Jazz Songs for Juneteenth

Jazz Songs for Juneteenth

Maybe you’ve seen the Juneteenth flag—the white star atop blue and red—and wondered what this holiday is all about? Well, it is celebrated on June 19th to commemorate the emancipation of enslaved people in the United States. It was first celebrated in Texas, where in 1865, Union troops arrived in Galveston Bay and declared that the more than 250,000 enslaved black people in the state were free by executive decree.

If you’re a history buff, you may know that the Emancipation Proclamation was issued in 1863, so why, you may be wondering, did it take two more years to official free all of the enslaved people? Well, that is because the proclamation was not able to be implemented in places still under Confederate control—like the westernmost Confederate state of Texas. Therefore, slavery wasn’t completely abolished until Juneteenth.

As early as June 19, 1866, the formerly enslaved black Texas began celebrating with festivities. But it was not until June 17, 2021, that President Joe Biden signed a bill that made the day—also known as Freedom Day or Jubilee Day—into an official federal holiday.

On Juneteenth, you may also see people flying the red, black, and green Pan-African flag, which was adopted by the Universal Negro Improvement Association in 1920 and represents the blood, soil and prosperity of Africa and its people.

Now that you have an introduction to the holiday, why don’t we take a closer look at a few songs that have played a huge role in the fight for civil rights in America.

Billie Holiday – Strange Fruit

Just because slavery was officially abolished in 1865 with the Thirteenth Amendment, doesn’t mean that equality was instantaneous. In fact, far from it. As we all unfortunately know, the struggle for racial equality still persists today.

Following the Thirteenth Amendment, many racists, and racist organizations, like the Ku Klux Klan, retaliated in the form of lynching.

In 1939, a Jewish-American man named Abel Meeropol wrote a poem that protested against lynching, such as those in Indiana during the 1930s. As many photos from that period show, racially motivated violence was far from over.

Meeropol made the poem into lyrics with music and his wife performed it at venues in New York City. Then, legend has it that the founder of the only integrated nightclub in New York City—Café Society—introduced Meeropol’s song to Billie Holiday, who performed it for the first time in 1939.

The song, which compares the Black American victims of lynching to the fruit of trees, was named by Timemagazine in 1999 as the “Best Song of the Century.” And activist and scholar Angela Davis said that this song is “the most influential and profound example of a continuing site of music and radical social consciousness.” It has been thought of us a declaration that began the civil rights movement.

Nina Simone – Mississippi Goddam

“Mississippi Goddam,” released in 1964, encapsulates the Simone’s response to the 16th Street Baptist Church bombing, and the racially motivated murder of the Emmett Till in Mississippi. In case you aren’t familiar with these atrocities—in 1963, a white supremacist bombed a black Church in Birmingham, which killed four people and injured over 14. And in 1955, a group of white men abducted, tortured, and lynched a fourteen-year-old boy named Emmett Till.

They keep on sayin’ ‘go slow,’ Simone sings in the protest song. To do things gradually would bring more tragedy. Why don’t you see it? Why don’t you feel it? I don’t know, I don’t know. You don’t have to live next to me, just give me my equality!

What’s the history of the EP & LP?

What’s the history of the EP & LP?

In order to answer this question, we need to take a quick lesson on the history of music distribution. As we mentioned in a previous blog post, vinyl records were invented in the 1940s and were the predecessors of CDs and digital audio recordings. Lately, vinyl has been making quite the comeback, and we even hopped on the bandwagon with our limited-edition vinyl record of Lovers & Love Songs, which is available in our store today.

But what came before vinyl records?

The phonautograph, invented in 1857 by a French printer and bookseller named Léon Scott, is the earliest example of musical recording. Although the phonautograph didn’t actually produce any audible sound, it did record sound waves as graphical tracings on sheet paper. These tracings weren’t used to play the music back, but rather to analyze it visually.

In 1877, Thomas Edison invented the phonograph, which was groundbreaking in its ability to both record and reproduce sound. Edison’s hollow wax cylinder became the most predominant form of musical recording in the early 20th century.

This cylinder, however, could only play for about two minutes, which led Emile Berliner to pioneer lateral-cut disc records and the gramophone. Initially, the cylinders still had better sound quality, but eventually, Berliner improved the mechanisms of the gramophone and created 12-inch records in 1903, which could play music for over four minutes! Thus began the short-lived format war between cylinders and discs, with analog discs ultimately winning, and dominating the industry until the 1980s when digital compact discs were invented.

Alright, so now that you know all about the history of music recording and distribution, you’re probably wondering, where do EPs and LPs fit into all of this?

Well, since phonograph cylinders could only hold two to four minutes of audio, all music releases in the early 1900s were essentially singles. These singles became known as SP, meaning standard play.

Then, in the mid-20th century there was a format battle between Columbia’s 33 1/3 rpm LP (Long Play) and RCA Victor’s 45 rpm. Columbia’s LP held up to two complete songs, while RCA’s version held one song on each side with better sound quality. In 1952, RCA then invented another improvement with the EP (Extended Play) 45, which had twice the recording time.

So, essentially, the EP and LP arose from a commercial battle akin to the competition between Blu-rays and DVD. The LP, however, with its ability to hold more content gained more traction than the EP.

Today, however, artists who are just starting out in their careers often release EP albums, which only have 4 to 6 songs and are thus easier and cheaper to produce than LP albums, which have 10 to 12 tracks or more.

Here at Night Is Alive, we mostly produce LP albums, like our new 2022 release, Old New Borrowed & Blue, which merges the musical artistry of new songs with jazz classics. Old New Borrowed & Blue is available in our store and on all major music platforms!

This post was written by Blog Editor, Jacqueline Knirnschild.

Mexican Music for Cinco de Mayo

Mexican Music for Cinco de Mayo

Even though Cinco de Mayo has already passed (it was on May 5th), that doesn’t mean it’s too late to celebrate the holiday that commemorates the Mexican victory over France in 1862! Because really, is there ever a bad time to drink a jalapeño margarita on the back patio?

This month, though, do more than just eat a taco and drink a margarita—delve deeper into Mexican culture by listening to these jazz songs that’ll introduce you to the music history of Mexico!

Luis Miguel – México en la piel

Translated to “Mexico on the skin,” this 2004 mariachi-inspired song celebrates Mexico by taking the listener on a trip around the country. It gives the impression that you are in a helicopter overlooking the beautiful panoramas of the diverse landscapes. Like looking at the mountain range of Chihuahua, or the craftworks made in San Miguel, climbing the Cerro de la Silla, that’s how you wear Mexico on the skin.

Luis Miguel—nicknamed “The Sun of Mexico”—is one of the biggest stars in Mexico. Since his career took off in the early 80s, he has sung in a plethora of genres, including pop, jazz, big band, and mariachi, but has always stayed true to his heritage. Unlike many other Latin singers of the 90s, Miguel never recorded in English, only Spanish. 

José José – El Triste

Mexican musician and actor José José began his career playing the guitar, singing serenades, and later, playing in a jazz and bossa nova trio. It wasn’t until 1970 though, at the Latin music festival in Mexico City, when he sang this song (translated to “The Sad One”), that he gained universal fame and critical acclaim as a balladeer.

With its unique melody and sublime lyrics about the loss of a loved one, this song instantly touched the hearts of many and catapulted José José into stardom. After the first performance, the audience insisted that the singer won the festival competition. Despite the fact that he only ended up receiving third place, “El Triste” still became part of the popular Mexican music repertoire and is now viewed as an icon of Mexican culture!

Juan Garcia Esquivel – Mucha Muchacha

Have you ever heard of “Space Age Bachelor Pad Music”? It’s the type of music that a suave, slicked-back guy would play while drinking a cocktail in his upscale apartment. “Mucha Muchacha” is a prime example of the subgenre, which was pioneered by Mexican band leader, pianist, and composer Esquivel in the 1950s and 60s. As you can probably tell from listening, this style of music is very quirky, experimental, and sophisticated. It is largely instrumental and fuses lounge music and jazz with a Latino touch.

Unfortunately, Night is Alive has not yet produced any Mexican style albums, but we have plans to add the genre to our library soon! In the meantime, if José José’s song has you feeling blue, we do have a new album out called Old New Borrowed & Blue, which features some beautifully poignant instrumentals, like “Blue and Sentimental.” The album is available in our store and on all major music platforms.

This post was written by Blog Editor, Jacqueline Knirnschild.

Is The Guitar Used In Jazz Music?

Is the guitar used in jazz music?

From Wes Montgomery to Django Reinhardt, there are many famous jazz guitarists throughout history, but is the guitar a traditional and typical jazz instrument? 

In honor of International Guitar Month, we are going to take a closer look at the role of the guitar in jazz music history. 

Early Jazz: 1880s to 1920s 

As we explored in an earlier blog post, jazz originated in New Orleans in the 1880s, where it developed from the African dance and drumming traditions of formerly enslaved peoples. 

In early New Orleans jazz, the “front line” referred to the three instruments that were played simultaneously to create a melody: the cornet, clarinet, and trombone. These instruments were used for collective “call and response” improvisation. 

During this early stage of jazz, the guitar usually wasn’t given a solo part; instead, it took on more of a supportive role. Guitars—along with drums, piano, and banjo—were used to create a steady, driving rhythm that contrasted nicely with the polyphony of the front line. 

One of the first jazz-orientated string bands was led by guitarist Charlie Galloway in 1889. Buddy Bolden’s bands also usually had a guitarist, and Nick Lucas performed the unaccompanied guitar solos in his 1922 tunes “Pickin’ the Guitar” and “Teasing The Frets.” But, the most famous jazz guitarist of this early era was definitely Eddie Lang, who, beginning in 1925 popularized the guitar as a solo instrument and is thus known as the “father of the jazz guitar.”  

Eddie Lang – I’ll Never Be The Same

Playing a Gibson L-4 guitar, Lang ultimately won the 1920s competition with the banjo, which was quickly becoming more commonplace than the guitar in jazz music. His contributions to the jazz guitar have inspired generations of musicians. 

Big Band & Swing Eras: 1930s & 40s

Although guitar had won the battle to be a consistent part of jazz, they still didn’t typically take center stage and were often drowned out by large bands. In the 1940s, Charlie Christian gave the guitar a louder voice when he electrically amplified his Gibson ES 50. The guitar was no longer just the soft steady rhythm in the background; it could be heard alongside the saxophone ad trumpet, and thus became a force to be reckoned with. 

Charlie Christian – Swing to Bop

Despite his early death at 25, Christian had a major influence on the role of the jazz guitar, especially when it came to playing intricate and impeccable solos, like this 1941 hit, “Swing to Bop.”

Innovations & Experimentation: 1950s & 60s

The 50s and 60s brought new foundations for the modern jazz guitar. Artists like Wes Montgomery, Joe Pass and Jim Hall experimented with different styles and techniques, like plucking the strings, extensive use of octaves and interactive improvisation in duos and trios. These innovators paved the way for jazz artists who were incorporating soul and R&B, like Grant Green.

Grant Green – Ain’t It Funky Now

With a unique and immediately recognizable sound that combines hard bop, soul jazz and bebop, Green’s bluesy and groovy guitar showcases the innovations of the 1960s & 70s. 

Jazz-Rock Fusion & European Styles: 1970s & 80s

Rock guitarists like Jimi Hendrix influenced the jazz guitarists of this era to incorporate rock-style signal processing effects, like distortion ad flange pedals. At the same time, the delicate and ethereal sounds of European Jazz were also impacting jazz guitarists.

John McLaughlin – Peace Piece

A British pioneer of jazz fusion, McLaughlin blends rock, world music, Indian & Western classical music, flamenco, and blues!

This post was written by Blog Editor, Jacqueline Knirnschild.

What is a reed? What is a double reed?

What is a reed? What is a double reed?

If you’re not a musician, when you hear the word ‘reed,’ you probably think of the tall, slender green leaf that grows and sways on the outskirts of ponds and lakes. But did you know that the mouthpieces of woodwind instruments, like the clarinet, oboe, and saxophone, are all made from the hollow stems of these plants?

Giant Reed (Arundo donax)
from Wikipedia.org

The cane of the Arundo donax, which is also known as the giant reed plant, is stripped of its leaves, and left outside to soak in the sun, resulting in a nice golden-brown color.  The canes are then dried by the wind, and aged for a few years, until they are placed inside a humidity-controlled factory where they are cut into smaller tubes and split into four thin pieces. Next, the cane is cleaned, cut, and sanded into a shape that is flat on one side and conical on the other. Finally, it’s time for the most important step—the reed-cutting process. With a blade, the red is shaved, gently and carefully, from the back toward the tip and then lastly, the very top is cut ever so precisely. 

Sounds like a lot of work for such a tiny, fragile, thin reed? Well, you’re right—it sure is a lot of work, but for good reason. The reed is what vibrates and creates sound. Without a reed, the instrument simply cannot be played. That is why many professional oboists and bassoonists will purchase cane—already sanded into a flat-conical shape—and cut their reeds themselves.

As a former oboe player, myself, I know, firsthand, how crucial, complex and finnicky a double reed can be. If you do not have a quality reed, your instrument will be out of tune, or it may even squawk like a dying flamingo! I can’t tell you how many times I showed up to band practice with a reed that had accidentally cracked in the case, and my oboe wouldn’t make a single sound at all! That is why you always pack a back-up, or two, or three. 

Anyway, you may still be wondering, what is the difference between a reed and a double reed? Well, it’s actually quite obvious when you think about it—a single reed only consists of one piece of finely manipulated cane and thus, must be attached to a mouthpiece, while a double reed has two reeds that vibrate against one another to create a sound. A double reed twists into the top of the instrument, standing alone, while the single reed is fastened directly onto the mouthpiece. 

Now, check out the song below, which features the wonderful Wayne Escoffery on saxaphone, to hear a single reed in action! 

John DiMartino, Joe Magnarelli & Wayne Escoffery – Tell Me Why

Despite the fact that a saxophone is made of metal, it uses a single reed, which classifies it as a woodwind, not a brass instrument. As you listen to the sax solo in this tune, you can think about and appreciate all the hard work that went into make the reed! 

And if you’re looking for more jazz music that merges the musical artistry of new songs with the jazz classics, check out our recent release, Old New Borrowed & Blue, which is available on all major music platforms and in our store today!

This post was written by Blog Editor, Jacqueline Knirnschild. 

What is a jazz standard? What is a fake book? And what are some examples of jazz standards?

You’ve probably heard the term thrown around before in phrases like, “a modern rendition of the jazz standard…” but what exactly is a jazz standard? 

As the name implies, a jazz standard is a composition that has established widespread popularity among musicians and listeners. There is no concrete list of jazz standards, and they fluctuate with time, but songs that appear in fake books are usually considered standards. 

Now you may be wondering, what is a fake book? Well, a fake book is a collected volume of lead sheets, which are musical notations that specify the crucial components of a famous song.  The melody, lyrics and harmony are marked on a lead sheet, but the chord voicings, voice leadings, and bass lines are not described, thus giving the musician or arranger freedom to improvise. Collections of lead sheets are called fake books because skilled musicians can “fake it” and perform the song decently with only having the rough outline, as opposed to having the full score, which writes out every note to be played and all the intricacies of the song.

Not all jazz standards were written by jazz composers—many were originally Broadway show tunes, Tin Pan Alley songs and even songs from Hollywood musicals. In Europe, fake books may also include traditional folk songs and ethnic music. But, even if a song has non-jazz origins, it can only become a jazz standard when it is played widely among jazz musicians. 

By now you’re probably curious to learn which jazz standards are the most well-known. Well, lucky for you we made a short list below:

Juan Tizol & Duke Ellington – Caravan

First performed by Duke Ellington in 1936, this tune quickly gained popularity for its “exotic” sound, and has since been used in many films, such as Ocean’s Eleven. It is considered one of the most covered songs of all time, with over 500 uses! 

W.C. Handy – St. Louis Blues

Published in 1914, this is an example of a song with origins in another genre—blues—that has become a fundamental part of the jazz repertoire. Artists including Louis Armstrong, Bing Crosby, Bessie Smith, Glenn Miller, and Guy Lombardo have all recorded a version of this tune, which has been nicknamed, “the jazzman’s Hamlet.” 

Hoagy Carmichael – Stardust

Part of the Great American Songbook, this tune was inspired by the ending of one of Hoagy Carmichael’s love affairs, and since its publication in 1929, it has been recorded 1,500 times! My consolation is in the stardust of a song… 

Joseph Kosma – Autumn Leaves

This 1945 tune, with the original lyrics written in French, is particularly popular among beginning musicians because it offers a nice way to become acquainted with jazz harmony.   

You can find modern recordings of iconic jazz standards in our album, Lovers & Love Songs, which features “I’ve Never Been in Love Before,” “I’m an Old Cowhand,” and “From This Moment On.” Lovers & Love Songs is available in our store and on all major music platforms! 

This post was written by Blog Editor, Jacqueline Knirnschild.

What are jazz songs usually about?

To answer this question, we must think about why we listen to music in the first place. Why do we pop in earbuds and jam to our favorite tune during our commute to work? Why do we play music at parties, weddings, funerals, and sports games? Why do we sing along to the radio?

Well, it’s because music is a powerful experience that has been a part of our shared human culture since prehistoric times. As you know, when you listen to a particularly satisfying song, your body undergoes a visceral reaction—you become giddy, you feel chills, or maybe you’re even moved to tears. There’s something magical and transcendent about how music can tap into a deeper part of ourselves. 

Jazz, like all music, expresses ideas and emotions that may be difficult to articulate through a normal conversation. We also must remember that jazz is a fundamentally diverse and wide-ranging genre, borrowing elements from other styles, like swing, bebop, blues, and hard bop, so there are not exactly strict distinctions when it comes to defining the subject material of jazz. Nonetheless, there are some recurring themes in jazz music that are best explained with examples. Check out the song list below to learn more about the themes of jazz!

The WJ3 All Stars – I’ve Never Been in Love Before

Probably the most obvious theme that first comes to mind when you think of jazz is love. With hits like John Coltrane’s “My One And Only Love,” Johnny Hartman’s “How Sweet It Is to Be in Love” and Nina Simone’s “I Love My Baby,” jazz definitely pays homage to the romantic passion that overcomes us all from time to time. 

Published in 1950, “I’ve Never Been in Love Before” is a great example of a jazz love song. It first appeared as a duet in the musical Guys and Dolls, sung by the main characters Sky Masterson and Sister Sarah Brown when they spontaneously realized that they had fallen in love. Now all at once it’s you, it’s you evermore… 

Since that first showing, the song has become a jazz standard, recorded by many artists including Shirley Bassey, Bing Crosby, and Doris Day. And most recently, the classic has been recorded by the WJ3 All Stars, offering a heartwarming, modern rendition that’ll sweep you off your feet on a romantic journey through the ages. 

Billie Holiday – Good Morning Heartache 

Unfortunately, lots of jazz songs about love means that there will also be lots of songs about heartbreak. It is utterly devastating when that all-consuming love turns sour and what better way to lament than through music, like Billie Holiday’s 1946 song, “Good Morning Heartache”  I’ve got those Monday blues straight through Sunday blues… 

Duke Ellington – Black, Brown, and Beige

Since jazz was conceived by a fusion of traditional African music, brought to the country by enslaved peoples, and “New World” ideas of creative expression found in the cultural melting pot of Caribbean, French and Spanish cultures in New Orleans, it comes as no surprise that the genre often celebrates diversity. 

This extended jazz work, written in 1943, is composed of three movements that Ellington said offer, “a parallel to the history of the Negro in America.” The piece begins with a work song and spirituals, which represent the religious songs that black enslaved people sung, then it moves into more West Indian influences, a celebration of Emancipation and the conception of the blues. Lastly, the piece depicts the African Americans of the 1920s, 30s and World War II. 

The Lorca Hart Trio – Introspection on the 401

Jazz songs don’t always have lyrics and instrumental tunes can provide a listener with a wordless moment of introspection. As we’ve discussed, music often stirs up emotions and thoughts, thus providing an excellent backdrop to do some thinking. This new song from The Lorca Hart Trio creates just the right ambience to do some self-reflection as you drive down the road to work.  

If you’re interested in listening to more jazz songs, and uncovering more themes and meanings, I would recommend our albums, Lovers & Love Songs, and Colors of Jazz, both of which are available in our store and on all major music platforms! 

This post was written by Blog Editor, Jacqueline Knirnschild.

Why is Labor Day celebrated?

We all love that day off from school or work, that long weekend to go to the lake house, have a barbeque and visit with relatives, but let’s face it, most of us don’t really know why Labor Day is celebrated, or the history behind the holiday.

Labor Day, which is celebrated on the first Monday in September, honors and recognizes the American labor movement and the role of laborers in the development and achievements of the country. The holiday originated in the late 1800s, after the Industrial Revolution, when trade unions were growing steadily. Unionists thought that there should be a day to recognize labor, so the first parade was organized in New York City, and it became an official holiday in 1894.

You may be wondering, what kind of music did people listen to back then, in the late 19th century? Well, we’ve compiled a short list of historical tunes that are sure to impress your friends and family at your Labor Day celebration!

I’ve Been Working on the Railroad – 1894

With its lyrics about rising early in the morn to go work on the railroad, this American folk song embodies the spirit and history of Labor Day. Railroading was a career that many young men took up at around age 18 to 20. They began as shop laborers with the possibility of being promoted to the positions of skilled mechanic, brakeman, freight conductor and passenger conductor. And not only did the explosion of railways create jobs, but it also transformed many sectors of the U.S. economy, such as manufacturing, agriculture, and finance. 

Swing Low, Sweet Chariot – 1872

This African American spiritual song was originally composed in 1865 by Wallis Willis, a Choctaw freedman, who had probably been inspired by the sight of the Red River, where he worked alongside. The river may have reminded him of the Jordan River and the Prophet Elijah, which are referenced in the song.

A minister at the Choctaw boarding school heard Willis singing the song, so he transcribed the lyrics and melodies, and sent it to the Jubilee Singers of the historically black Fisk University in Nashville, who popularized the song in the early 1900s.

While Strolling Through the Park One Day – 1884

Originally written and published by vaudeville performer Ed Haley, this tune has been featured in many films and was sung by Judy Garland. Interestingly enough, a few bars were also sung by the NASA astronauts when they landed on the moon with the Apollo 17 mission. I was strolling on the moon one day…” 

Don’t It Make My Brown Eyes Blue – Janis Siegel, John Di Martino & Lonnie Plaxico

The oldies are neat and everything, but after the novelty wears off, they’re probably not the type of music you want to listen to for hours on end. After the collective ride down American memory lane, maybe it’s time to change the playlist up and play something a bit more modern, like this 2020 jazz rendition of Crystal Gayle’s country hit!

If you’re looking for more jazzy country tunes to play at your Labor Day party, our new album Cryin’ In My Whiskey is available in our store and on all major music platforms now. And if you’d like to book one of our wonderful musicians for your event, please contact us today. 

This post was written by Blog Editor, Jacqueline Knirnschild.

What is the National Day of the Cowboy?

Created in 2005, the National Day of the Cowboy celebrates the role and contributions that cowboys and cowgirls have made to America’s history and culture. The NDOC organization even gives out awards to individuals and organizations that promote and preserve pioneer and cowboy history! The day is observed on the fourth Saturday in July, so that means this year, July 24th will be the day to put on your boots and saddle up!

Cowboys began appearing in the heartland and wild west after the Civil War. Working mostly as ranchers and ranch hands, cowboys raised cattle and horses, and herded them across the plains to slaughterhouses. And since the western frontier was still widely unexplored at the time, it was a lawless land that swirled with riches, adventure and violence. Amid this backdrop, the mythical, stoic image of the cowboy became popular. 

Now you may be wondering how you can celebrate the National Day of the Cowboy. Well, you could put on a cowboy hat, go to a rodeo, and then come home and listen to these country western songs that we picked out for you. Find a partner, say howdy and have a hog-killin’ time square-dancing the night away!

Roy Rogers – Don’t Fence Me In

Known in his heyday as the “King of the Cowboys,” Ray Rogers acted and sang in over 100 Western films. This 1944 tune, which he sang with his wife Doris Rogers, became known across the country and for generations to come as the cowboy theme song. Oh, give me land, lots of land under starry skies above…

Marty Robinson – The Streets of Laredo (Cowboys Lament)

Derived from a traditional Irish folk song, titled “The Unfortunate Rake,” this cowboy ballad was named one of Top 100 Western songs of all time and has become a folk music standard. In the song, a dying cowboy tells his story to another cowboy in Laredo, Texas.  

Gene Autry – Back in The Saddle Again

Nicknamed the “Singing Cowboy,” Gene Autry personified the honest, brave and true hero, and he was a significant pioneer in the history of country music. “Back in the Saddle Again” was first released in 1939 and became Autry’s signature song because who wouldn’t want to be transported to the land where the longhorn cattle feed on the lowly gypsum weed?

Janis Siegel, John Di Martino & Lonnie Plaxico – Always On My Mind

This bittersweet, remorseful ballad, made famous by the outlaw country star Willie Nelson, is given a jazz treatment in this brand-new version. Including a lovely flute solo from Aaron Heick, this rendition really pulls at your heartstrings. Tell me that your sweet love hasn’t died…

If you’re looking for more country tunes to celebrate the National Day of the Cowboy, check out our newly released album, Cryin’ in My Whiskey, which is available in our store and on all major music platforms. And if you’d like one of our talented musicians to perform at your event, please contact us today! 

This post was written by Blog Editor, Jacqueline Knirnschild.

What songs were popular during World War II?

In honor of D-Day—the decisive Allied invasion of Normandy on June 6, 1944 that led to the liberation of France and western Europe from Nazi control—we’re going to take a look at the type of music and the songs that were popular during WWII. 

With the advent of the radio in the 20s and 30s, American music was very accessible to everyone, so when the United States went to war in 1941, swing and jazz music provided comfort to families at home and soldiers abroad. Unlike the militaristic and patriotic songs of World War I, popular music during WWII centered around romance and strength. Now, let’s listen to some of the songs that boosted the morale of our veterans!

Glenn Miller – Chattanooga Choo Choo

Written by Mack Gordon and composed by Harry Warren in 1941, this song was originally recorded as a big band/swing tune and was featured in the movie Sun Valley Serenade. The tune opens with the trumpets and trombones imitating a train whistle and the whole band sounding like a train rolling out of a station. 

Next, we get a dialogue between a shoeshine boy and a passenger. The passenger describes the route from New York through Baltimore and North Carolina until finally reaching Chattanooga, where he plans to settle down for good with a woman he knew from earlier in life. With the fun instrumental imitations of a train’s “choo choo,” it’s no wonder that this became the first song to receive a gold record for selling 1.2 million copies!

Johnny Mercer – G.I. Jive

Johnny Mercer wrote and performed this song in 1944 with the intention of making something that the soldiers would like, and boy did it hit it on the head! This tune became the biggest hit of all the songs that revolved around soldier life during World War II. Roodley-toot, jump in your suit, make a salute! 

When the Lights Go On Again – Vaughn Monroe

This hopeful and calming song, which reached number one on the charts in 1943, looked forward to the time when the boys are home again all over the world and rain or snow is all that may fall from the skies above. A time when a kiss won’t mean “Goodbye” but “Hello to love.” This song really shows the power of music to raise one’s spirits and to unite people from all around the world. 

King Cole Trio – Gee, Baby, Ain’t I Good to You

This love song was originally written in 1929 but became popular in 1944 with the recoding from the King Cole Trio. IT reached #1 on the Harlem Hite Parade, which charted the top songs in the Harlem district of New York City. And now, the classic tune has been reimagined by the legendary WJ3 All-Stars! 

If you’re looking for some more modern renditions of classics from the 20s, 30s and 40s, look no further than Lovers and Love Songs, WJ3 All-Star’s most recent release. The album is available inn our store and on all major music platforms!

This post was written by Blog Editor, Jacqueline Knirnschild.