managing Director, Night is Alive
Revised and transcribed by Elizabeth Carney, Principal Editor, Night is Alive





















































































































